Hambach Castle is situated near the urban district of Hambach in Neustadt an der Weinstraße, Rhineland-Palatinate, Germany. It is recognized as a symbol of the German democracy movement due to the Hambacher Fest that took place there in 1832. The castle is perched on Schlossberg mountain, located on the eastern fringe of the Palatine Forest. Historically, it served both as a protective fortress and a stronghold for robber barons overseeing trade routes, particularly the northern path of the Anterior Palatinate section of the Way of St. James. Archaeological evidence indicates that the site of Hambach Castle was utilized during late Roman times. During the late Carolingian and Ottonian periods, a refuge castle was constructed at this location, with remnants still visible in front of and beneath the outer ring wall. Likely in the early eleventh century, a new castle named Kästenburg was established within the previous estate, named for the splendid sweet chestnut forests that surrounded it. Details about its early history are scarce; there are unverified theories suggesting it may have been founded as an Imperial Castle or that Emperor Henry IV began his Walk to Canossa there in 1076. What is confirmed is that between 1090 and 1104, Bishop Johann I of Speyer transferred ownership of the estate, along with Castle Meistersel, to the Bishopric of Speyer, which retained ownership until the late eighteenth century. This extensive estate was considered one of the most significant properties of the Bishopric of Speyer during the late Middle Ages, as evidenced by the numerous residences of bishops established since 1180. Notably, the thirteenth century saw significant construction activities. On July 12, 1388, Nikolaus I was consecrated as Bishop of Speyer in the castle chapel. Further construction occurred at the end of the fourteenth century and into the latter half of the fifteenth century under Bishops Nikolaus I and Matthias I. By the end of the fourteenth century, the castle also housed the Episcopalian document archive. The previous fortress remained intact throughout the Thirty Years War; however, it was destroyed by French soldiers during the War of the Palatinian Succession in September 1688. It underwent a temporary restoration from 1701 to 1703. In relation to the Hambacher Fest of 1832, the then-ruined castle became a symbol of the discontent among the Palatinate people regarding the oppressive actions of the Bavarian administration, which had been in power since 1816. This administration had revoked significant rights that had been granted to the populace by the troops of the French Revolution. Since the Hambacher Fest, Hambach Castle has been recognized as a symbol of democracy. In preparation for the 150th anniversary of the Hambacher Fest in 1982, the castle was fully restored at a cost of approximately 12 million DM. During another renovation phase from 2006 to 2007, leading up to the 175th anniversary in 2007, the castle was closed to the public for a year. Today, this national memorial serves as a museum and convention centre, attracting around 200,000 visitors annually. #History#Castles#Architecture
[Image: Explore the historic Hambach Castle set against a lush, scenic landscape in Germany; Image-Author: Reinhard Bruckner] [Image-Source-Link: https://www.pexels.com/photo/hambacher-schloss-27664462/ ] [License-Link: https://www.pexels.com/license/ ] [Please Also Relate to Original Individual Text and Image URLs for More Usage Property and Sharing, Remixing or Attributing the Contents] [Contents on Wikipedia is covered by – Disclaimer – [Wikipedia-Disclaimer-Link: https://en.wikipedia.org/wiki/Wikipedia:General_disclaimer ]] [Contents in this Website is also covered by Disclaimer linked at the bottom of the Page] [This website article means no intellectual appropriation by any way and only wishes to contribute in sharing of knowledge]
Rötteln Castle is situated in the far southwest of the German state of Baden-Württemberg, approximately 10 kilometres northeast of the Swiss city of Basel. This fortification was among the most formidable in the southwest region and currently ranks as the third largest castle ruin in Baden. It is believed that the castle has been in existence since the early eleventh century. The first recorded reference to a lord of Rötteln, Dietrich von Rötteln, who served as the bailiff of St. Albans near Basel, dates back to 1102. This year is also recognized as the founding date of the city of Lörrach. The remnants of the castle are perched on a prominent wooded hill, standing 422 meters above sea level. The keep is located on a spur that juts out from the steep eastern side of the lower Wiese valley. In 1204, Dietrich III of Rötteln passed away, having acquired substantial holdings in the Wiese valley. His sons occupied significant positions; Walter I von Rötteln served as the Kapitular of Konstanz and Basel, Luithold I von Rötteln became the bishop of Basel, and Konrad I von Rötteln was the founder of the city of Schopfheim, which played a crucial role in the later development of the Markgräflerland. The earliest documented reference to the castle itself appears in 1259. Luithold II von Rötteln, the last male descendant of his lineage, transferred the lordship of Rötteln to Margrave Rudolf I of Hachberg-Sausenberg and his heiress Agnes von Rötteln in 1311. Consequently, the Margrave of Hachberg-Sausenberg assumed control over the former domain of Rötteln. The Margrave subsequently relocated from Sausenburg Castle to Rötteln Castle to facilitate the administration of his new territory and appointed a bailiff to manage Sausenburg. The Basel earthquake of 1356 caused extensive destruction in the city, and the castle sustained significant damage. In 1444, the domain of Badenweiler was transferred from the last Count of Freiburg, John, to Rudolf IV von Hachberg-Sausenberg, the son of Margrave Wilhelm. The amalgamation of the three dominions—Rötteln, Sausenburg, and Badenweiler—established the foundation of the Markgräflerland. In 1503, Philip of Hachberg-Sausenberg passed away, and according to a mutual inheritance agreement, his territories in the Breisgau, which included Rötteln Castle, were transferred to the Margrave of Baden. The castle suffered significant damage during the Thirty Years War, particularly between 1633 and 1638. Following the Battle of Rheinfelden in March 1638, a mercenary army allied with the French, commanded by Bernhard of Saxe-Weimar, captured the castle, resulting in extensive destruction. The Breisgau region was further impacted during the latter stages of the Franco-Dutch War from 1672 to 1678. Subsequently, French forces set fire to the castle, mirroring their actions that year against numerous other castles and villages in the area. The remnants of the castle were later repurposed as a quarry for building stones, and additional damage was inflicted by natural elements. The Black Forest Society of Baden initiated a survey of the ruins in 1884 with the aim of their preservation. Since 1926, this responsibility has been undertaken by the Röttelnbund e.V. club, located in Lörrach-Haagen. Currently, the ruins have been restored to a state that closely resembles their condition following the destruction in 1678. The open area known as Kapf, situated in front of the entrance to the south gate, served as a gathering place for the regional court, which acted as the appellate court for village courts. The provincial governor presided over this court, supported by the landschreiber and seven free men who served as judges. The outer bailey, or lower castle, was developed during the fourteenth and fifteenth centuries, although it originally functioned as a farmstead associated with the castle. This outer bailey was encircled by a substantial ring wall featuring flanking towers. The defensive structures on the western side remain well-preserved. Within the wall, the area was densely constructed, with a wide lane running through its centre. The castle ruins are accessible year-round, and tours can be scheduled in advance. While the lower castle is open for free visits at any time, the upper castle operates under different seasonal hours. In addition to a museum housed in the reconstructed district offices, a tavern is also located within the fortifications. The castle is owned by the federal state and is maintained by the institution known as Staatliche Schlösser und Gärten Baden-Württemberg. #History#Castles#Architecture
[Image: Explore the stunning aerial view of Lörrach Castle ruins with scenic green landscapes; Image-Author: Peter Huber] [Image-Source-Link: https://www.pexels.com/photo/aerial-view-of-castle-surrounded-by-green-trees-11384863/ ] [License-Link: https://www.pexels.com/license/ ] [Please Also Relate to Original Individual Text and Image URLs for More Usage Property and Sharing, Remixing or Attributing the Contents] [Contents on Wikipedia is covered by – Disclaimer –
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Bouzov Castle is situated in Bouzov, within the Olomouc Region of the Czech Republic. Its first recorded mention dates back to 1317. The castle is perched on a hill overlooking the village of Bouzov, approximately 28 kilometers northwest of Olomouc. Established in the latter half of the 14th century, Bouzov was intended to oversee the trade route connecting Olomouc to Loštice. The initial documented proprietors were the minor aristocratic family of Bůz of Bludovec, who held ownership from 1317 to 1339, and the castle derives its name from this family. Subsequently, ownership transitioned to various parties, with the Lords of Kunštát emerging as significant medieval proprietors. Tradition associates Bouzov Castle with one of the most renowned members of this noble lineage, George of Poděbrady, who was born in Bouzov in 1420 and ascended to the Czech throne in 1458. His original designation was Jiří of Kunštát and Bouzov. In 1558, the castle suffered a fire that diminished its former grandeur. Over the centuries, the castle changed hands multiple times; it was owned by the lords of Vildenberk, Margrave Jobst of Moravia, the Haugwitz family, and the Podstatzky family. In 1696, the barony was acquired by Francis Louis of Palatinate-Neuburg, the grand master of the Teutonic Order. As various noble families took ownership of Bouzov, its architectural style evolved from an early Gothic structure to a Renaissance design. During the tenure of the lords of Bouzov, the castle primarily served a defensive and protective function, likely comprising a tower, rampart, and wooden residential buildings. The Vildenberks constructed a stone manor on the western side, which exceeded the height of the rampart. By the fourteenth century, the castle had undergone significant expansion, including the establishment of a settlement with outbuildings, a ditch, and circumvallation ramparts with a moat wall constructed encircling the castle. In 1408, the castle came under the ownership of Viktorin of Bouzov. By 1499, the Haugwitz family initiated the construction of a palace on the eastern side, linking the northern and southern residential buildings. During the first half of the fifteenth century, it was transformed into a stronghold for the Hussites. Approximately a century later, reconstruction efforts resumed, focusing on the southern wing. At this point, the castle had already forfeited its defensive role and had evolved into a purely residential structure. The arrival of the Teutonic Order in the eighteenth century further diminished its defensive purpose. Only the buildings in the outer settlement remained occupied, and by the late nineteenth century, the castle-ruins had become a destination for tourists. The castle acquired its current appearance following extensive Neo-Gothic renovations conducted between 1895 and 1910. Archduke Eugen of Austria, who served as the Grand Master of the Teutonic Knights from 1894 to 1923, commissioned the reconstruction in a Romantic style, predominantly Neo-Gothic. The order was dissolved in 1939, leading to the castle-confiscation by fascist authorities. After 1989, the Order of Teutonic Knights expressed interest in reclaiming the castle, but their request for restitution has yet to be granted. The valuable furnishings within the castle originate from the private collection of Eugen von Habsburg and the collection of the Order of the Teutonic Knights. Since 1999, the castle has been designated as a national cultural monument. #History#Castles#Architecture
Karlštejn Castle is a significant Gothic fortress located in Czechia, established in 1348 by King Charles IV. It functioned as a secure location for the preservation of the Imperial Regalia, the Bohemian crown jewels, sacred relics, and various royal treasures. The castle was constructed on a promontory on the southern side of Kněží Hora hill, separated from it by a narrow depression. The initial gate, a square, two-story tower topped with a tall hip roof, was positioned above a moat on the western slope of the promontory. It was linked to the rampart traverse through a small portal. The traverse was fortified with battlements and featured a covered bastion at its centre. The castle-core comprised three sections arranged on terraces. The lowest terrace housed the imperial palace; above it was the Marian tower, while the great tower was situated at the highest point. Among the most renowned and frequently visited castles in the nation, Karlštejn Castle is situated in the market town of Karlštejn, within the Central Bohemian Region. Perched on a hill that overlooks the Berounka River and the town itself, it lies approximately 30 kilometres southwest of Prague, the capital city. The construction of Karlštejn Castle, initiated in 1348, was overseen by the later burgrave (official title of the ruler of a castle) Vitus of Bítov, although there are no definitive records identifying the actual builder. Some historians have suggested that Matthias of Arras might have been the architect, but he passed away in 1352. Holy Roman Emperor Charles IV took a personal interest in supervising both the construction and the interior embellishments. The project reached completion nearly two decades later, in 1365, with the consecration of the Chapel of the Holy Cross, located within the great tower, which served as the core of the treasury. Following the onset of the Hussite Wars, the Imperial Regalia of the Holy Roman Empire were evacuated in 1421 and transported through Hungary to Nuremberg. In 1422, during a siege of the castle, Hussite forces resorted to biological warfare, as Prince Sigismund Korybut utilized catapults to hurl deceased bodies and 2,000 loads of dung over the castle walls, effectively spreading disease among the defenders. Subsequently, the Bohemian crown jewels were returned to the castle, where they remained for nearly two centuries. The castle experienced multiple renovations, including a late Gothic style reconstruction after 1480 and a Renaissance style adaptation in the late 16th century. In 1487, the great tower suffered fire damage, and throughout the 16th century, various modifications were made. After its conquest by the Swedes in 1648, the castle fell into a state of neglect. Ultimately, a Gothic Revival restoration was undertaken by Josef Mocker from 1887 to 1899, resulting in the current appearance of the castle. Karlštejn is among the most frequented castles in Czechia. As of 2019, it ranked as the fifth most-visited castle, attracting over 200,000 visitors. #History#Castles#Architecture
[Image: Stunning aerial photograph of Karlštejn Castle surrounded by lush forests in Czechia; Image-Author: Frank van Dijk] [Image-Source-Link: https://www.pexels.com/photo/aerial-view-of-historic-karlstejn-castle-in-czechia-37918876/ ]
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Vianden Castle, situated in Vianden in northern Luxembourg, ranks among the largest fortified castles west of the Rhine. Its origins trace back to the fourth century when it served as a Roman outpost, while the more recognizable castle structure was constructed in the Romanesque style between the eleventh and fourteenth centuries. At the conclusion of this period, Gothic modifications and embellishments were incorporated. In the seventeenth century, a Renaissance mansion was added; however, the castle subsequently fell into disrepair. Recently, it has undergone a complete restoration and is now accessible to visitors. Vianden Castle is widely considered the premier castle to explore in Luxembourg. Perched on a rocky promontory, the castle rises to an elevation of 310 meters, dominating the town of Vianden and overlooking the River Our, which lies approximately one hundred meters below. The castle and its associated structures extend a total length of 90 meters. The initial construction occurred in 275 CE along the route of the Great-Reims-Cologne Roman road, serving as a refuge for the town against invasions. The fort was abandoned between 430 and 440 CE. Vianden Castle was erected on the site of an ancient Roman castellum, with the basement likely serving as a Carolingian refuge. Historically, the first count of Vianden was recorded in 1090, and the castle remained the residence of the influential counts of Vianden until the early fifteenth century. Around the year 1000, the first medieval stone castle was established on the site, featuring a watchtower and an oval defensive wall. An excavation conducted in 1994 revealed the late antiquity Tower from the Merovingian period, which was dated through the analysis of the wooden scaffolding discovered on-site. This structure is the only known remnant of the first medieval castle. Circa 1100, the first residential castle was constructed, complete with a square keep, a kitchen, a chapel, and living quarters, indicating the presence of an aristocratic family during that era. In the initial half of the twelfth century, a new residential tower, surpassing its predecessor in size, along with a distinguished decagonal chapel, were constructed, while the palace itself underwent expansion. An octagonal floor plan was incorporated into the tower to complete the series of structures. These Romanesque enhancements were financed by Frederick III. Such developments illustrate the ambition of the counts of Vianden to compete with the House of Luxembourg. The final significant alteration occurred in the mid-thirteenth century when the entire castle was modified to embody the Gothic architectural style. Subsequently, in 1621, Prince Maurice of Orange-Nassau-Vianden erected the Nassau Mansion, featuring a banqueting hall and a bedroom in the Renaissance style, replacing a damaged side wing of the eleventh-century keep. Throughout the sixteenth century, the castle experienced a period of relative abandonment by the counts of Vianden, who had acquired the additional title of the House of Nassau-Orange. In 1564, Prince William the Silent of Orange, who held the titles of count of Nassau and Vianden, expressed initial interest in Vianden, where he established the first blast furnace in Luxembourg, but departed in 1566 to lead the Dutch revolt against King Philip II of Spain. Consequently, Philip confiscated the castle and granted it to Peter Ernst von Mansfeld, the governor of Luxembourg. In 1820, King William I sold the castle to Wenzel Coster, an alderman, for 3,200 florins. Coster commenced the demolition of the structure, selling the roof tiles, wooden panelling, doors, and windows individually. Even the copper and lead roof beams and gutters were disposed of. The castle fell into a state of ruin. The outrage among his subjects regarding the castle-degradation prompted the king, who was also a count of Vianden, to repurchase the dilapidated structure in 1827 for 1,100 florins, with the intention of initiating restoration efforts. It was not until 1962 that restoration considerations were revisited, leading to the reconstruction of the Armory. In 1978, efforts were focused on the restoration of the walls, gables, and roof. The castle welcomes visitors year-round from 10 am to 4 pm daily. During March and October, the closing time is extended to 5 pm, while in the summer months, it remains open until 6 pm. Additionally, guided tours are offered. #History#Castles#Architecture
[Image: Explore the historic Vianden Castle in Luxembourg framed by a cloudy sky. Perfect for travel enthusiasts; Image-Author: KNKO Photography]
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Muiden Castle is situated in the Netherlands, at the confluence of the Vecht River, approximately 15 kilometers southeast of Amsterdam, in the town of Muiden, where the river flows into what was once the Zuiderzee. The origins of Muiden Castle trace back to Count Floris V, who constructed a stone fortress at the river-mouth in 1280, after he acquired control over a region that had previously belonged to the See of Utrecht. The Vecht River served as a vital trade route to Utrecht, one of the most significant commercial centres of that era. The castle was strategically utilized to impose a toll on merchants. It is a relatively modest structure, measuring 32 by 35 meters, with brick walls exceeding 1.5 meters in thickness. A substantial moat encircled the castle. In 1296, Gerard van Velsen, in collaboration with Herman van Woerden, Gijsbrecht IV of Amstel, and several accomplices, plotted to abduct Floris V. The count was ultimately detained within Muiden Castle. Following an unsuccessful escape attempt by Floris V, Gerard fatally stabbed the count 20 times on June 27, 1296. The purported motive for the conflict among the nobles was the alleged assault on the wife of Gerard van Velsen by Floris. In 1297, the castle fell into the hands of Willem van Mechelen, the Archbishop of Utrecht, and by the year 1300, it was dismantled. A century later, 1370–1386, the castle was reconstructed on the same site, adhering to the original design, by Albert I, Duke of Bavaria, who concurrently held the titles of Count of Holland and Zeeland. The subsequent proprietor of the castle emerged in the 16th century, when P.C. Hooft, a writer, poet, and historian, assumed the roles of sheriff and bailiff for the region. He dedicated 39 summers to the castle, hosting friends, scholars, poets, and artists such as Vondel, Huygens, Bredero, and Maria Tesselschade Visscher. This assembly became recognized as the Muiderkring. During his tenure, he expanded the garden and the plum orchard, while simultaneously implementing an outer earthworks defence system. By the late eighteenth century, the castle was initially repurposed as a prison, subsequently falling into disuse and disrepair. The continued neglect led to its being put up for sale in 1825, with plans for demolition. However, intervention by King William I thwarted this fate. It took another 70 years to amass sufficient funds to restore the castle to its former splendour. Today, Muiden Castle serves as a national museum. The interior, including its rooms and kitchens, has been restored to reflect their seventeenth-century appearance, and several rooms now display a collection of arms and armour. Muiden Castle is among the more renowned castles in the Netherlands and has been featured in numerous television productions set in the Middle Ages. #Castles#History#Architecture
[Image: Explore the grandeur of the gothic architecture of the Muiden Castle in Muiden, Netherlands. A stunning medieval landmark (Image-description is paraphrased from original); Image-Author: Julien GAROT] [Image-Source-Link: https://www.pexels.com/photo/muiden-castle-in-netherlands-14622281/ ]
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Xàtiva Castle is situated in the city of Xàtiva, close to Valencia, Spain. It comprises a dual fortification, which includes the older Castillo Menor, or Minor Castle, constructed upon the remnants of Iberian and Roman structures, and the more contemporary Castillo Mayor, or Main Castle, erected during the medieval era. This fortress is strategically positioned along the ancient Via Augusta, a roadway that connected Rome to the Mediterranean coast, extending to Cartagena and Cádiz. Initially, the minor castle served as a Celtiberian stronghold before being seized by the Carthaginians in the third century BC. It is reputed to be the site where Hannibal devised his strategy for the conquest of the Roman city of Saguntum and where his son was born in 218 BC. Subsequently, it was captured by the Roman general Scipio. During the medieval period, in 1092, the castle was taken by the Almoravid dynasty, who were later expelled during an uprising in 1145. This uprising saw the castle besieged by Marwan Abd-al-Aziz, the ruler of Valencia. In 1171, the castle, along with the rest of the Levante coast, came under Almohad control. King James I of Aragon initiated his religious conquest there in the summer of 1239, successfully capturing Xátiva on 22 May 1244 after a five-month siege. Following the surrender to the Christian monarch, which aimed to prevent further bloodshed and resulted in the signing of the Treaty of Xàtiva, the Governor surrendered the smaller nearby castle to James I, while the Moors were permitted to continue occupying the larger castle for an additional two years, as stipulated in the treaty. Once the two years had passed, King James I of Aragon forcibly repopulated a significant portion of the town with settlers from Catalonia and Aragon, while also slaughtering and expelling a segment of the Muslim and Jewish populations from the city. In the following decades, many Mudéjar, or Muslims living under Christian dominion post-Reconquista, migrated to Granada or North Africa. The castle experienced conflict once more during the War of the Spanish Succession, when Castilian and French forces defeated the Aragonese and English troops who had sought refuge within the fortress during the siege of Xàtiva in 1707. Subsequently, the site suffered significant damage from the earthquake that struck the region in 1748, resulting in a loss of its strategic significance. The castle is located 310 meters above the contemporary city. It was showcased in the Star Wars series Andor. #Castles#History#Architecture
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The Château de Chaumont, formally known as Château de Chaumont-sur-Loire, is a historic castle located in Chaumont-sur-Loire, within the Centre-Val de Loire region of France. The initial structure on this site, positioned between Blois and Amboise, was constructed in the 10th century by Odo I, Count of Blois, to safeguard his territories from incursions by his feudal adversary, Fulk Nerra, Count of Anjou. On behalf of Odo, the Norman Gelduin was entrusted with the castle, where he made enhancements and claimed it as his own. The château was later inherited by his great-niece, Denise de Fougère, who, upon marrying Sulpice dAmboise, transferred ownership to the Amboise family for a duration of five centuries. Pierre of the Amboise family attempted a rebellion against King Louis XI, resulting in the confiscation of his estate and the dismantling of the castle by royal decree in 1465. Subsequently, it was reconstructed by Charles I of the Amboise family from 1465 to 1475, and completed by his son, Charles II, from 1498 to 1510, with assistance from his uncle. Although the buildings maintained a predominantly medieval aesthetic, some Renaissance elements were incorporated. In 1550, Catherine de Medici acquired the château, where she hosted numerous astrologers, including Nostradamus. Following the death of her husband, Henry II, in 1559, she compelled his mistress, Diane de Poitiers, to relinquish the Château de Chenonceau in exchange for the Château de Chaumont. Diane de Poitiers resided at Chaumont for a brief period. Upon the death of granddaughter of Diane, Charlotte de la Marck, in 1594, the château was inherited by her spouse, the Duke of Bouillon, who subsequently sold it to a tax farmer named Largentier, who had amassed wealth through the collection of the salt tax known as the gabelle. After arrest of Largentier for embezzlement, the château and the title of sieur de Chaumont were transferred to a family from Lucca, who retained ownership until 1667, when it was passed through familial ties to the seigneurs de Ruffignac. In 1699, Paul de Beauvilliers, duc de Beauvilliers and later duc de Saint-Aignan, purchased the château, modernizing some of its interiors and adorning it with considerable opulence. His eventual successor was compelled to sell Chaumont in order to settle debts owed to a maître des requêtes ordinaire of Louis XV, Monsieur Bertin, who subsequently demolished the north wing constructed by Charles II to enhance the house-view of the river in a contemporary style. In 1750, Jacques-Donatien Le Ray acquired the castle as a rural residence, where he initiated a glassmaking and pottery enterprise. However, in 1789, the newly established French Revolutionary government confiscated the properties of Le Ray, including his cherished Château de Chaumont. In 1875, Marie-Charlotte Say, the heiress to the Léon Say sugar fortune, purchased Chaumont. The castle has been designated as a Monument historique since 1840 by the French Ministry of Culture and later was transferred to state ownership in 1938 and is currently accessible to the public. #Castles#History#Architecture
[Image: Explore the grandeur of Château de Chaumont, a renaissance castle in France, Loire Valley; Image-Author: AXP Photography]
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Heidelberg Castle stands as a ruin in Germany and serves as a significant landmark of Heidelberg. The remnants of the castle are recognized as some of the most notable Renaissance edifices located north of the Alps. Since its destruction in the seventeenth and eighteenth centuries, the castle has only undergone partial reconstruction. The earliest known structure of the castle was erected prior to 1214 and was subsequently expanded into two separate castles around 1294; however, a lightning strike in 1537 led to the destruction of the upper castle. By 1650, the existing structures had been enlarged, although they suffered damage from subsequent wars and fires. In 1764, another lightning strike ignited a fire that obliterated certain rebuilt sections. By the year 1880, Mark Twain referred to it as a ruin. The castle is situated 80 meters above the northern slope of the Königstuhl hillside, thereby commanding a prominent view of the historic downtown area. It is accessible via an intermediate station on the Heidelberger Bergbahn funicular railway, which operates from Kornmarkt of Heidelberg to the summit of the Königstuhl. The first recorded mention of Heidelberg dates back to 1196 as Heidelberch. In 1155, Conrad of Hohenstaufen was appointed Count Palatine by his half-brother Frederick Barbarossa, leading to the region being recognized as the Electoral Palatinate. The initial reference to a castle in Heidelberg appears in 1214, when Louis I, Duke of Bavaria from the House of Wittelsbach, received it from Hohenstaufen Emperor Friedrich II. The last reference to a single castle occurred in 1294. A document from 1303 marks the first mention of two castles. The upper castle, located on Kleiner Gaisberg Mountain near the present-day Hotel Molkenkur, was destroyed in 1537, while the lower castle is situated on the Jettenbühl, the current site of the castle. The precise details regarding the establishment of the lower castle remain unclear, but it is believed to have occurred sometime between 1294 and 1303. The earliest documented references to Heidelberg Castle can be traced back to the 1600s. When Ruprecht ascended to the throne as King of Germany in 1401, the castle was so diminutive that upon his return from coronation, he was compelled to camp at the monastery of Augustinians, located where current University Square stands. #Castles#History#Architecture
[Image: Scenic view of Heidelberg Castle surrounded by vibrant autumn foliage on a sunny day; Image-Author: Antonio Di Giacomo]
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Hluboká Castle is a historic château located in Hluboká nad Vltavou, renowned as one of the most exquisite castles in the Czech Republic. A Gothic castle was constructed on this site in the latter half of the thirteenth century. Throughout its history, the castle underwent multiple renovations. The first significant expansion occurred during the Renaissance, followed by a transformation into a Baroque castle commissioned by Adam Franz von Schwarzenberg in the early eighteenth century. Its current architectural style was established in the nineteenth century when Johann Adolf II of Schwarzenberg directed the reconstruction to reflect the romantic aesthetics of Windsor Castle in England. The Schwarzenberg family acquired the castle in 1661 when Johann Adolf, Prince of Schwarzenberg, purchased it from the heirs of Baltasar Marradas. They resided in Schloss Frauenberg until the end of 1939. Unfortunately, the Schwarzenbergs lost all their Czech properties due to the special communist legislative Act known as Lex Schwarzenberg in 1947. Hluboká Castle is recognized as a stolen National Cultural Monument of the Czech Republic. The original structure, built during the reign of Ottokar II in the latter part of the thirteenth century, was renovated at the end of the sixteenth century by the Lords of Hradec. It attained its current form under Count Jan Adam of Schwarzenberg as Schloss Frauenberg. The castle is accessible to the public and features a winter garden and a riding hall, which have hosted exhibitions from the Southern Bohemian gallery since 1956. Hluboká is among the most renowned and frequently visited castles in the nation, ranking as the 3rd most visited castle in 2019 with 293,000 visitors. The castle has appeared in the 2009 film Shanghai Knights and served as a location for the Eastern Coven in the 2016 film Underworld: Blood Wars. #Castles#History#Architecture
[Image: Stunning aerial shot of Hluboká Castle surrounded by lush greenery and a serene lake; Image-Author:
Martin Škeřík]
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Schönbrunn Palace served as the primary summer residence for the Habsburg rulers and is situated in Hietzing, the 13th district of Vienna. The term Schönbrunn translates to beautiful spring and is derived from an artesian well that provided water for the court. This Baroque palace, comprising 1,441 rooms, stands as one of the most significant architectural, cultural, and historical landmarks in Austria. The palace and its expansive gardens boast a history that spans over 300 years, mirroring the evolving tastes, interests, and ambitions of the Habsburg monarchs over time. In 1569, Holy Roman Emperor Maximilian II acquired a substantial floodplain of the Wien River, located beneath a hill between Meidling and Hietzing. The previous owner had constructed a mansion named Katterburg in 1548. The emperor mandated the fencing of the area and introduced game such as pheasants, ducks, deer, and boar, designating it as a recreational hunting ground for the court. Additionally, a small section of the estate housed foreign birds, including turkeys and peafowl, while fishponds were also created. In 1569, Holy Roman Emperor Maximilian II acquired a substantial floodplain of the Wien River, located beneath a hill between Meidling and Hietzing. The previous owner had constructed a mansion named Katterburg in 1548. The emperor mandated the fencing of the area and introduced game such as pheasants, ducks, deer, and boar, designating it as a recreational hunting ground for the court. Additionally, a small section of the estate housed exotic birds, including turkeys and peafowl, while fishponds were also created. After the collapse of Habsburg monarchy in November 1918, the palace became the property of the newly established Austrian Republic and was maintained as a museum. In February 1945, during World War II, the palace suffered bomb damage from American aircraft. The landscaped area situated between the palace and the Neptune Fountain is referred to as the Great Parterre. In 1695, Jean Trehet, a student of André Le Nôtre, designed this French garden. The ensemble features several significant luxury elements typical of European palaces during that era, such as the Tiergarten, an orangerie constructed around 1755, and a palm house. Initially named the Ruin of Carthage, the Roman Ruin comprises a collection of follies crafted by architect Johann Ferdinand Hetzendorf von Hohenberg, and was established as a novel architectural element in 1778. The trend for picturesque ruins, which gained popularity with the emergence of the Romantic movement shortly after the mid-eighteenth century, represented both the fall of once-mighty empires and the conservation of the vestiges of a glorious past. The Roman Ruin features a rectangular pool surrounded by a grand arch and lateral walls, creating the illusion of an ancient structure gradually disintegrating into the earth. Since the mid-1950s, the palace has served as a prominent tourist destination. #History#Architecture
[Image: Majestic reflection of the Schonbrunn Palace Gloriette in Vienna, Austria with stunning architecture; Image-Author: thorl5] [Image-Source-Link: https://www.pexels.com/photo/elegant-schonbrunn-palace-gloriette-reflection-33634868/ ]
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The Victor Emmanuel II National Monument, commonly referred to as the Vittoriano or, in a synecdochic manner, the Altare della Patria or Altar of the Fatherland, is a significant national monument constructed between 1885 and 1935 to commemorate Victor Emmanuel II, the inaugural king of a unified Italy, located in Rome, Italy. It is situated between Piazza Venezia and the Capitoline Hill. The monument was designed by Giuseppe Sacconi. Architecturally, it was envisioned as a modern forum, an agora comprising three levels interconnected by stairways and dominated by a portico featuring a colonnade. The intricate process of national unity and liberation from foreign rule, spearheaded by King Victor Emmanuel II of Savoy, to whom the monument is dedicated, holds substantial symbolic and representative significance, being architecturally and artistically focused on the unification of Italy; thus, the Vittoriano is regarded as one of national symbols of Italy. Additionally, it houses the Altar of the Fatherland, which initially served as an altar for the goddess Roma and subsequently became a shrine for the Italian Unknown Soldier, thereby functioning as a secular temple dedicated to Italy. Due to its considerable representative importance, the entire Vittoriano is frequently referred to as the Altare della Patria, although this term specifically pertains to only a portion of the monument. Its design reflects a neoclassical interpretation of the Roman Forum, incorporating stairways, Corinthian columns, fountains, an equestrian statue of Victor Emmanuel II, and two statues of the goddess Victoria riding on quadrigas. The Vittoriano is positioned on the Capitoline Hill, at the symbolic heart of ancient Rome, and is linked to the modern city through roads radiating from Piazza Venezia. At its apex stands a grand portico characterized by an extensive colonnade and two grand propylaea. The base of the monument accommodates the museum of Italian unification, and in 2007, a lift was integrated into the structure, enabling visitors to reach the roof for panoramic views of Rome. The monument features the Tomb of the Italian Unknown Soldier, which is accompanied by an eternal flame and was constructed beneath the statue of the goddess Roma after World War I, inspired by the vision of General Giulio Douhet. This tomb serves as a symbolic shrine honoring all those who fell or went missing during the war. The side of tomb that the Unknown Soldier that faces the Altar of the Fatherland is perpetually guarded by an honour guard and is flanked by two flames that burn continuously in braziers. Adjacent to the external base of the Vittoriano, at the entrance to Piazza Venezia, are the -- fountains of the two seas --, which pay tribute to the Adriatic Sea and the Tyrrhenian Sea. These fountains are situated within a flower bed and have been equipped from the outset with a hydraulic system that recycles water to prevent waste. The Altar of the Fatherland is the most renowned section of the Vittoriano and is frequently associated with it. At the top of the entrance stairway, it was crafted by the Brescian sculptor Angelo Zanelli, who triumphed in a competition specifically organized in 1906. Following the Altar of the Fatherland is the equestrian statue of Victor Emmanuel II, a bronze creation by Enrico Chiaradia, which serves as the architectural focal point of the Vittoriano. The base of this equestrian statue features sculptural representations of 14 Italian noble cities, specifically the capitals of Italian states established prior to the Savoy monarchy. #History#Architecture
[Image: Breathtaking view of the Altar of the Fatherland and Roman Forum in Rome, Italy at sunset; Image-Author: Valentina Bešker] [Image-Source-Link: https://www.pexels.com/photo/scenic-view-of-rome-s-iconic-monument-and-ancient-arch-36369389/ ] [License-Link: https://www.pexels.com/license/ ] [Please Also Relate to Original Individual Text and Image URLs for More Usage Property and Sharing, Remixing or Attributing the Contents] [Contents on Wikipedia is covered by – Disclaimer – [Wikipedia-Disclaimer-Link: https://en.wikipedia.org/wiki/Wikipedia:General_disclaimer ] [Contents in this Website is also covered by Disclaimer linked at the bottom of the Page] [This website article means no intellectual appropriation by any way and only wishes to contribute in sharing of knowledge]
The Arch of Septimius Severus, located at the northwestern end of the Roman Forum, is a triumphal arch constructed from white marble and dedicated in 203 AD. It commemorates the Parthian victories achieved by Emperor Septimius Severus along with his two sons, Caracalla and Geta, during the campaigns against the Parthians that took place from 194 to 195 and from 197 to 199. Following the death of Septimius Severus, his sons Caracalla and Geta initially ruled as joint Emperors. However, Caracalla orchestrated the assassination of Geta in Rome; subsequently, in a practice known as damnatio memoriae, all memorials dedicated to Geta were obliterated, and any images or references to him were eradicated from public buildings and monuments. Consequently, likeness of Geta and any inscriptions pertaining to him were also removed from the arch. The structure is elevated on a travertine base, which was originally accessible via steps leading from the ancient level of the Forum. The central archway features a richly coffered semicircular vault and lateral openings leading to each side archway, a design element that influenced many Early Modern triumphal arches. The arch is adorned with two sets of reliefs; the first set comprises four large panels on each face of the attic, while the second set consists of eight panels embedded in the inner face of the four archways. The Arch stands approximately 23 meters tall and 25 meters wide, with the three archways supported by piers that are composed of columns on pedestals. Winged Victories are intricately carved in relief within the spandrels. A staircase located in the south pier provides access to the top of the monument. Originally, the summit of the arch featured statues of the emperor and his two sons in a quadriga, or four-horse chariot, accompanied by soldiers. Although the identity of the master architect remains unknown, his craftsmanship was of such a high caliber that it enabled the rapid and traditional construction of the arch. Despite its traditional elements such as columns, piers, and cornices, the architectural style exhibits a subtle departure from classical conventions through its emphasis on texture and the dynamic interplay of planes. The arch is primarily constructed from a combination of travertine and marble, integrated with concrete and brick. Proconnesian marble was utilized for the columns, Pentelic marble for the masonry, and Luna marble for the more prominent relief columns. Each marble block was meticulously cut into rectangular shapes. Designed to symbolize victory and serve as a form of Imperialistic propaganda, the ornamentation of the arch was both essential and deliberate. It reflects the vertical elevation characteristic of Roman decorative principles while incorporating horizontal accents. The decorations of the attic were intended to commemorate the accomplishments of the Imperial family. Historical evidence from Severan coins indicates that, although it no longer exists, the top of the attic once featured a gilded bronze chariot drawn by six horses and two riders. The Severan dynasty was known for its extensive construction of triumphal or honorary arches, particularly throughout the Roman Empire; notably, the Arch of Septimius Severus in the birthplace of the emperor at Leptis Magna, Libya, was erected in the same year. #History#Architecture
[Image: View of the ancient Roman arch, the Arch of Septimius Severus, under a clear blue sky; Image-Author: Valentin Ivantsov] [Image-Source-Link: https://www.pexels.com/photo/triumphal-arch-of-septimius-severus-in-rome-33606685/ ] [License-Link: https://www.pexels.com/license/ ] [Please Also Relate to Original Individual Text and Image URLs for More Usage Property and Sharing, Remixing or Attributing the Contents] [Contents on Wikipedia is covered by – Disclaimer – [Wikipedia-Disclaimer-Link: https://en.wikipedia.org/wiki/Wikipedia:General_disclaimer ] [Contents in this Website is also covered by Disclaimer linked at the bottom of the Page] [This website article means no intellectual appropriation by any way and only wishes to contribute in sharing of knowledge]
Hohensalzburg Fortress is a substantial medieval stronghold located in Salzburg, Austria. It is positioned on the Festungsberg mountain, rising to an elevation of 506 meters. The fortress was constructed at the request of the prince-archbishops of Salzburg. Archaeological studies have revealed that a Roman fort once occupied the highest point of this location, which should not be mistaken for the more prominent Roman castrum superius situated on the Nonnberg terrace. The construction of the present fortress commenced in 1077 under the direction of Archbishop Gebhard von Helfenstein. Initially, it featured a simple bailey surrounded by a wooden wall. Within the Holy Roman Empire, the archbishops of Salzburg held considerable political power, prompting them to enhance the fortress for the protection of their interests. The conflict between Helfenstein and Emperor Henry IV during the Investiture Controversy played a significant role in the expansion of the fortress, as the Archbishop aligned himself with Pope Gregory VII and the German anti-king Rudolf of Rheinfelden. Over the subsequent centuries, the fortress underwent gradual expansion. The ring walls and towers were constructed in 1462 under the leadership of Prince-Archbishop Burkhard II von Weißpriach. Further enhancements were made during the tenure of Prince-Archbishop Leonhard von Keutschach from 1495 to 1519. His coadjutor, Matthäus Lang von Wellenburg, who would later succeed Leonhard, documented the Reisszug in 1515, an early and rudimentary funicular railway that facilitated freight transport to the upper courtyard of the fortress. This line remains operational today, albeit in a modernized form, and is likely the oldest functioning railway in the world. The current external bastions, which began construction in the 16th century and were completed in the 17th century, were added as a defensive measure due to concerns over a potential Turkish invasion. The fortress measures 250 meters in length and 150 meters in width, making it one of the largest medieval castles in Europe. The fortress features multiple wings and a courtyard. From the late nineteenth century onwards, Hohensalzburg Fortress was renovated and evolved into a significant tourist attraction, particularly with the establishment of the Festungsbahn funicular railway in 1892, which connects the town to the Hasengrabenbastei. It remains one of the best-preserved castles in Europe today. Arno Lehmann, a German ceramicist, sculptor, and painter, lived and worked within Hohensalzburg Fortress from 1949 until his death in 1973. Additionally, Hohensalzburg Fortress was selected as the central motif for the Austrian Nonnberg Abbey commemorative coin, minted on April 5, 2006. #Castles#History#Architecture
[Image: Majestic Hohensalzburg Castle in Salzburg, surrounded by colorful autumn foliage; Image-Author: Alan Kabeš] [Image-Source-Link: https://www.pexels.com/photo/hohensalzburg-castle-in-autumn-salzburg-36499969/ ] [License-Link: https://www.pexels.com/license/ ] [Please Also Relate to Original Individual Text and Image URLs for More Usage Property and Sharing, Remixing or Attributing the Contents] [Contents on Wikipedia is covered by – Disclaimer – [Wikipedia-Disclaimer-Link: https://en.wikipedia.org/wiki/Wikipedia:General_disclaimer ] [Contents in this Website is also covered by Disclaimer linked at the bottom of the Page] [This website article means no intellectual appropriation by any way and only wishes to contribute in sharing of knowledge]
The historic Guaita castle, whose construction goes back to the eleventh century, is located in the little state of San Marino. The three-tower architectural complex actually consists of more than just the medieval castle. The Guaita, often referred to as the Rocca, is one of three towered summits that look out over San Marino, the capital of the country. Cesta and Montale are the other two. The stronghold is the most well-known and the oldest of the three towers built atop Monte Titano. Since its establishment, it has been used as a prison, and it is shown on the flag and coat of arms of the country. The fortress underwent multiple reinforcements over the subsequent centuries and was reconstructed in the late fifteenth century. During the sixteenth century, a sloping roof was introduced. It is safeguarded by double walls, with the outer wall featuring battlements and towers positioned at the gate and corners. The fortress frequently served as a refuge for individuals during sieges. Certain chambers within the inner wall functioned as a prison for those sentenced to less than six months, a role it maintained until October 1970. Additionally, it houses a chapel dedicated to Saint Barbara, the patron saint of artillery and those who operate it. Since 2008, it has been listed as a World Heritage Site. Visitors to the historical site come to admire the one-of-a-kind, century-old building as well as the breath-taking view of the little state. The Guaita tower-name translates to -- The First Tower -- in Italian. It had kept its original appearance by the year 1475. Over the span of 200 years, the gymnast has undergone nearly continual reconstruction beginning at the end of the 15th century. The facility was constructed as a prison and maintained its gloomy status until 1970, making it one of the oldest prisons in the world. The castle is now completely outfitted for tourist use. The superb viewing decks of the tower are located at the summit. It rises about 750 meters above sea level. #Castles#History#Architecture
[Image: Breathtaking view of the Guaita Tower and surrounding landscape in San Marino; Image-Author: Sergei Gussev] [Image-Source-Link: https://www.pexels.com/photo/scenic-view-of-guaita-tower-in-san-marino-38017231/ ] [License-Link: https://www.pexels.com/license/ ] [Please Also Relate to Original Individual Text and Image URLs for More Usage Property and Sharing, Remixing or Attributing the Contents] [Contents on Wikipedia is covered by – Disclaimer – [Wikipedia-Disclaimer-Link: https://en.wikipedia.org/wiki/Wikipedia:General_disclaimer ] [Contents in this Website is also covered by Disclaimer linked at the bottom of the Page] [This website article means no intellectual appropriation by any way and only wishes to contribute in sharing of knowledge]
The Königsberg Castle served as a landmark for Königsberg, Germany, the capital of East Prussia, which later became Kaliningrad, Russia since 1946. The castle stood where an Old Prussian fort called Tuwangste once stood close to the Pregel River at a crucial crossing point in Prussian territory. Three Prussian villages in the area were later named —Löbenicht, Sackheim, and Tragheim. The Teutonic Knights replaced the Prussian fort with a temporary one made of earthworks and timber after capturing the area in 1255. By 1257, a brand-new Ordensburg castle made of stone was being built. Between the 16th and 18th centuries, the castle underwent numerous rounds of significant expansion and refortification. The Teutonic Order Grandmasters lived in the fortification, which eventually evolved into a castle, and Prussian emperors later made it their home. The splendid palace is described in the 1815 Encyclopaedia Britannica as having a handsome library and a hall that is 83.5 meters long and 18 meters wide without supports to support it. With 284 steps up to the summit and a height of almost 100 meters, the gothic tower of the castle offered panoramic views. This enormous structure, which was surrounded by a sizable quadrangle and was located virtually in the middle of the city, was once the headquarters of the Teutonic Order. In the sixteenth and eighteenth centuries, it was expanded and changed. On the Schloßkirche, often known as the palace church, on the west wing, Frederick I was crowned in 1701 and William I in 1861. The Order of the arms of Black Eagle members were inscribed on the walls and columns. The 83 m long and 18 m tall Moscowiter-Saal was located above the church. The apartments of Hohenzollerns and the Prussia Museum were both accessible to the general public every day up until the end of World War II. The museum housed numerous paintings by the artist Lovis Corinth as well as 240,000 exhibits from the Prussian collection, a collection from the Königsberg State and University Library, and more. #History#Architecture#Castles
This article also uses an image from the Wikipedia article – Königsberg_Castle – [Wikipedia-Article-Link: https://en.wikipedia.org/wiki/K%C3%B6nigsberg_Castle ] [Image: Königsberger Schloss und Kaiser-Wilhelm-Denkmal in Königsberg (Preußen) (heute Kaliningrad, Russland) (Date: between 1894 and 1900); Wikipedia-Image-Author: Unknown author] [Wikipedia-Image-Link: https://en.wikipedia.org/wiki/File:K%C3%B6nigsberg_Castle.jpg ] [This work is from the Detroit Publishing Co. collection at the Library of Congress. According to the library, there are no known copyright restrictions on the use of this work. Most of the images in this collection were published before 1931 and are therefore in the public domain in the United States. A few images were published after this date and may be restricted by copyright. This work is in the public domain in the United States because it was published (or registered with the U.S. Copyright Office) before January 1, 1931. The author of this image from Switzerland is unknown, and the image was published at least 70 years ago. It is therefore in the public domain in Switzerland by virtue of Art. 31 of the Swiss Copyright Act.] [Please Also Relate to Original Individual Text and Image URLs for More Usage Property and Sharing, Remixing or Attributing the Contents]
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The Balga castle of the Teutonic Knights is now located in Kaliningrad Oblast, Russia. In the Pogranichny municipality of Bagrationovsky District, north of Mamonovo, and about 30 kilometers southwest of Kaliningrad, are the castle ruins. Honeda, an Old Prussian or particulalrly Warmian fortification, had once stood atop Balga Hill. The 1237 Prussian Crusade of Wettin margrave Henry III of Meissen unsuccessfully besieged the fort, but Teutonic Order troops under the command of Grand Marshal Dietrich von Bernheim eventually took control of it in 1239. The Teutonic Order built Balga, the oldest Ordensburg in the area of modern-day Kaliningrad Oblast, starting in 1239 to regulate maritime traffic on the Vistula Lagoon. The Teutonic Knights defeated the Old Prussians along the coasts of Warmia and Natangia with the aid of Duke Otto I of Brunswick-Lüneburg. During the 1242 Prussian rebellion, Duke Witopek II of Pomerania declared war against the Teutonic Order due to the enslavement of these pagan peoples; nevertheless, he was ultimately forced to withdraw from the uprising. Beginning in 1250, Balga served as administrative hub of Kommende Balga and the residence of a Teutonic Knights Komtur. Many Komturs from Balga, including Winrich von Kniprode and Ulrich von Jungingen, went on to hold the highest office of Grand Master of the Teutonic Order. Balga was a part of the Prussian Duchy from 1525 to 1701 and the Prussian Kingdom from 1701; it belonged to the province of East Prussia from 1772 to 1829. Up until 1878, when it again split, the province was combined with West Prussia to form the Province of Prussia; Balga remained in East Prussia until 1945. One of the last clashes between the German Wehrmacht and the Soviet Red Army during World War II took place near the castle ruins as the latter army advanced during the East Prussian Offensive. The conflict severely damaged the castle ruins and the German defenders destroyed many vehicles by sinking them in the lagoon near to the ruins. Balga was included in the region that was incorporated into the Kaliningrad Oblast of the Russian SFSR after the war and was part of the portion of East Prussia that had been awarded to the Soviet Union at the Potsdam Conference. Grave robbers and treasure seekers who were looking for treasures left by World War II German and Soviet soldiers who died on the battlefield frequented the area surrounding Balga. #Castles#History#Architecture
This article also uses an image from the Wikipedia article – Balga – [Wikipedia-Article-Link: https://en.wikipedia.org/wiki/Balga ] [Image: Die Burg Balga in den 30er Jahren (Balga ruins in their 1930s condition, before damage during World War II); Wikipedia-Image Author: Sendker]
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About 35 kilometres southeast of modern-day Baghdad, on the eastern bank of the Tigris, was the ancient city of Ctesiphon. For more than eight centuries, Ctesiphon was the imperial capital of the Parthian and Sasanian dynasties. From 226 to 637 AD, Ctesiphon served as the capital of the Sasanian Empire until up to middle of 7th century. As it grew, Ctesiphon became a thriving commercial centre that merged with the cities on either side of the river, including the Hellenistic city of Seleucia. For this reason, Ctesiphon and the surrounding area were occasionally referred to as -- The Cities. According to some accounts, it was the largest metropolis in the world in the late sixth and early seventh centuries. Ctesiphon fell three times to the Romans during the Roman–Parthian Wars and twice more during Sasanian authority. Additionally, the Battle of Ctesiphon took place there in AD 363. The city began to deteriorate later in the 7th century, and by the end of the 8th century, it had lost its population. Occasionally referred to as the Archway of Ctesiphon, the Taq Kasra is the most notable building that still stands today. The population of Ctesiphon was highly diverse throughout the Sasanian era, comprising Arameans, Persians, Greeks, and Assyrians. The city was also home to a number of religious communities, including Zoroastrianism, Judaism, and Christianity. The Manicheans, a dualist church that Ctesiphon continued to acknowledge, were also among the inhabitants. The Manicheans who survived in the ninth century uprooted their patriarchate at Samarkand and fled up the Silk Road. #History#Architecture
This article also uses an image from the Wikipedia article -- Sasanian_Empire -- [Wikipedia-Article-Link : https://en.wikipedia.org/wiki/Sasanian_Empire ] [Image : Taq Kasra, Madain, Iraq - February 2022 - Photo by: Safa Daneshva (Taq-i Kisra, the facade of the Sasanian palace in the capital Ctesiphon. The city developed into a rich commercial metropolis. It may have been the most populous city of the world in 570–622.); Wikipedia-Image-Author: Safa. Daneshvar https://commons.wikimedia.org/wiki/User:Safa.daneshvar ] [Wikipedia-Image-Link: https://en.wikipedia.org/wiki/File:001125-TaqKasra-Iraq-IMG_7914-2.jpg ]
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In Connemara, County Galway, Ireland, a Benedictine monastery known as Kylemore Abbey was established in 1920. The English Benedictine Congregation has owned the monastery since 2022. It was established for Benedictine Nuns who had left Belgium during World War I. For the family of affluent London doctor Mitchell Henry, whose ancestors worked in the textile industry of Manchester, England, Kylemore Castle was constructed in 1868. After visiting Ireland on their romantic getaway in the middle of the 1840s, he and his wife Margaret settled there when they bought the land surrounding the Abbey. He entered into politics and served as the MP of County Galway from 1871 to 1885. Samuel Ussher Roberts helped James Franklin Fuller construct the castle. Beginning in 1867, the structure of the castle required a total of 100 men and four years to complete. The castle comprised around seventy chambers, a floor area of over 40,000 square feet, and a main wall that was about two to three feet thick. After Henry went back to England, the Abbey continued on his property. The Duke and Duchess of Manchester purchased the castle in 1903, and they lived there for a while before being forced to sell the property due to gambling debts. After being compelled to escape Ypres during World War I, nuns bought the Abbey fortress and its surrounding territories. The Abbey and the University of Notre Dame in the US have been working together since 2015. Notre Dame students attend curriculums held at the abbey, which was recently refurbished by the university. #History#Architecture#Castles
[Image: Scenic view of Kylemore Abbey and its reflection in a tranquil lake, Connemara, Ireland; Image-Author: Rick Johns] [Image-Source-Link: https://www.pexels.com/photo/kylemore-abbey-in-connemara-18549116/ ] [License-Link: https://www.pexels.com/license/ ] [Please Also Relate to Original Individual Text and Image URLs for More Usage Property and Sharing, Remixing or Attributing the Contents] [Contents on Wikipedia is covered by – Disclaimer – [Wikipedia-Disclaimer-Link: https://en.wikipedia.org/wiki/Wikipedia:General_disclaimer ] [Contents in this Website is also covered by Disclaimer linked at the bottom of the Page] [This website article means no intellectual appropriation by any way and only wishes to contribute in sharing of knowledge]
Aarburg Castle is situated in the municipality of Aarburg within the canton of Aargau, Switzerland. The precise year of its construction remains uncertain; however, it is believed to have been erected around the year 1200 by the Lords of Büron. The castle is perched on a steep, rocky hillside, overlooking the town of Aarburg. It was constructed around an earlier medieval fortification that controlled a strategic point along the Aare River and served as the administrative seat for the Aarburg Vogt. The core of the castle was constructed on a narrow, elongated ridge. This core included a keep and a tower house dating back to the thieteenth century. The castle is documented in the early thirteenth century as being under the ownership of the Counts of Frohburg. The establishment of the Vogtei was intended to enhance the oversight and regulation of the vital north-south trade route traversing the Aare River. The Vogtei, which refers to a bailiff or vogt, functioned as an overlord, providing guardianship, military defense, and secular justice over a designated area. Alongside the residence of Vogt, the high court was also convened at the castle. The administrative jurisdiction encompassed the western section of what is now District Zofingen, excluding the city of Zofingen itself. In 1299, the Frohburg family transferred ownership of the castle and the entire Vogtei to the Habsburgs. Following approximately 1330, the castle became the residence of the von Kriech family, a minor noble lineage serving the Habsburgs. On April 20, 1415, the castle was captured after a brief siege by the forces of Bern. The Bernese subsequently assumed control of both the lower and high courts. Beginning in 1416, a Bernese bailiff took residence in the castle, overseeing the entirety of the Bernese Aargau. It was only later, after Bern had curtailed the privileges of the nobility and clergy, that additional bailiwicks were incorporated. The castle underwent several expansions, the first of which involved the reconstruction of the palace in 1470. Further alterations in the 16th and particularly the 17th centuries culminated in the development of the grand baroque structure. This architectural enhancement aimed to safeguard the connection between the Protestant cities of Bern and Zurich at the narrowest point of the Bernese dominion, thereby complicating potential assaults from Catholic adversaries. Since 1666, the fortress has been continuously occupied by a garrison, with the governor serving as the same commander. A section of the fortress was designated as a prison, particularly for political detainees. In 1804, the newly established Canton of Aargau assumed control of the castle. Initially, it functioned as an arsenal and barracks, and from 1826 to 1864, it served as a prison before being left in a state of abandonment. Today, it is recognized as a Swiss heritage site of national importance. Currently, it accommodates the Kantonale Jugendheim, which is responsible for the detention and rehabilitation of juvenile offenders. #History#Architecture#Castles
[Image: Aarburg Castle overlooking the Aare River, surrounded by historic buildings under a clear blue sky; Image-Author: Beat Bieri] [Image-Source-Link: https://www.pexels.com/photo/aarburg-castle-with-scenic-riverside-view-36674455/ ] [License-Link: https://www.pexels.com/license/ ] [Please Also Relate to Original Individual Text and Image URLs for More Usage Property and Sharing, Remixing or Attributing the Contents] [Contents on Wikipedia is covered by – Disclaimer – [Wikipedia-Disclaimer-Link : https://en.wikipedia.org/wiki/Wikipedia:General_disclaimer ] [Contents in this Website is also covered by Disclaimer linked at the bottom of the Page] [This website article means no intellectual appropriation by any way and only wishes to contribute in sharing of knowledge]
The Ellora Caves, recognized as a UNESCO World Heritage Site, are located in Chhatrapati Sambhajinagar, India. This site is among the largest rock-cut cave complexes globally, featuring artwork that dates back to AD 600–1000, encompassing Hindu, Buddhist, and Jain caves. Notably, Cave 16 houses the Kailash temple, which is the largest single monolithic rock excavation worldwide, designed in the shape of a chariot and dedicated to the deity Shiva. The Kailash temple also showcases sculptures of various Hindu deities and relief panels that summarize the two principal Hindu epics. This complex exemplifies Indian rock-cut architecture, with several caves lacking roofs, thus not conforming strictly to the definition of caves. The site comprises over 100 caves, all carved from the basalt cliffs of the Charanandri Hills, with 34 of them accessible to the public. While these caves functioned as temples and resting places for pilgrims, their strategic location along an ancient South Asian trade route also established them as a significant commercial hub in the Deccan region. Presently, the Ellora Caves, alongside the adjacent Ajanta Caves, serve as a prominent tourist destination in the Marathwada region of Maharashtra and are protected under the Archaeological Survey of India (ASI). The name Ellora, also referred to as Verul or Elura, is a shortened form of the ancient name Elloorpuram. Etymologically, it is also believed to be derived from Ilvalapuram, named after the asura Ilvala, who once ruled this area and was defeated by Sage Agastya. The caves depict deities and mythologies that were prevalent during the 1st millennium CE, as well as the monasteries of each respective religion. Their close proximity to one another illustrates the religious harmony that characterized ancient India, prior to the onset of intolerant and violent religious invasions from alien lands. The monuments of Hindu, Buddhist, and Jain origin at Ellora exhibit significant deterioration, especially concerning the idols, while the elaborate carvings on the pillars and the depictions of natural elements on the walls have largely remained preserved. The vandalism of idols and images can be attributed to the period between the fifteenth and seventeenth centuries, during which the Deccan peninsula experienced iconoclastic actions by Muslim forces. All of the monuments at Ellora were constructed under the auspices of the Rashtrakuta and Yadava dynasties. The financial resources for these monumental edifices were supplied by royalty, merchants, and affluent individuals from the region. #History#Architecture
[Image: Explore the majestic Ellora Caves, a UNESCO World Heritage Site in Maharashtra, India; Image-Author: Setu Chhaya] [Image-Source-Link: https://www.pexels.com/photo/nature-art-landmark-construction-9455189/ ] [License-Link: https://www.pexels.com/license/ ] [Please Also Relate to Original Individual Text and Image URLs for More Usage Property and Sharing, Remixing or Attributing the Contents] [Contents on Wikipedia is covered by – Disclaimer – [Wikipedia-Disclaimer-Link : https://en.wikipedia.org/wiki/Wikipedia:General_disclaimer ] [Contents in this Website is also covered by Disclaimer linked at the bottom of the Page] [This website article means no intellectual appropriation by any way and only wishes to contribute in sharing of knowledge]
The Castle of Óbidos is a remarkably preserved medieval castle situated in the civil parish of Santa Maria, São Pedro e Sobral da Lagoa, within the Portuguese municipality of Óbidos, which is part of the historical province of Portuguese Estremadura. Óbidos originated from a fortified settlement, likely established over the Luso-Roman castro and Roman oppidum atop the hill. Subsequent archaeological investigations led to the unearthing of a forum, baths, and various other Roman edifices in proximity to the settlement. The region was initially inhabited by the Lusitanos from the fourth century BC, followed by the Romans in the first century. However, it was later occupied by the Visigoths during the fifth and sixth centuries, and subsequently by Muslims, who played a significant role in fortifying the town in the eighth century. During the Christian Reconquista, forces led by the first Portuguese king Afonso I, who reigned from 1112 to 1185, successfully breached the settlement-defences through a clever stratagem on 10 January 1148. The initial surveys of the castle were conducted in 1153, although it was not entirely captured until the reign of King D. Sancho I. The ancient dungeon was renovated and enlarged by King D. Denis, while the barbicans adjacent to the main gate were constructed. The trapezoidal castle, oriented towards the southeast, rises to a height of seventy-nine meters above sea level and is located at the extreme northwest of the fortified walls. It is supported in the north by three semi-circular and rectangular corbels; in the east and west by rectangular corbels, referred to as the towers of D. Dinis and D. Fernando; to the south by two semi-circular corbels, one featuring machicolations; and a barbican situated in the north and west. A gentle, rectangular arch, known as the tower of Albarrã, runs along the wall that separates the two courtyards. The architectural design of the castle exhibits influences from Romanesque, Gothic, Baroque, and Manueline styles, distributed across two primary areas. The enclosed courtyard is shaped like an irregular triangle and is surrounded by square merlons equipped with sills and battlements. During the Portuguese succession crisis of 1383–1385, the alcaide formed an alliance with John I of Castile, which led to an attack by forces loyal to the Master of Avis. The castle sustained structural damage during the Lisbon earthquake of 1755. In the context of the Peninsular War, the fortifications in Óbidos fired the initial artillery shots in the Battle of Roliça in 1808, marking the first defeat of Napoleonic troops. In 1842, the Albarrã tower was converted into a clock tower. Construction of an external staircase providing access to the D. Fernando Tower took place in 1869. Throughout the twentieth century, Castle Óbidos underwent extensive restoration and is currently utilized as a hotel for those wishing to immerse themselves in medieval life. #History#Architecture#Castles
[Image: A beautiful view of the medieval Obidos Castle with battlements under a clear blue sky in Portugal; Image-Author: Jose Cruz] [Image-Source-Link: https://www.pexels.com/photo/scenic-view-of-obidos-castle-battlements-in-portugal-34693564/ ] [License-Link: https://www.pexels.com/license/ ] [Please Also Relate to Original Individual Text and Image URLs for More Usage Property and Sharing, Remixing or Attributing the Contents] [Contents on Wikipedia is covered by – Disclaimer – [Wikipedia-Disclaimer-Link : https://en.wikipedia.org/wiki/Wikipedia:General_disclaimer ] [Contents in this Website is also covered by Disclaimer linked at the bottom of the Page] [This website article means no intellectual appropriation by any way and only wishes to contribute in sharing of knowledge]
The Castle of Gruyères, situated in the historic town of Gruyères in Fribourg, ranks among the most renowned castles in Switzerland. It is recognized as a Swiss heritage site of national importance. The castle showcases a collection of landscapes created by nineteenth-century artists such as Jean-Baptiste-Camille Corot and Barthélemy Menn, among others. Additionally, it features an international collection of Fantastic Art. Constructed between 1270 and 1282, the building adheres to the conventional square layout characteristic of Savoy fortifications. The Counts of Gruyères owned the castle until the bankruptcy of Count Michel in 1554, after which his creditors, the cantons of Fribourg and Bern, partitioned his earldom. From 1555 to 1798, the castle served as the residence for bailiffs and later prefects appointed by Fribourg. In 1849, the Bovy and Balland families acquired the castle, utilizing it as a summer residence and restoring it to establish an artists-colony. The canton of Fribourg repurchased the castle in 1938, transforming it into a museum accessible to the public. Since 1993, a foundation has been responsible for the preservation and promotion of both the building and its art collection. The castle houses three capes from the Order of the Golden Fleece, which were part of the war spoils taken by the Swiss Confederates during the Battle of Morat against Charles the Bold, Duke of Burgundy, in 1476. At that time, Charles was commemorating the anniversary of the death of his father, and one of the capes is a black velvet sacerdotal vestment. #Castles#History#Architecture
[Image: A picturesque view of the historic Gruyères Castle surrounded by lush greenery in Switzerland; Image-Author: Christopher Politano] [Image-Source-Link: https://www.pexels.com/photo/vertical-shot-of-the-gruyeres-castle-23503673/ ] [License-Link: https://www.pexels.com/license/ ] [Please Also Relate to Original Individual Text and Image URLs for More Usage Property and Sharing, Remixing or Attributing the Contents] [Contents on Wikipedia is covered by – Disclaimer – [Wikipedia-Disclaimer-Link : https://en.wikipedia.org/wiki/Wikipedia:General_disclaimer ] [Contents in this Website is also covered by Disclaimer linked at the bottom of the Page] [This website article means no intellectual appropriation by any way and only wishes to contribute in sharing of knowledge]
Kidwelly Castle is a Norman fortress that commands a view over the River Gwendraeth and the town of Kidwelly, located in Carmarthenshire, Wales. The existing remnants of the castle can be traced back to the early twelfth century. Originally constructed as a defensive structure against the Welsh, the castle was captured by Welsh forces multiple times during the twelfth century. The countryside that encircles the area is said to be haunted by the headless apparition of Gwenllian ferch Gruffydd, the spouse of the Welsh prince Gruffydd ap Rhys, who met his demise by beheading in the year 1136. Kidwelly Castle served as a filming location for the 1975 movie Monty Python and the Holy Grail, featuring prominently in the initial scene following the opening credits. The establishment of the castle stemmed from a decision made in the early years of the twelfth century to appoint Roger, the bishop of Salisbury, as the lord of Kidwelly. Subsequently, the castle and the adjacent town were constructed. In 1159, the Prince of Wales, known later as Lord Rhys, seized control of Kidwelly Castle and was acknowledged by King Henry II of England as the sovereign of the area. Following his death, the castle came under the control of the Anglo-Normans. In 1231, it was taken and destroyed by Llywelyn the Great. The architectural layout of the castle features a square inner bailey fortified by four round towers, which overlook a semi-circular outer curtain wall on the landward side, complemented by a substantial gatehouse adjacent to the river. The defensive measures implemented at Kidwelly were not as comprehensive as those observed in other prominent Welsh castles of the era, with the builders primarily concentrating on the robustness of the walls and towers. In a later chapter of its history, the castle faced an unsuccessful siege by the forces of Owain Glyndŵr in August 1403, aided by soldiers from France and Brittany who managed to capture the town of Kidwelly. However, the castle was relieved by a Norman army in September 1403. The outer curtain wall of the castle features a staircase built against it, originating from the level of the ward, which is a rare characteristic in English castles of that period. Although the river inhibits a truly concentric design, a protruding tower provides protection for the riverside walls, resulting in a robust overall plan. The castle remains in relatively good condition and is under the management of Cadw. #Castles#History#Architecture
[Image: A stunning view of Kidwelly Castle set against a vibrant blue sky in Wales; Image-Author: Wayne Jackson] [Image-Source-Link: https://www.pexels.com/photo/kidwelly-castle-in-wales-9080851/ ]
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Glanum was a prosperous ancient city that still boasts a stunning location beneath a gorge on the slopes of the Alpilles mountains. Initially a Celto-Ligurian oppidum, it grew under Greek influence before evolving into a Roman city. It is situated approximately one kilometre south of Saint-Rémy-de-Provence. Between fourth and second centuries BC, the Salyens, the predominant Celto-Ligurian tribe in Provence, constructed a stone rampart on the peaks encircling the valley of Notre-Dame-de-Laval and established an oppidum, or fortified settlement, around the spring in the valley, renowned for its healing properties. A shrine was erected at the spring in honor of Glanis, a Celtic deity. The town maintained a robust Celtic identity, with Glanis and his companions, the Glanicae, revered by the Celts as local gods. In 49 BC, following capture of Marseille by Julius Caesar and a period of devastating civil wars, the romanization of Provence and Glanum commenced. The Glanum Dam, a curved stone arch dam recognized as the oldest of its kind, along with a Roman aqueduct, were constructed in the first century BC to provide water for the town-fountains and public baths. In 27 BC, Emperor Augustus established the Roman province of Gallia Narbonensis, granting Glanum the designation of oppidum latinum within this province. During the first century AD, the city developed a new forum and temples. However, in 260 AD, the town was invaded and destroyed by the Alamanni, leading to its abandonment, with its residents relocating a short distance north to establish a city that eventually became modern-day Saint-Rémy-de-Provence. Over time, Glanum served as a source of stone and other construction materials for Saint-Rémy. As the Roman drainage and sewer systems fell into disrepair, the ruins became inundated and buried under mud and sediment. The mausoleum and triumphal arch, collectively known as Les Antiques, gained fame and were visited by King Charles IX, who ordered the area to be cleaned and preserved. The initial organized excavations commenced in 1921. In 1982, new excavation and exploration efforts were initiated, primarily focused on the conservation of the site and investigating areas beneath previously discovered sites for older artifacts. #History#Architecture
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Rhuddlan Castle is situated in Rhuddlan, Denbighshire, Wales. It was designed as a concentric castle. The inner ward features defensive walls equipped with twin-tower gatehouses. Surrounding the outer ward is a curtain wall that includes small towers and turrets. Edward I selected Rhuddlan as the site for a castle in 1277. Documentation of construction expenses indicates that this was the principal construction project undertaken by the English during the late 1270s. The layout of the castle is distinctive, as the gatehouses are located at the corners of the square baileys rather than along the sides. The history of Rhuddlan extends well beyond the fortress established by Edward I. Before the Norman conquest of lower Gwynedd, Rhuddlan served as the center of a Welsh cantref. From this location, the Lords of Rhuddlan governed the Perfeddwlad. The castle was protected by a three-sided moat, with the River Clwyd safeguarding its fourth side. Inside the inner ward, there were a great hall, kitchens, private living quarters, and a chapel. The outer bailey contained a granary, stables, and a smithy. Rhuddlan is adjacent to the River Clwyd. Throughout the extensive construction of the fortification, the river-course was modified and deepened to facilitate the passage of ships inland via a man-made channel. This modification aimed to ensure that supplies and troops could access the castle even if hostile forces or a siege obstructed overland routes. Additionally, a further protective earthwork and timber structure were established around the castle between 1280 and 1282. The castle was finished before the uprising led by Llywelyn the Last in 1282. In the late eleventh century, the Normans launched an invasion of Gwynedd. The strategic location of Rhuddlan made it a contested site between the Princes of Gwynedd and the Earls of Chester, particularly involving Gruffydd ap Llywelyn. The remnants of a Norman castle at Twthill, constructed in 1086, are located just south of the existing castle. Rhuddlan Castle is overseen by Cadw, a governmental organization in Wales dedicated to the protection, conservation, and promotion of the architectural heritage of the region. Beginning in 2024, Cadw has adopted the Welsh name Castell Rhuddlan in English, as part of an initiative to standardize the nomenclature in both languages. #History#Architecture#Castles
[Image: Capture of Rhuddlan Castle ruins amidst lush greenery in Wales, UK; Image-Author: Lisa from Pexels]
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The Pepoli Turret is a unique pavilion from the late nineteenth century located in Erice, Sicily, which integrates neo-Gothic, Moorish revival, and Liberty, also known as Art Nouveau, architectural styles. It was designed by Count Agostino Sieri Pepoli , 1848–1910, a notable scholar and arts patron, as a private sanctuary for reflection and study. The structure features an interactive museum and a Peace Observatory. Its architectural composition consists of a rectangular base topped with two square towers and a cylindrical glazed turret, adorned with ceramic tiles that reflect the Pepoli family crest. Built from Favignana tuff, Carrara marble, and handcrafted majolica tiles, the turret originally included a cistern, a kitchen, a reception area, and a staircase that was partially carved into the rock. Positioned on a rocky outcrop beneath the Balio Gardens—a public park established by Pepoli in 1872 on land he rented from the city of Erice—the turret offers a view of the densely forested Mediterranean landscape known as the Bosco Sacro di Erice. The Pepoli Turret underwent significant restoration starting in 2010, following a conservation plan that was commissioned by the Municipality of Erice and overseen by regional heritage authorities. The restoration efforts included structural reinforcement, the revival of decorative features consistent with the neo-Gothic and Moorish revival architecture of the building, as well as meticulous cleaning and repair of both the exterior stonework and the interior plaster surfaces. Additionally, the landscaping surrounding the turret, which involved the restoration of historic pathways and scenic viewpoints, formed an integral part of the project. The building was reopened to the public in 2022 after the successful completion of a €1.85 million initiative funded by the European Union. It now accommodates an interactive multimedia museum and functions as a Peace Observatory. The permanent exhibition delves into the myths, history, and cultural heritage of Erice, narrated from the imagined viewpoint of Count Pepoli himself. #Architecture#History
[Image: Aerial view of Torretta Pepoli Castle surrounded by lush greenery in Erice, Sicily, Italy; Image-Author: Luciana Evrard]
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The Norman influence began to dominate England well before 1066. The court of Edward the Confessor included a significant number of Normans, as the king had strong sympathies towards them. In exchange for feudal obligations, they received grants of land from him, and since the Welsh were a source of disturbance at that time, some of the allocated land was located along the border. To the best of knowledge, the first castle constructed by a Norman in that area was built by Richard Fitz-Scrob in northern Herefordshire. Additional castles were established in Hereford and at the southern entrance of the Golden Valley. Among the small collection of pre-Conquest castles, the most formidable was likely the one at Hereford, built in 1055 by Harold, the Earl of the West Saxons. This castle featured a Motte and Bailey design, similar to others, but only a minor part of the bailey remains today, as the mound has been levelled and the ditch filled in. Regarding the construction of a Motte and Bailey castle, it began with the digging of a deep ditch that typically enclosed a circular area. There are a few exceptions that are closer to an oval shape, and oblong forms are also known. All the soil that was excavated was piled up inside the ring until a tall mound was created, flattened on top, with sides as steep as the angle of repose of the excavated material would permit. The final sections of the super-incumbent earth that were raised were compacted through ramming. Surrounding the perimeter of the area at the top of the mound, a timber breastwork was constructed, consisting either of thick vertical planks driven deeply into the ground and securely reinforced from behind, or a combination of timber and stone. Typically, a wooden structure known as the bretasche was built at the summit and generally occupied the centre, varying in dimensions and capacity based on the available space. It can be reasonably concluded that the height of the bretasche was at least two stories, and when combined with the elevation of the mound, which sometimes reached sixty feet, it would provide an advantageous position for observing the entire area below. At the outer perimeter of the fosse, a vallum is present in numerous instances, thereby enhancing the depth of the defence and elevating the counterscarp; it also provided a method for constructing a palisade of stakes if deemed necessary. To facilitate entry and exit to the fort, a slender wooden flying bridge was constructed, extending from the summit of the mound to the outer edge of the fosse. #History#Architecture#Castles
[Text-Information-Source: British Castles by Charles Henry Ashdown (1856-1922)] [The book is in the public domain in the United States of America, and possibly other nations.] [Image: View of Windsor Castles stone architecture with cloudy sky backdrop and lush greenery; Image-Author: Marvin Sacdalan] [N.B.: Windsor Castle is an example of original Motte and Bailey castle] [Image-Source-Link: https://www.pexels.com/photo/low-angle-shot-of-the-castle-under-cloudy-sky-13020627/ ]
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Bečov nad Teplou is a town located in the Karlovy Vary District within the Karlovy Vary Region of the Czech Republic. It has a population of approximately nine hundred residents. The historic town center is well-preserved and legally protected as an urban monument zone. The earliest written record of Bečov Castle dates back to 1317, when it was established by the Lords of Rýzmburk. The settlement of Bečov was first documented in 1387, and it was granted town status in 1399. According to the most widely accepted theory, the original name of the settlement was Bečkov, which is believed to have originated from the personal name Bečka. Bečov nad Teplou is renowned for the Bečov Castle and Bečov Chateau complex, which is accessible to the public and features guided tours. This exposition houses the second most significant movable monument in the Czech Republic, the Reliquary of St. Maurus. The Church of Saint George, constructed in the late Baroque style, was built between 1763 and 1767, with the tower completed in 1885. A prominent landmark in the town is the late Baroque town hall, which dates back to 1760. Additionally, a botanical garden was gradually established in Bečov nad Teplou from 1918 to 1935. After the garden was taken over by the Czechoslovak state in 1945, it fell into a state of disrepair. In 2005, the local botanical organization ČSOP Berkut took the initiative to restore and maintain the botanical garden. #History#Architecture#Castles
[Image: Pond Reflecting State Castle Becov in Czech Republic; Image-Author: Viliam Kudelka] [Image-Source-Link: https://www.pexels.com/photo/pond-reflecting-state-castle-becov-in-czech-republic-20893580/ ] [License-Link: https://www.pexels.com/license/ ] [Please Also Relate to Original Individual Text and Image URLs for More Usage Property and Sharing, Remixing or Attributing the Contents] [Contents on Wikipedia is covered by – Disclaimer – [Wikipedia-Disclaimer-Link : https://en.wikipedia.org/wiki/Wikipedia:General_disclaimer ] [Contents in this Website is also covered by Disclaimer linked at the bottom of the Page] [This website article means no intellectual appropriation by any way and only wishes to contribute in sharing of knowledge]
Raglan Castle is a late medieval castle situated just north of the village of Raglan in Monmouthshire, located in the south-eastern region of Wales. The construction of Raglan Castle occurred in multiple stages, with initial efforts taking place during the 1420s and 1430s, followed by a significant phase in the 1460s, and various modifications and enhancements made towards the end of the 16th century. Throughout these eras, the successive ruling families, namely the Herberts and the Somersets, developed an opulent, fortified structure, featuring a prominent hexagonal keep, referred to as the Great Tower or the Yellow Tower of Gwent. Nevertheless, some historians, including John Kenyon, speculate that an earlier motte and bailey castle may have been established on the Raglan site after the Norman conquest of Wales, when the land surrounding the village of Raglan was bestowed upon William FitzOsbern, the Earl of Hereford. The contemporary castle was constructed using stone, initially utilizing pale sandstone from Redbrook, and subsequently Old Red Sandstone, with Bath Stone incorporated for many intricate details. At Raglan, the architectural design emphasized the Great Tower: a typical senior visitor would traverse through Raglan village, with the tower and subsequently the remainder of the castle emerging unexpectedly over a gentle rise on the hill. A visitor would have had to navigate around the Great Tower and the moat, before entering through the gatehouse into the Pitched Stone Court, circling the perimeter of the communal hall, prior to arriving at the previously concealed, and more elegant, inner Fountain Court. Similar to other properties of the era, the castle constructed in the 1460s was almost certainly intended to be approached and entered in a specific manner, thereby enhancing the aesthetic and political significance of the fortification. Enclosed by parkland, water gardens, and terraces, the castle was regarded by its contemporaries as being on par with any other in England or Wales. During the First English Civil War, Raglan was held by a Royalist garrison representing Charles I, but it was captured by Parliamentarian troops in 1646, leading to its walls being slighted, or intentionally rendered unusable for military purposes. Following the Stuart Restoration in 1660, the Somersets chose not to restore the castle, which subsequently became a source of local construction materials and eventually transformed into a picturesque ruin. Today, it serves as a tourist destination. #History#Architecture#Castles
[Image: Majestic Raglan Castle in Wales; Image-Author: Archie] [Image-Source-Link: https://www.pexels.com/photo/majestic-raglan-castle-in-wales-36900197/ ] [License-Link: https://www.pexels.com/license/ ] [Please Also Relate to Original Individual Text and Image URLs for More Usage Property and Sharing, Remixing or Attributing the Contents]
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The latter part of the twelfth century and the early thirteenth century were characterized by the emergence of the Cylindrical Keep, which served as a transitional element linking the Shell and Rectangular Keeps of the preceding era, alongside the significant advancement of castellation that took place in the thirteenth century. However, this development should not be perceived as a sudden and radical transformation, as numerous signs can be found in the castles of the twelfth century that indicate a movement away from the prevailing conventionalism, leading to the creation of more intricate structures that aligned with the evolving military strategies of attack. The introduction of the Cylindrical Keep was among these innovations; although it did not address the fundamental flaw common to Keeps, namely their ineffectiveness in repelling besiegers, it did provide a method that allowed builders to achieve substantial savings in materials and labour, while simultaneously offering a robust passive resistance to assaults reminiscent of earlier architectural styles. It is likely that King Henry II was primarily responsible for the adoption of the Cylindrical Keep, as his French heritage afforded him familiarity with various foreign castles featuring citadels constructed in this manner. These Cylindrical Keeps were also referred to as Donjons and Juliets, and they reached a level of perfection on the Continent that was never attained in the British Isles. The benefits attributed to the Cylindrical Keep, aside from its reduced construction costs, include enhanced solidity and significant challenges in breaching it or undermining it through mining. By vaulting each floor, the structural resistance was augmented; similarly, enclosing the upper section in a comparable fashion effectively mitigated the risk of fire from incendiary projectiles aimed at the roof. Conisborough Castle features the most extraordinary cylindrical Keep in the British Isles, notable for its unique design and uncommon shape. This massive cylinder measures nearly seventy feet in diameter and rises to a height exceeding ninety feet. On its exterior, six large buttresses are symmetrically positioned around the structure, extending nine feet from the surface and measuring 16 feet in width at the points where they support the cylinder. However, their width decreases as they extend away from it. These buttresses ascend the entire height of the Keep, and when combined with the substantial masonry base upon which the tower is erected, they form a crucial part of the wall, which is approximately 12 feet thick. This configuration likely represents the most effective defence against mining attacks ever created for a British Castle. The structure can be likened to six massive spurs, where the destruction of one or even two would have minimal impact on the stability of the others. The entrance to the Keep is a small square opening located on the first floor, accessible via a long staircase that once featured a drawbridge. The ground floor houses the well and is accessed through a trap-door in the vaulted ceiling. This ceiling is exquisitely vaulted in the Early English style, adorned with intricately carved capitals and bases supporting the shafts. This magnificent remnant of the feudal era was likely constructed during the reign of Richard I by Hamelin Plantagenet, the illegitimate brother of King Henry II, who had connections to the de Warrenne family, the affluent Earls of Surrey. #Castles#History#Architecture
[Text-Information-Source: British Castles by Charles Henry Ashdown (1856-1922)] [The book is in the public domain in the United States of America, and possibly other nations.] [Image: Brick Castle with Flag on Top (Conisborough Castle); Image-Author: William Sutherland] [N.B.: Conisborough Castle is an example of castle with cylindrical keep] [Image-Source-Link: https://www.pexels.com/photo/brick-castle-with-flag-on-top-12878263/ ] [License-Link: https://www.pexels.com/license/ ][Please Also Relate to Original Image URL for More Usage Property and Sharing, Remixing or Attributing the Contents] [Contents in this Website is also covered by Disclaimer linked at the bottom of the Page][This website article means no intellectual appropriation by any way and only wishes to contribute in sharing of knowledge]
The Shell Keep represented a logical progression in the evolution of castles, which were initially constructed following the Motte and Bailey design. This raises the question regarding the characteristics of the castles that the Normans erected in the twelfth century on sites that had not been previously occupied. These structures were known as Rectangular Keeps, featuring fortified enclosures that corresponded closely to the Shell Keep and the bailey. Rectangular Keeps had been a significant aspect of French fortifications for at least thirty years prior to the Norman Conquest; however, the adoption of this defensive style in England was gradual and extended over time. Only two examples exist that predate the death of William I :- the White Tower in London and the Keep at Colchester. This type of castle has become closely associated with the Normans, often overshadowing the far greater number of Motte and Bailey and Shell Keep fortifications that are equally linked to their presence. This association likely stems from the dignified appearance of the substantial Keep, along with its impressive features and surroundings, which contribute to the widespread belief in its significance. The Keep itself introduced a novel element to the art of fortification, serving as a medieval strategy to withstand the specific types of attacks prevalent during that era. The enclosure was directly influenced by the rectangular castra of Roman heritage, evolving through the Anglo-Saxon burh and the Norman bailey. Among all military constructions throughout history, the Rectangular Keep stands out as the most magnificent in terms of visual impact and scale, characterized by its simplicity of design. Furthermore, it is renowned for its durability, attributed to its robust craftsmanship and structural integrity. The walls typically measure between eight to fourteen feet in thickness, and at the base, they can reach up to twenty feet, with some remaining examples believed to have solid ground floors. The substantial thickness of walls in medieval structures should not always be interpreted as a sign of strength; in many instances, they are composed of two walls separated by a gap, which is filled with rubble and a certain quantity of mortar, typically of lower quality. Consequently, when the outer layer is breached, the inner core can spill out through the opening akin to grain spilling from a sack. Nevertheless, these walls provided opportunities for the creation of passages within the wall itself, as well as for small chambers, while the outer section of the wall was consistently reinforced by flat pilaster buttresses. The entrances to these Keeps were generally located on the first floor, with access obtained via a ladder or wooden gangway, and the doorway was of limited size. A series of narrow vertical slits in the walls, flared into embrasures on the inside, functioned as windows and also as oillets or arbalesteria, facilitating the discharge of arrows and bolts. #History#Architecture#Castles
[Text-Information-Source: British Castles by Charles Henry Ashdown (1856-1922)] [The book is in the public domain in the United States of America, and possibly other nations.] [Image: Bamburgh Castle in England; Image-Author: urtimud. 89] [N.B.: Bamburgh Castle is an example of castle with rectangular keep] [Image-Source-Link: https://www.pexels.com/photo/bamburgh-castle-in-england-10200580/ ]
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The Shell Keep signifies the second phase of the development of Norman Castle, comprising a circular or polygonal stone wall constructed on the motte, where the wooden palisade once stood. The transition from a perishable material to masonry was a logical progression; however, the urgency of events following the Conquest left no opportunity to establish such a fortification. Additionally, a hastily assembled mound would not support the necessary weight, necessitating a period for the earth to settle before construction could commence. As stability returned to the region and economic and social disruptions became less common, the Norman barons were able to allocate resources and time to reinforce their feudal residences. Castles like Carisbrooke, Lincoln, and Totnes had already incorporated Shell Keeps before the end of the reign of Stephen, while Windsor, Berkeley, Arundel, and several others adopted similar structures shortly thereafter, indicating that the era of the Shell Keep can be broadly dated to the twelfth century. Typically, the Shell Keep is situated on a mound, which may be natural, constructed during its establishment, or an existing motte; however, the majority of these mounds are artificial. The design of the earthwork influenced the shape of the Shell, which can be circular, oval, or, as seen in York and likely Warwick, quatrefoil. Most are polygonal, with sides that are not necessarily equal in length, and few exceed a duodecagon in the number of sides. The diameter ranges from thirty to hundred feet, rarely deviating from this range; the wall thickness measures between ten and twelve feet, with foundations extending four to six feet into the ground. This wall is typically not constructed at the very edge of the plateau but is usually set back a few feet, rising to a height of twenty to thirty feet, with wooden or stone steps on the inner face providing access to the rampart. Shell Keep, however, does not originate inexorably from the twelfth century; rather, after demonstrating its effectiveness, it evolved into an established defensive technique, with Lewes and Durham receiving Shells as recently as the reign of Edward III. #History#Architecture#Castles
[Text-Information-Source: British Castles by Charles Henry Ashdown (1856-1922)] [The book is in the public domain in the United States of America, and possibly other nations.] [Image: Cardiff Castle in Wales; Image-Author: Balazs Bezeczky] [N.B.: Cardiff Castle is an example of Shell Keep]
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Florence was scarcely free before she aspired to establish a town hall as a residence for a chief magistrate and a belfry to summon the populace. Whenever a community is formed in the North, or a republic is founded in the South, the yearning for a town hall and a belfry invariably becomes the foremost expression of its will, and fulfilling that yearning serves as the initial testament to its existence. Consequently, in 1298, merely sixteen years after the Florentines had secured their constitution, Arnolfo di Lapo was commissioned by the rulers to construct a palace for them, the Palazzo Vecchio. Accessing the Palazzo Vecchio involves entering through a door located approximately one-third of the way along the facade, leading into a small square courtyard. This courtyard is encircled by a portico, which is upheld by nine columns showcasing Lombard architectural style, adorned with decorative elements. At the heart of this courtyard lies a fountain, topped with a rococo Cupid who is depicted holding a fish and resting upon a porphyry basin. On the first floor lay the magnificent Council Hall, crafted under the directives of the Republic and inspired by the co8unsel of Savonarola. There, a thousand citizens could gather and deliberate in comfort. The architect, Cronaca, expedited the construction to such an extent that Savonarola would often remark that angels were his masons. The palace served as the dwelling for a standard-bearer and eight priors, with two assigned to each quarter of the city; their term of service extended for sixty days, during which they resided together, sharing meals at the same table and were prohibited from leaving their quarters. In recognition of the time and freedom each prior sacrificed for the republic, they were each compensated with ten pounds daily, equivalent to almost seven francs in French currency. The vast frescoes adorning the walls, along with the images on the ceiling, were the work of Vasari. These frescoes depicted the conflicts between the Florentines and the cities of Siena and Pisa. For the latter, Michelangelo created exquisite cartoons that have since vanished, leaving no trace of their fate. Additionally, in the other chambers of the palace, which served as living areas, there exists a significant collection of paintings from nearly the same era. #History#Architecture
[Text-Information-Source: Romantic Castles and Palaces as seen and described by famous writers, Edited by Esther Singleton (1865-1930); (Essay: Palazzo Vecchio by Alexandre Dumas)][The book is in the public domain in the United States of America, and possibly other nations.] [Image: Aerial View of Palazzo Vecchio in Florence, Italy; Image-Author: Jorge Echegaray]
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The Royal Château of Blois is situated in the heart of Blois, Loir-et-Cher, within the Loire Valley of France. In the year 854 CE, the castle, referred to as Blisum castrum, faced an assault by the Viking chieftain Hastein. Throughout the tenth and eleventh centuries, the Counts of Blois, who also held dominion over Chartres and Champagne, undertook the reconstruction of the fortress. This château served not only as the residence for the Counts of Blois and several French monarchs but also welcomed Joan of Arc in 1429, who sought the blessing of the Archbishop of Reims prior to her campaign to expel the English, who had captured Orléans the year before. The château maintained control over the County of Blois until 1397, subsequently over the Duchy of Orléans, and later over the Kingdom of France from 1498 to 1544. It consists of multiple structures, with construction commencing in the thirteenth century and concluding in the seventeenth century. The rectangular structure showcases four distinct architectural styles, which include remnants of a thirteenth-century medieval fortress, a Gothic-style wing from the Louis XII era, a Renaissance-style wing attributed to Francis I, and a Classical-style wing associated with Gaston of Orléans. In 1840, initiative by Prosper Mérimée resulted in the château being included on the list of historical monuments. This designation enabled the allocation of state funds for its preservation. The château is currently maintained and owned by the town of Blois and has been made accessible to the public as a museum and tourist destination. The Musée des Beaux-Arts de Blois or the Museum of Fine Arts of Blois, situated in the Louis XII wing, showcases collections of paintings, sculptures, and decorative arts. #History#Architecture#Castles
[Image: A Concrete Building with Glass Windows, Blois, France (The spiral staircase in the Francis I wing of the Royal Château of Blois); Image-Author: Kibo Silalack]
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Château de Najac, also known as the royal fortress of Najac, is situated in Najac, within the Aveyron département in southern France. The villagers constructed the castle in 1253 under the directives of Alphonse de Poitiers, the brother of Saint Louis, on the location of an earlier castle, specifically a square tower, erected in 1100 by Bertrand of St Gilles, who was the son of Raymond IV, count of Toulouse. The fortress is constructed atop a hill created by a bend in the river. The inner bailey of the fortress takes on a roughly rectangular shape, with its longest side measuring approximately 40 meters. Towers extend from the South and North walls, with towers positioned at every corner, featuring a previous square tower and a substantial round donjon that serves as the command centre for the castle-defence. The entrance is secured by a barbican. Ownership of this fortress, constructed 200 meters above the Aveyron River, was crucial for regional dominance. Najac has been close to significant historical events: the initial English invasion, the Albigensian Crusade, the detention of the Knights Templar, the revolts of peasants, and the French Revolution. Once utilized as a stone quarry during the 19th century, Najac was rescued by the Cibiel family, who possess it and allow visitors access. The Château de Najac is part of a collective of 23 castles in Aveyron that have come together to offer a tourist route known as the Route des Seigneurs du Rouergue. A concealed passage, tucked away in the walls, connects the Romanesque tower to the chapel of the keep. The French Ministry of Culture has classified the castle as a monument historique since 1925. #History#Architecture#Castles
[Image: Majestic Château de Najac in Sunny France; Image-Author: ARNAUD VIGNE] [Image-Source-Link: https://www.pexels.com/photo/majestic-chateau-de-najac-in-sunny-france-29249221/ ] [License-Link: https://www.pexels.com/license/ ] [Please Also Relate to Original Individual Text and Image URLs for More Usage Property and Sharing, Remixing or Attributing the Contents]
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The Cardona Castle is a medieval stronghold located in Catalonia, Spain. Located atop a hill that overlooks the Cardener river valley and the town of Cardona. The fortress was originally built by Wilfred the Hairy in 886; it currently functions as a hotel within the state-operated Paradores chain. In the 14th century, the dukes of Cardona, heirs and successors of Wilfred, were from the most prominent family connected to the Crown of Aragon, just behind the royal family. Their territories were vast, covering Catalonia, Aragon, and Valencia, alongside dynastic connections with Castile, Portugal, Sicily, and Naples. This likely enhanced the significance of the castle. In 1714, despite a Bourbon siege that damaged much of the castle-walls, the garrison was among the last to capitulate to the Bourbon forces backing Philip V. The castle-design showcases elements of both the Romanesque and Gothic styles. The Sant Vicenç de Cardona Church, located next to the fortress itself, is designed in the Lombard Romanesque style. The portico of the Church of St. Vincenç in Cardona was previously adorned with murals. #History#Architecture
[Image: The Castle of Cardona in Catalonia, Spain; Image-Author: Manuel Torres Garcia] [Image-Source-Link: https://www.pexels.com/photo/the-castle-of-cardona-in-catalonia-spain-11358125/ ] [License-Link: https://www.pexels.com/license/ ] [Please Also Relate to Original Individual Text and Image URLs for More Usage Property and Sharing, Remixing or Attributing the Contents]
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The San Leo Fortress is a castle located at the boundary of the Romagna and Marche areas in Italy. The castle is most famously recognized as the location of death of Count Cagliostro. It was a fortified, regal getaway belonging to Federico da Montefeltro and his spouse Battista Sforza. It has become a museum. The Romans constructed the initial fort on the summit of the mountain. During the Middle Ages, it was fiercely contested by the Byzantines, Goths, Franks, and Lombards. From 961 to 963, Otto I of Saxony besieged Berengar II, the final king of the Lombard Kingdom of Italy. In the mid-eleventh century, the Counts of Montecopiolo arrived in Montefeltro, the former name of San Leo, from which they derived their name and title. During the latter part of the 14th century, the Malatesta managed to seize the fortress, yet throughout the mid-15th century, the Montefeltro frequently regained control of the castle. In 1441, the youthful Federico da Montefeltro climbed the fort-walls. Confronted with the emerging military threats, he had the stronghold reconstructed, assigning the project to the Sienese engineer Francesco di Giorgio Martini. The updated framework enabled a flexible counter-offensive, facilitating cross-fire. The fortress walls were fortified with artillery, and the entry points were made inaccessible by enemy fire due to military outposts. In 1502, Cesare Borgia, backed by Pope Alexander VI, seized control of the fortress. Upon the death of the Pope in 1503, Guidobaldo da Montefeltro assumed control over his territories. In 1516, the Florentine forces, aided by Pope Leo X and led by Antonio Ricasoli, infiltrated the city and seized control of the fort. Between 1527 and the transfer of the Duchy of Urbino to the Papal State in 1631, San Leo was part of the Della Rovere. At present, the castle contains a museum and an arms art gallery. The fortress consists of two separate sections: the keep, featuring square turrets and a gothic entrance, which is the older residential area; and the newer round towers along with the large corbeled wall that links them. #Castles#History#Architecture
[Image: Drone Shot of the Fortress of San Leo in San Leo, Romagna, Italy; Image-Author: DeLuca G] [Image-Source-Link: https://www.pexels.com/photo/drone-shot-of-the-fortress-of-san-leo-in-san-leo-romagna-italy-24644685/ ] [License-Link: https://www.pexels.com/license/ ] [Please Also Relate to Original Individual Text and Image URLs for More Usage Property and Sharing, Remixing or Attributing the Contents]
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Liebenzell Castle is a castle situated on a declining hill spur on the slopes of the Schlossberg overlooking the town of Bad Liebenzell in the Calw district of the southwestern German state of Baden-Württemberg. The stronghold used to be the most significant castle in the Württemberg region of the Black Forest. The counts of Calw constructed the castle in the 12th century. In 1196, the counts of Eberstein were noted as the proprietors of the castle. The castle was enlarged from 1220 to 1230. It was ruined in the 16th century, again in 1692, and reconstructed in 1954. Currently, the International Forum of Liebenzell Castle owns the castle. It serves as a training centre for youth associated with the Bad Liebenzell International Youth Forum and includes a restaurant. The castle consists of an uneven, five-sided structure featuring a strong shield wall, which incorporates a square bergfried equipped with a garderobe. The grand chamber or Palas is adorned with decorative ogival openings. The six-level bergfried stands at 32 metres tall, features a six-metre high entrance, possesses a wall thickness of two metres, and covers an area of approximately 9 by 9 metres. #Castles#History#Architecture
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The Konark Sun Temple is a 13th C.E. Sun Temple build in Konark, about 35 Kilometers to the North-East of the City of Puri, in the district of Puri, along the coastline of Odisha, India. Designated a UNESCO World Heritage Site in 1984, it continues to be a significant pilgrimage destination for Hindus, who come together annually for the Chandrabhaga Mela around February. The word Konark is derived from the Sanskrit word --Kona -- meaning Corner or Triangle and -- Arka -- meaning The Sun. The reverse side of the Indian 10 rupee currency note features the Konark Sun Temple to highlight its significance in Indian cultural heritage. The temple was build by Narasimhadeva I of the Eastern-Ganga dynasty of the ancient state of Kalinga of India, around 1250 A.D. The Temple was build in honour of the Hindu Sun God (Surya) and what survives of the Temple-complex is a100 feet-high chariot with massive wheels and horses all carved out from stones. In Hindu Vedic iconography, Surya is depicted as ascending in the east and swiftly crossing the sky in a chariot pulled by seven horses. He is usually depicted as a radiant figure standing and grasping a lotus flower in each hand, driving the chariot guided by the charioteer Aruna. The seven horses are called by the names of the seven meters in Sanskrit prosody: Gayatri, Brihati, Ushnih, Jagati, Trishtubh, Anushtubh, and Pankti. The Konark Temple reflects Indian craftsmanship and iconography in mammoth scale and has over twenty-four detailed stone-carved wheels (each with a diameter of 9 feet, 9 inches and 8 spokes) and being pulled by set of seven horses. The architecture of the Temple and that of the wheels in particular is symbolic, with 12 pair of wheels corresponding to 12 months of the Hindu calendar and each moth is paired to two cycles (Shukla and Krishna). The original temple used to have a sanctum sanctorum (--Vimana-- in Sanskrit) of 229 feet, which feel in in 1837. When the Temple is viewed at dawn during sunrise, it appears the chariot-shaped Temple arises from the Depth of the Blue Ocean, carrying the Sun. The surviving structures and elements are renowned for their elaborate art, symbolism, and themes, such as erotic kama and mithuna depictions. Also known as the Surya Devalaya, it exemplifies the traditional Odisha architectural style, also referred to as Kalinga architecture. #History#Architecture
[Image: Facade of ancient Hindu temple with ornamental decor; Image-Author: Rahul Pandit] [Image-Source-Link: https://www.pexels.com/photo/facade-of-ancient-hindu-temple-with-ornamental-decor-6040175/ ] [License-Link: https://www.pexels.com/license/ ] [Please Also Relate to Original Individual Text and Image URLs for More Usage Property and Sharing, Remixing or Attributing the Contents] [Contents on Wikipedia is covered by – Disclaimer – [Wikipedia-Disclaimer-Link : https://en.wikipedia.org/wiki/Wikipedia:General_disclaimer ] [Contents in this Website is also covered by Disclaimer linked at the bottom of the Page] [This website article means no intellectual appropriation by any way and only wishes to contribute in sharing of knowledge]
Bled Castle is a historic castle situated on a cliff above the town of Bled in Slovenia, with a view of Lake Bled. Based on documented evidence, it is the oldest castle in Slovenia and is now one of the most popular tourist destinations of the country. Currently, the castle functions as a historical museum showcasing a collection that reflects the history of the lake. The castle was initially referenced in a donation document granted by Emperor Henry II to the bishops of Brixen on May 22, 1011. The castle served as the home of the bishops for eight hundred years. At the moment of the donation act, the region was part of the March of Carniola within the Holy Roman Empire, but in 1278 it transferred to the Austrian House of Habsburg. The Romanesque tower is the oldest section of the castle. During the Middle Ages, additional towers were constructed, and the fortifications were enhanced. Other structures were built in the Renaissance architectural style. The structures are positioned around two courtyards, linked by a staircase. In the upper courtyard, there exists a chapel constructed in the 16th century, which underwent renovation circa 1700 and was subsequently adorned with illusionistic frescoes. The castle also features a drawbridge spanning a moat. #History#Architecture#Castles
[Image: Majestic Bled Castle on Clifftop in Slovenia; Image-Author: Necmettin Rauf Ceviz] [Image-Source-Link: https://www.pexels.com/photo/majestic-bled-castle-on-clifftop-in-slovenia-32363624/ ] [License-Link: https://www.pexels.com/license/ ] [Please Also Relate to Original Individual Text and Image URLs for More Usage Property and Sharing, Remixing or Attributing the Contents]
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Peyrepertuse is a dilapidated stronghold and one of the so-called Cathar castles situated in the French Pyrénées, within the commune of Duilhac-sous-Peyrepertuse in the Aude département, linked to the Counts of Narbonne and Barcelona. Situated on a limestone ridge at approximately eight-hundred metre elevation, atop a hill that divides Duilhac from Rouffiac-des-Corbières, it overlooks scrubland and vineyards. A tactical location that allows for a distant view of the surrounding valleys, the ability to oversee the mountain passes, or to transmit messages to the château de Quéribus located slightly to the south. The primary entrance is situated on the northern side, but during the era of the Cathars, a hidden passage via a slender trail behind a rocky ledge permitted access using a removable ladder. Currently, the back door of hidden entrance is shut, yet the route remains intact. Recent archaeological digs have revealed that the site was inhabited during Roman times from the start of the 1st century BCE. The earliest historical mentions of the castle were recorded in 806. It was Catalan and referred to as Perapertusès. It was owned by the Count of Besalú, a minor county located in Catalonia between Figueres and Olot, as mentioned in a document from 1020. During the Albigensian Crusade, it was the domain of Guillaume de Peyrepertuse who, refusing to comply, faced excommunication in 1224. He ultimately surrendered following the unsuccessful siege of Carcassonne in 1240, and the castle turned into a French possession that year. The circumstances in the area were ambiguous until the Treaty of Corbeil was signed in 1258, which ultimately freed Catalonia from French feudal control. The French-Catalan border was established just south of Peyrepertuse Castle, ensuring it stayed under French control. In 1355, the castle was returned to its fortified condition, and Henry of Trastamare, claimant to the Castilian crown, defeated at Navarette, was granted permission by King Charles V of France to seek shelter there. The initial effort to protect the monument started in 1950. Since 1908, the location has been recognized as a historic monument by the French Ministry of Culture. Currently, the remnants of Peyrepertuse Castle attract nearly one hundred thousand visitors annually. They rise some eight hundred metres over the vineyards of the area and the village of Duilhac. #History#Architecture#Castles
[Image: Historic Peyrepertuse Castle in the Pyrenees; Image-Author: juv] [Image-Source-Link: https://www.pexels.com/photo/historic-peyrepertuse-castle-in-the-pyrenees-32521582/ ] [License-Link: https://www.pexels.com/license/ ] [Please Also Relate to Original Individual Text and Image URLs for More Usage Property and Sharing, Remixing or Attributing the Contents]
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The Trenčín Castle is situated on a hill overlooking the town of Trenčín in western Slovakia. The castle-history traces back to the Roman Empire era, as evidenced by the inscription recounting the triumph of the II. Roman legion stationed at Laugaricio in 179 AD. The oldest structure is a stone rotunda, likely established during the Great Moravian era. During the 13th century, the castle served as the residence of Baron Jakab Cseszneky, who held the position of swordbearer to King Béla IV. In the 13th and 14th centuries, the castle served as the home of Matthew III Csák. He named the Máté Tower, a structure that overlooks both the castle outline and the town-profile. In 1335, the Treaty of Trentschin was signed at the castle among King Casimir III of Poland, King Charles I of Hungary, and King John of Bohemia. The negotiations were attended in person by King John of Bohemia, his son Charles, and Charles I of Hungary. The deputies represented King Casimir III of Poland. The castle contains exhibits from the Trenčín Museum, showcasing the history of region and the castle-past – displays of antique furniture, weaponry, paintings, and various artifacts, along with a gallery, archaeological collections, and discoveries. The castle is designated as a National Cultural Monument of Slovakia. In 2006, it drew approximately 100,000 visitors. #History#Architecture#Castles
[Image: Aerial View of the Trencin Castle, Slovakia; Image-Author: Arnis Rascal] [Image-Source-Link: https://www.pexels.com/photo/aerial-view-of-the-trencin-castle-slovakia-10241225/ ] [License-Link: https://www.pexels.com/license/ ] [Please Also Relate to Original Individual Text and Image URLs for More Usage Property and Sharing, Remixing or Attributing the Contents]
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Hohenwerfen Castle is a medieval stone fortress, located at 623 meters high on a rocky outcrop that overlooks the Austrian town of Werfen in the Salzach valley, south of Salzburg. The fortress is encircled by the Tennen Mountains and the Berchtesgaden Alps nearby. The castle gained worldwide recognition as the primary setting in the movie Where Eagles Dare. Constructed from 1075 to 1078 at the request of Archbishop Gebhard of Salzburg amid the Imperial Investiture Controversy, the fortification served as a tactical stronghold on a 155-metre high rock. Gebhard, a supporter of Pope Gregory VII and the anti-king Rudolf of Rheinfelden, had three significant castles expanded to protect the pass through the Eastern Alps along the Salzach river against forces of King Henry IV of Germany. Nonetheless, King Henry had Gebhard banished in 1077, and the archbishop was unable to return to Salzburg until 1086, only to pass away at Hohenwerfen two years afterwards. In the subsequent centuries, Hohenwerfen functioned for rulers of Salzburg, the prince-archbishops, not only as a fortress but also as a dwelling and hunting lodge. The castle was enlarged in the 12th century and to a smaller degree once more in the 16th century. In 1525 and 1526, rebellious farmers and miners from the southern region of Salzburg advanced towards the city, setting fire to and significantly damaging the castle. Alternatively, it served as a state penitentiary and thus carried a somewhat dark reputation. The prison walls have seen the unfortunate destinies of numerous inmates who endured their days there – possibly their final ones – in brutal circumstances; additionally, from time to time, various prominent noble figures, including leaders like Archbishop Adalbert III, have been incarcerated there. In 1931, the fortress, which had been owned by Archduke Eugen of Austria since 1898, suffered damage from a fire and, although mostly restored, ultimately had to be sold to the Salzburg Reichsgau administration in 1938. At present, the bastion operates as a museum. The fortress features various attractions, including guided tours of its vast weapons collection, the historical Salzburg Falconry along with its falconry museum, and a tavern situated in the fortress. The renowned Falconry Centre is a unique venue, providing daily demonstrations of flight featuring a range of birds of prey, such as eagles, falcons, hawks, and vultures. The castle was previously owned by the House of Habsburg. The state of Salzburg now owns the estate. #History#Architecture#Castles
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Boyne valley tombs, also known as Brú na Bóinne, is a region in County Meath, Ireland, situated where the River Boyne makes a curve. One of the most significant Neolithic archaeological landscapes in the world is found there, along with more than ninety more structures, including the enormous Megalithic passage graves of Knowth, Newgrange and Dowth. The Boyne Culture is the name given to the archaeological culture connected to these locations. The location has been listed as a UNESCO World Heritage Site since 1993. The region is situated in a bend of the River Boyne, around eight kilometres west of Drogheda in County Meath, Ireland. North of Dublin, it is situated around 40 kilometres away. The Boyne river surrounds the Brú na Bóinne site on its southern, western and eastern direction. In addition, a minor branch of the Boyne, the River Mattock, also flows along the northern tip, encircling Br na Bóinne with water almost entirely. All but two of the prehistoric settlements are on this river peninsula. Although there have been people living in this area for at least 6,000 years, the earliest significant buildings date to the Neolithic era, about 5,000 years ago. A system of Neolithic mounds, chamber tombs, standing stones, henges and other ancient enclosures can be found at the location, some of which date back as far as the thirty-fifth to thirty-second centuries BCE. This means that the structure precedes the Egyptian pyramids and was constructed with complexity and a proper working understanding of science and astronomy, which is particularly clear in the passage grave at Newgrange. The north bank of the river is where the bulk of the structures are located. The construction of the passage tombs began approximately 3,300 BCE and ended around 2,900 BCE. The three biggest tombs at Newgrange, Knowth, and Dowth could have been built to be visible from one another as well as from the accesses through the northern and southern banks of River Boyne. Up until the initial Bronze Age, when a number of embankment, pit and wooden post circles—commonly known as Henges—were constructed, the region was still utilized for dwelling and ritual. Compared to earlier Bronze Age artefacts, only some burnt mounds, cist burials and ring ditch burials are relatively unnoticeably found in later Bronze Age. Also only occasional activity during the Iron Age is visible in the form of cemeteries at Knowth and at Rosnaree. Near Newgrange, precious Roman devotional gifts including coins and jewellery have been discovered. #History#Architecture
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Pottenstein Castle is among the oldest castles in Franconian Switzerland, a region located in the German state of Bavaria. It is situated on a rock over the town of Pottenstein, which shares its name, in the Upper Franconian district of Bayreuth. The castle hosts a museum, and both can be accessed for a charge. The spur castle is situated in the Franconian Switzerland-Veldenstein Forest Nature Park at an elevation of about 410 meters on a westward hill spur between the Püttlach and Weihersbach valleys. In circa 1050, Pottenstein was under the ownership of Margrave Otto of Schweinfurt and, following his death in 1057, was inherited by his third daughter, Judith. The initial marriage of Judith was to Duke Cuno from Bavaria. Cuno passed away in 1055, and in 1057 Judith wed Boto, the younger sibling of Count Palatine Aribo II from the edelfrei lineage of the Aribonids. There is no definitive documentary proof for another theory suggesting that the castle was constructed around 918 by King Conrad I. Boto passed away in 1104 leaving heirs and was interred in Theres Abbey. Judith passed away in 1066. The absence of the castle from the properties of Otto I the Holy, who served as bishop from 1102 to 1139, suggests that Boto sold the castle during his lifetime, either before or in 1102, to the Bamberg diocese. Bishop Otto I stayed at the castle around 1118 and in 1121. In the centuries that followed, Pottenstein Castle was assigned by the bishops of Bamberg to a ministerialis family, which took the name of the castle for themselves. The earliest recognized members of the family include a Wezelo of Pottenstein from around 1121; in 1169, there was a Rapoto of Pottenstein. Between 1227 and 1228, Pottenstein Castle acted as a short-term home for Saint Elizabeth, Landgravine of Thuringia. Pottenstein served as the hub of a large judicial district. The administrative region of Pottenstein was expanded through the addition of smaller episcopal offices: Amt Tüchersfeld in 1492, Amt Leienfels in 1594, and Amt Gößweinstein between 1628 and 1636, with amt being administrative base for the Bishopric of Bamberg. Starting in the early 14th century, the castle was administered by a vogt or advocate, who resided in the Vogteihaus located in the lower ward. Since 1500, the officials referred to themselves as pflegers. They operated from the so-called cabinet in the upper ward. In 1750, the pfleger of the castle relocated to the Vogthaus in the town. The castle was deserted as an official residence and functioned as a grain storage facility. #History#Architecture#Castles
[Image: Birds View of Pottenstein Castle in Lush Greenery, Bavaria, Germany; Image-Author: Sabine Freiberger] [Image-Source-Link: https://www.pexels.com/photo/birds-view-of-pottenstein-castle-in-lush-greenery-bavaria-germany-17101108/ ] [License-Link: https://www.pexels.com/license/ ] [Please Also Relate to Original Individual Text and Image URLs for More Usage Property and Sharing, Remixing or Attributing the Contents]
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The city of Timgad, close to Batna, Algeria, is home to the Roman triumphal arch known as the Arch of Trajan. It was constructed in the latter part of the second century and the first part of the third. At the start of the Decumanus Maximus and the end of the road from Lambaesis, the western gate of the city was made up of three vaulted arches. The colony was founded by Trajan in the year 100, according to the inscription on the attic. With the sides of the lateral arches separated from the wall, the decorative fabric of the monument was taken with a curvilinear pediment that creates two lateral aediculae that protrude and contrast sharply. This, together with the ornate architectural details, all point to a later date. Since 1982, UNESCO has designated the arch and the entire Timgad archeological complex as a World Heritage complex. The arch is 12 meters high, with a 6-meter-tall central arch that allowed vehicles to pass through and caused large ruts in the earth beneath the archway. Each of the 3.75-meter-tall lateral arches was designated for pedestrian use. Aediculae with smooth-stemmed Corinthian columns of colored marble on shelves surround the deep rectangular niches above the lateral arches on both sides. Originally intended to house statues, the niches are now empty. The complete structure of every lateral arch and niche was outlined by a pair of red Corinthian columns, separate from the walls and resting on pedestals. The entablature extending along the wall above the side arches extends above the columns, with a curvilinear pediment resting on it. The attic must have been topped with a collection of grand statues. Additional sculptures were incorporated into the arch in subsequent periods. This comprises a statue of the deities Mars and one of Concordia established under Emperor Septimius Severus by Lucius Licinius Optatianus, to commemorate his selection as flamen-for-life of the colonia. #History#Architecture
[Image: Arch of Trajan, Timgad, Ancient Thamugadi, Near Batna, Algeria; Image-Author: Djamel Ramdani] [Image_Source-Link: https://www.pexels.com/photo/arch-of-trajan-timgad-ancient-thamugadi-near-batna-algeria-8876645/ ] [License-Link: https://www.pexels.com/license/ ] [Please Also Relate to Original Individual Text and Image URLs for More Usage Property and Sharing, Remixing or Attributing the Contents]
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The Niederburg in Kobern, known as the Niedernburg, Unterburg, or Neue Burg, is a hilltop castle located above the town of Kobern-Gondorf in the Mayen-Koblenz district of the German state of Rhineland-Palatinate. The Niederburg ruins are situated approximately 150 metres above the village of Kobern on a hillside that extends towards the Moselle. The castle was constructed in the middle of the 12th century. It is initially noted in 1195, when the Burgherr at the time established it as a fief of the Electorate of Trier. The female lineage of the Isenburg-Kobern lords became extinct in the 13th century. The Kobern Castles and the related lordship were inherited by Frederick II of Neuerburg through the heiress, Cecilia. In 1309, the male lineage of this family also became extinct. Subsequently, the castle and lordship were purchased by the Archbishop of Trier. The castle was demolished in 1688. The castle features an amygdaloidal layout. It has a 20-metre-high bergfried (tall tower) with three storeys. The remnants of a two-storey, Late Gothic palas are also present. A tower wall and a water reservoir are also in good condition, along with substantial sections of the outer walls. To the west, the castle was protected by a curtain wall with a zwinger, while to the north, it was secured by a throat ditch. The upper portion of the bergfried and the parapets were reconstructed in the 19th century. From 1976 to 1978, the state castle administration renovated and improved the palas and the cistern situated between the two towers. The castle is accessible to the public throughout the year and can be visited without any cost. Tourists can ascend to the castle via a trail from the Mühlbach valley. The Niederburg is a cultural monument under protection. #History#Architecture#Castles
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The Arch of Hadrian is an old Roman monument located in Jerash, Jordan. It is an 11-meter tall triple-arched entrance built to commemorate the visit of Roman Emperor Hadrian to the city during the winter of 129–130. The arch initially reached nearly 22 m in height and likely featured wooden doors. It includes unique architectural elements, possibly Nabataean, like acanthus bases. The monument acted as a memorial arch and as a gateway to Gerasa. The distance of the Arch from the city walls indicates a strategy for expansion of Gerasa to the south during its peak. The growth, however, was not carried out. In 2005, the arch was being renovated. The reconstruction finished in 2007 and the arch currently stands at about 21 meters tall. Every side of the arch features four attached columns positioned on pedestals and bases. The lower level features three vaulted passageways, and each one is bordered by two columns topped with Corinthian capitals. The archways on either side are crowned with niches. Every niche rests on a modest entablature, which is supported by two pilasters adorned with capitals. The Arch featured an attic that could have contained a dedicatory inscription. The bottom section of the attic featured a frieze of acanthus leaves, and the central area was topped with a triangular cornice. #History#Architecture
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Karlštejn Castle is located in the Czech Republic. It is a grand Gothic castle established in 1348 by King Charles IV. The castle acted as a secure location for the Imperial Regalia along with the Bohemian crown jewels, sacred relics, and various royal treasures. Karlštejn ranks as one of the most renowned and commonly visited castles in the nation. Established in 1348, the construction was overseen by the future Karlštejn burgrave Vitus of Bítov, yet no documentation exists regarding the actual builder. Certain historians suggest that Matthias of Arras could be recognized as the architect, although he had passed away by 1352. It is reported that Holy Roman Emperor Charles IV oversaw the construction and interior design personally. The construction was completed almost twenty years later in 1365. After the start of the Hussite Wars, the Imperial Regalia were relocated in 1421 and transported through Hungary to Nuremberg. In 1422, amid the castle siege, Hussite forces employed biological warfare as Prince Sigismund Korybut launched catapults to hurl dead bodies, which were however not plague-infected, along with 2,000 carriage-loads of dung over the walls, seemingly infecting the defenders. Subsequently, the Bohemian crown jewels were returned to the castle and remained there for nearly two hundred years, with a few brief interruptions. The castle experienced multiple renovations: in late Gothic style post-1480 and in Renaissance style during the final quarter of the 16th century. In 1487, the large tower suffered fire damage, and in the 16th century, multiple modifications occurred. After being taken over by the Swedes in 1648, it fell into neglect. Ultimately, a Gothic Revival renovation was executed by Josef Mocker from 1887 to 1899, resulting in the current appearance of the castle. #History#Architecture#Castles
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In the Werra-Meißner district of Hesse, Berlepsch Castle is a three-winged castle complex with an inner courtyard and park. It is situated about 400 meters northeast of the Witzenhausen area of Hübenthal. The distance between the castle and the Lower Saxony border is only a few hundred meters. The Berlepsch family established themselves on the Werra River, where they already possessed holdings, following the 14th-century demolition of their ancestral stronghold, Barlissen. Between 1368 and 1369, a new home was constructed on the location of the current Berlepsch Castle. The north side of the three-winged building has been surrounded by a gated defence wall since 1369. In 1400, Hessian troops demolished the castle, which was later reconstructed. In 1461, the castle was granted to the knight Sittich von Berlepsch. He encircled it with sturdy walls and fortified it with towers and outer defenses. During the 16th century, the castle was slowly enlarged in the Weser Renaissance style. The stair tower featuring its Renaissance entrance was constructed in 1593. In 1623, the castle faced another looting. In 1646, increased warnings of conflict urged the von Berlepsch family to relocate the rest of their archives to a secure site. The frequently stated claim that Goethe visited Berlepsch Castle on August 14, 1801, does not align with his correspondence, which indicates he only saw Berlepsch Castle from afar that day from the Hoher Hahn. In 1809, the castle was home to Friedrich Ludwig von Berlepsch. Between 1881 and 1894, Count Karl Friedrich von Berlepsch, followed by his son Hans from 1893, transformed the castle into its current shape through significant renovations and modifications, which feature a ceiling painting by Carl Wiederhold. These modifications are indicative of late Hanoverian Neo-Gothic architecture and were designed by architect Gustav Schönermark. The bird collection at the castle was established by ornithologist Hans von Berlepsch, while Karl von Berlepsch sometimes assembled a group of famous poets there. The coat of arms for the two Berlepsch branches is incorporated into the coat of arms stone located at the farthest of the three gates. Following World War II, Hubertus von Berlepsch transformed Berlepsch Castle into a restaurant and hotel. Both ceased operations in 1980 when Count Hans-Sittich von Berlepsch founded the Arvind Sannyasin Center for Bhagwan devotees at the castle. The center was disbanded once more in 1982. In 1984, followers of Osho established the Parimal Center at Hübenthal Manor, which was owned by the Berlepsch family. Since 2011, the castle has provided tourist services including dining options, guided tours, and frequent events. The offerings of the restaurant embodies the theme of the Middle Ages. #History#Architecture#Castles
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Loket Castle is a Gothic castle from the 12th century located in the Karlovy Vary Region of Loket, Czech Republic. It is situated atop a huge rock that the Ohře River encircles on three sides. It is one of the oldest stone castles in the nation and was formerly referred to as -- the Impregnable Castle of Bohemia -- due to its substantial walls. As a museum and national monument, it has been maintained since 1993 by the Loket Castle Foundation. The castle was first constructed in the Romanesque style in the 12th century, then expanded in the Gothic style the next century. Reconstruction in the 1390s gave it its current shape. According to medieval orthography, Loket was originally called Elbogen, which is German for elbow and means river bend, referring to the hairpin bend of Ohře. The margraves of Vohburg, who were related to the dukes of Bavaria and owned the Eger and Elbogen regions at the time, are credited for founding Elbogen around 870. They kept it intact until the 12th century, when their male line died out. When the first documented royal Loket burgrave was recorded in a deed in 1234, Loket was first mentioned in writing as a town. The new defense wall with semicylindrical towers was built during the reign of Ottokar, the Přemyslid King. Queen Elisabeth of Bohemia often sought shelter in the castle with her children during the turmoil against John of Luxembourg, as well as to shield herself from his wrath. The extensive renovation of the castle during the reign of Wenceslaus IV, likely occurring in the final years of the 14th century, was crucial for its current appearance. The castle was expanded until the 1420s and in 1434, Sigismund of Luxembourg mortgaged it to Chancellor Kaspar Schlick in gratitude for his financial support. In 1725, the castle was set ablaze, leaving only the basement and the ground floor intact. In 1788, a suggestion was made to convert the castle into a prison for the town, and the project was completed by 1822. At that time, a palace known as the Stone Chamber near the tower was demolished, and other structures were reduced by one floor. The prison was shut down in 1948. Starting in 1968, the castle was managed by the Ancient Monuments Departments located in Plzeň. The pivotal moment for the enhancement and accessibility of the castle occurred in 1992 when it was given back to the town of Loket. The town created the Loket Castle Foundation, which was subsequently converted into a public welfare organization. Both the castle and town centre served as filming locations in the 2006 movie Casino Royale, depicting a town in Montenegro. #History#Architecture#Castles
[Image: Scenic View of Loket Castle in Czechia; Image-Author: Alexey K. ] [Image_Source-Link: https://www.pexels.com/photo/scenic-view-of-loket-castle-in-czechia-31718815/ ] [License-Link: https://www.pexels.com/license/ ] [Please Also Relate to Original Individual Text and Image URLs for More Usage Property and Sharing, Remixing or Attributing the Contents]
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Castillo de La Calahorra is situated in La Calahorra, within the province of Granada, Spain. It is located in the foothills of the Sierra Nevada. Constructed from 1509 to 1512, it was among the earliest Italian Renaissance castles erected outside of Italy. It was designated as a Bien de Interés Cultural monument in 1922. It appeared in the 1974 movie Stardust, as the hideaway of Jim MacLaine, portrayed by David Essex, in the later segments of the film. It also served as a residence in the city of Pentos for the 2022 TV series House of the Dragon. In the film For a Few Dollars More, as Colonel Douglas Mortimer steps off the train in the opening moments, the castle can be seen in the background, to the left of the train. The castle was also prominently highlighted in the 1975 film, The Wind and the Lion. The location is highlighted in various videos by the band KLF, as shown in the documentary 23 Seconds to Eternity. #History#Architecture#Castles
Kafir Kot or Kafirkot is an ancient Hindu temple complex located in the Dera Ismail Khan district of Khyber Pakhtunkhwa province of Pakistan, in Indian subcontinent. It comprises of the remnants of five temples and an large fortress area. It was a historic Hindu fortress containing a renowned temple within its boundaries. The Kafir Kot complex in Khyber Pakhtunkhwa is commonly called the northern Kafir Kot to differentiate it from the southern Kafir Kot situated in the town of Bilot Sharif, roughly 35 kilometres to the south. The ruins feature two forts in the northwest of the district on small hills connected to the lower slopes of the Khasor range, overlooking the Indus river close to the Chashma barrage. The District Gazetteer of Mianwali states that these forts possessed significant historical importance and age. The primary characteristics included an external protective wall made of rough stone blocks, some of which are quite large, along with several clusters of structures that resemble small Hindu temples, differing in their level of carving. These are made of a strangely honeycombed drab-coloured stone that is not present in the nearby hills, and it is claimed to have been transported by river from Khushalgarh. The size of the forts is significant, and they might have accommodated a reasonably sizable garrison. The sole legends associated with them indicate that they were inhabited by the final Hindu Rajas, Til and Bil; however, all traces of leaders and subjects has now vanished. The Ghaznavids were thought to have demolished the fort in the 11th century. #History#Architecture
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Parameswara Tiru Located in the historic Pallava capital city of Kanchipuram in the modern-day Indian state of Tamil Nadu, Vinnagaram, also called the Vaikunta Perumal Temple, is a Hindu temple devoted to the god Vishnu. Originally called Paramechuravinnagaram in Tamil and Vishnugriha in Sanskrit, which means Vishnu-house and denotes a regal palace for Parameshwar or God, this 8th-century stone temple was constructed by the monarch Nandivarman II Pallavamalla. Parts of the Bhagavata Purana, one of the eighteen major Puranas and a key literature in Hindu religious history, have been dated thanks to research conducted at the Vaikunta Perumal Temple. Historian D. Dennis Hudson provides a thorough examination of the temple. His monograph focuses on interpreting its iconography and arrangement as an architectural summary of the Bhagavata Purana. The temple is one of the prominent tourist attractions in the city. As per local belief, the sage Bharadvaja was performing penance at the location of the unfinished temple and was enchanted by a heavenly nymph. The wise man wedded her, and they had a child. The sage resumed his penance while the nymph went back to svarga (heaven), yet the child stayed on Earth. Shiva and Vishnu took on the safeguarding of the child. One day, Vishnu assumed the guise of a hunter to present a child to a Pallava king without heirs who had been yearning for a son; this child would eventually inherit the throne, build a temple dedicated to Vishnu, and according to legend, also become known as Paramesvaravarman II. The renowned Vaishnava saint Thirumangai Alvar was a contemporary of Nandivarman II and solidified the temple-heritage by writing a poem about it, included in the Periya Tirumoli, possibly between the completion of the temple and the demise of Pallava King, around 790 CE. Several inscriptions within the temple illuminate the socio-economic and political landscape of the country during the Pallava era and also affirm the ongoing royal support for the temple into the 9th century. Paramesvara Vinnagaram serves as an early instance of Dravidian architecture. The temple features a rectangular layout and is accessed via a level granite entry tower. The vimana features a tiered pyramid roof and looks similar to a vihara. The temple has been designated a heritage monument and is managed by the Archaeological Survey of India as a site under protection. #History#Architecture
The rococo Schloss Philippsfreude was located in Wittlich, in Rhineland-Palatinate of Germany. The Prince-Electors of Trier used it as a summer home and hunting lodge. In 1794, French revolutionary troops destroyed it. There is nothing left today. In 1402, Prince Elector and Archbishop of Trier Werner von Falkenstein built Burg Ottenstein, a castle in Wittlich. Up until the 18th century, the castle underwent numerous renovations and changes. The castle served as a hunting lodge for the prince-electors. Johann IX Philipp von Walderdorff, prince-elector and archbishop, had the castle demolished in 1761 so that Schloss Philippsfreude, a new palace on the same site, could be built in its place. Jean Antoine, the architect, was chosen over Johannes Seiz, the court architect. On March 29, 1762, the prince-elector was present when the first stone was set. The palace was finished in 1763 after just one and a half years of building. The French rococo style was used in the palace-design. In 1794, French revolutionary troops destroyed it. The stones were then sold until 1804. The only reference to the palace is the name of the city square, which is Schlossplatz or Palace Square. #History#Architecture#Castles
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[Image: Schloss Philippsfreude in Wittlich (1760) by Bernhard Gottfried Manskirch] [Wikipedia-Image-Link: https://en.wikipedia.org/wiki/File:Wittlich_Schloss_Philippsfreude_Bernard_Gottfried_Manskirch_1760.jpg ] [The Work is in the public domain in its country of origin and other countries and areas where the copyright term is the life of author plus 70 years or fewer. The work is in the public domain in the United States because it was published (or registered with the U.S. Copyright Office) before January 1, 1931. ][Please Also Relate to Original Individual Text and Image URLs for More Usage Property and Sharing, Remixing or Attributing the Contents]
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One of the best-preserved medieval fortresses of Germany is the Veste Coburg. It is situated on a hill above the town of Coburg, in the Upper Franconia area of Bavaria. On the border between Bavaria and Thuringia, the town of Coburg is dominated by Veste Coburg. The hill on which Veste Coburg stands has been inhabited from the Neolithic to the early Middle Ages, according to studies on results of excavations. Coburg is first mentioned in docment in a gift from Richeza of Lotharingia in 1056. Richeza dedicated her properties to Anno II, Archbishop of Cologne, to allow the establishment of Saalfeld Abbey in 1071. In 1075, a chapel dedicated to Saint Peter and Saint Paul is documented on the fortified Coberg. Additionally, this document mentions a Vogt by the name of Gerhart, suggesting that the Saalfeld Benedictines managed their local holdings from the hill. A document written by Pope Honorius II in 1206 refers to a mons coburg, a hill settlement. The hill has a view of the town of Trufalistat and the vital trade route that led from Nuremberg to Leipzig via Erfurt in the thirteenth century. The word sloss meaning palace is first used in a record from 1225. The town was ruled by the Dukes of Merania during the time. The Counts of Henneberg succeeded them in 1248 and ruled Coburg until 1353, with the exception of the House of Ascania from 1292 to 1312. Friedrich, Markgraf von Meińska of the House of Wettin, took control of Coburg in 1353. His successor, Friedrich der Streitbare was bestowed the dignity of Elector of Saxony in 1423. As a result, Coburg, like other domains of the House of Wettin, was now referred to as Saxony, even though it was located in Franconia. As a result of the Hussite Wars the defenses of the Veste were expanded in 1430. Today the public can visit Veste Coburg, which now houses museums. These museums have a collection of artifacts and paintings that belonged to the ducal family of Saxe-Coburg and Gotha, as well as a large collection of arms and armor, important examples of early modern coaches and sleighs, and important collections of prints, drawings, and coins. #History#Architecture#Castles
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Pfalzgrafenstein Castle, also known as the Pfalz, is a toll castle located next to Kaub, Germany, on the island of Falkenau in the Rhine River. When King Ludwig IV of Bavaria first built the castle in 1326–1327, it was used to collect river tolls from passing traffic. It saw military action as well; in the War of the Succession of Landshut in 1504, it withstood a 39-day siege, and starting in 1620, Spanish forces controlled it for 11 years. Since its original construction, the castle has undergone a number of changes, the most notable of which were the erection of a baroque tower cap in 1714 and the modernization of fortifications in 1607. During the Russo-Prussian struggle against Napoleon in 1814, Pfalzgrafenstein Castle served as a crucial crossing site for the Rhine. Principal pentagonal tower of Castle has six stories and a height of 36 meters. The interior, which has been conserved as a public museum, features clay and tin household objects as well as furniture from the 17th to the 19th centuries. The region is a part of the Rhine Gorge, which was designated as a World Heritage Site by UNESCO in June 2002. Chain booms were erected across the narrow river crossing close to the castle to guarantee that tolls were paid. The ship may pass if the toll was paid, in which case the chain would be lowered and the crew would be detained in the castle dungeon. A wooden raft at the bottom of a well-served as the castle dungeon. Rope was used to lower the prisoners, who would stay there until a ransom was paid. Ships were unable to dock properly on Falkenau island, therefore tolls were paid at a customs house in Kaub. In 1339, Ludwig granted the castle to Count Rudolph II, the Elector Palatine, his nephew. Pfalzgrafenstein Castle was acknowledged as a location where the Palatine bailiff may detain defendants and hold trials, including capital cases, under the jurisdiction of Elector Palatine, according to a 1473 legal record. Count Palatine Philip of Wittelsbach gave Pfalzgrafenstein Castle as a deposit to the Count of Katzenelnbogen in 1477. Philipp I, the last male descendant of the Counts of Katzenelnbogen, passed away in 1479, sparking a 44-year inheritance dispute that lasted until 1523. After Nassau was annexed during the Seven Weeks War, Prussia took control of the castle in 1866, and toll collection stopped in 1867. Since then, the river has undergone substantial alterations to enable safe navigation of the broader channel. Even in the 1900s, the castle remained in good condition and was still utilized as a beacon for river traffic. The castle was acquired by the West German state of Rhineland-Palatinate in 1946, and it has been under its administration since 1949. The castle served as a river traffic signal station starting around 1960. Between 1967 and 1975, the baroque color scheme was repainted, walled-up arrow loops were reopened, the original gate was restored, and the roof was repaired. Pfalzgrafenstein Castle is maintained as a public museum today. In December and January, the castle is closed. #History#Architecture#Castles
[Image: Pfalzgrafenstein Castle on Lake Shore, Germany; Image-Author: op23] [Image_Source-Link: https://www.pexels.com/photo/pfalzgrafenstein-castle-on-lake-shore-germany-12323346/ ]
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In ancient Dura Europos, a city on the Euphrates in modern-day Syria, the Temple of Bel, also known as the Temple of the Palmyrene gods, was situated. The temple, which dates back to the first century BCE, is famous for its wall murals. Despite the current names of the building, it is unclear which deities were worshipped there. The temple was erected in honor of Alexander Severus when Rome was in power. The temple was then situated inside the military barracks of the XXth Palmyrene cohort. Since there is no indication of Palmyrene devotion during the Parthian era when the Temple was founded, Zeus was probably the focus of worship at the time the building was constructed. The holy of holies was situated in the west, the original construction phase comprised of a wide room, to which a vestibule was added in the second building phase, and in front of the holy of holies was a courtyard, surrounded by various rooms, whose function is not yet clear. The temple is situated in the northwest of the city, abutting the city wall. The northern and western walls of the temple are formed by the city wall. At least three construction phases can be distinguished. It is well known that the god Iarhibol was worshiped in the Temple of Bēl at Dura, which served as a hub of religious activity. The impact of the Bel-Marduk religion in Palmyra around 213 BC is where the term Bel, which refers to the god, originates. In pre-Hellenistic days, Bel was revered frequently alongside Iarhibol and Aglibol as a main deity. The Aramean deity Iarhibol was revered in prehistoric Palmyra. Iarhibol has appeared in a number of reliefs, where he is seen standing next to Aglibol to his right and is identified as the sun god, a member of the triad of Bel. Without these deities, Iarhibol is never depicted in busts or reliefs, forming the trinity of the Sun, Moon, and Earth. The paintings from the temple were found in 1920 by M. C. Murphy. James Henry Breasted, who examined the paintings and the temple and published a monograph about them in 1924, was given photos of the paintings. Westerners had never heard of the location before to discovery of Murphy. It was not until much later that it was linked to the ancient settlement of Dura Europos. The discovery of wall murals at the temple aroused curiosity, and The New York Times even covered the discovery. #History#Architecture
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Located in Bad Bentheim, Lower Saxony, Germany, Bentheim Castle is a hill castle from the early Middle Ages. The castle was initially recorded under the name Binithem in the eleventh century. The castle was constructed on a protrusion of Bentheim sandstone, which served as both a valuable export commodity and a source of building materials. The final remnant of the neighboring Teutoburger forest is this Bentheimer Höhenrücken. It is strategically located to build a castle because of its elevation position in an otherwise fairly flat environment, which offers a good perspective. The castle was built on the ruins of an earlier refuge castle, but nothing is known about its early history. Otto von Northeim is listed as the castle-owner in a document from 1020. Herzog Lothar von Süpplinburg, also known as Lothar III, and Heinrich V battled in 1116, and the castle was totally destroyed. Otto von Salm, the brother-in-law of the victorious Lothar III, quickly rebuild the castle in stone, and his wife Gertrud von Northeim lived there. She is identified as comitissa de Benetheim in 1050, making her the first known member of the Counts of Bentheim. Otto von Rheineck and the Bishop of Utrecht fought each other in 1146 over control of Twente. After Otto and his knights were routed close to Ootmarsum, the castle became a property of the Diocese of Utrecht, and the Bishop claimed the palace and chapel for his own use until 1190. Otto II von Salm-Rheineck, son of Otto and sole heir, attempted to retake the castle but was captured by Hermann von Stahleck in 1148. The independent county continued to cause problems for the bishops of Münster and Utrecht, who most famously attacked the castle in 1374. In 1421, the term Grafen von Bentheim was first used. The County of Bentheim gains political independence in 1486 when Graf Eberwin II receives a fee from Frederick III. The Burg reflects this in 1489, and the Pulverturm-building begin between 1588 and 1593. The Prince of Bentheim-Steinfurt, who resides at Steinfurt Castle, is still the owner of the castle. Some of his siblings live there, and it serves as a family museum that is accessible to the general public. #History#Architecture#Castles
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In Meise, Flemish Brabant, Belgium, there is a castle called Bouchout Castle. This territory of the fledgling Duchy of Brabant was ideally situated between the Berthout family, the lords of Grimbergen, and the County of Flanders in the twelfth century. Wouter van Craaynem most likely constructed the first fortification near the conclusion of the Grimbergen Wars, 1150–1170. Bouchout Castle is located 32 meters above sea level. Daniel van Bouchout, a knight who fought valiantly at the Battle of Worringen, built the Donjon tower of Bouchout Castle around 1300. The Van der Marck and van Sevenbergen families, known as Transylvanus, owned Bouchout Castle in the fifteenth and sixteenth centuries. Lack of upkeep caused the castle to deteriorate, and the Spanish domination and iconoclastic rage made matters worse. Only a long drawbridge could approach the rectangular medieval Bouchout Castle, which was encircled by a sizable pond. Between 1800 and 1830, during the French Revolution, the fortress was partially damaged. Once more, Count Amadeus de Beauffort renovated Bouchout Castle in 1832, giving it its current neo-Gothic look. Empress Charlotte of Mexico resided at the Bouchout Domain from 1879 to 1927. In 1867, Mexican Republicans put her husband, Emperor Maximilian I, to death. After that, Charlotte lived in seclusion at Bouchout Castle. #History#Architecture#Castles
[Image: Bouchout Castle, Meise, Flemish Brabant, Belgium; Image-Author: Laura Paredis] [Image_Source-Link: https://www.pexels.com/photo/bouchout-castle-meise-flemish-brabant-belgium-13095218/ ] [License-Link: https://www.pexels.com/license/ ] [Please Also Relate to Original Individual Text and Image URLs for More Usage Property and Sharing, Remixing or Attributing the Contents]
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Situated on the banks of the River Lee in Ireland, Blackrock Castle is a castellated fortification about two kilometers from the heart of Cork. Originally constructed in the sixteenth century as a coastal defense fortress to guard the port and upper Cork Harbour, the location today has a restaurant, visitor center and an observatory. In order to guard against pirates and other invaders, the people of Cork pleaded with Queen Elizabeth I to build a fort at Blackrock in the late 16th century. To protect against pirates from entering the harbour and carrying away vessels, a fortification was built there around 1582, and a round tower was added in 1600. A round tower on the edge of the water is the earliest remnant of this structure. After James I granted the city a charter in 1608, Blackrock Castle became the property of the City of Cork. The Cork Council Book from 1613 and 1614 makes reference to the fortress. After a fire destroyed the previous four-story tower in 1722, the citizens constructed a new one at a cost of £296. In 1827, the castle caught fire after a supper. Mayor Thomas Dunscombe oversaw the rebuilding, which started in 1828 and was finished in March 1829. The architects reconstructed the out-buildings and added three more stories to the old tower. After coming into private ownership, the castle served as a restaurant, offices, rowing club headquarters, and private residence for a while in the 20th century. After Cork Corporation reacquired the building in 2001, renovations and repurposing of the facility as an observatory and museum began. Additionally, Cork Institute of Technology astronomers work in the castle-labs. #History#Architecture#Castles
[Image: 16th Century Blackrock Castle with Observatory; Image-Author: Liudmyla Shalimova] [Image_Source-Link: https://www.pexels.com/photo/16th-century-blackrock-castle-with-observatory-18996928/ ]
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The Kopeshwar Temple is located in Kolhapur, Khidrapur district of Maharashtra . Shilahara (Shelara) king Gandaraditya constructed it in the twelfth century between 1109 and 1178 CE. On the banks of the Krishna River, it is an old & artistic city to the east of Kolhapur. Despite being Jain kings, the Silaharas constructed and renovated a number of Hindu temples, demonstrating their respect and love for all religions. Lord Shiva is referred to as Kopeshwar when he is furious. Shilahara monarchs constructed the current temple. They were feudatories of Rashtrakutas. In addition to the mythology, the previous name of the town, Koppam, may have been the source of the name. The Temple is close to the Karnataka-Maharashtra border. It can also be reached from Sangli. There is a circular aperture to the sky on the Svarga-Mandap. There are carved images of Lord Ganesh, Karthikeya Swami, Lord Kubera, Lord Yamraj, Lord Indra, etc. around the Svarga-Mandap, along with their attendant animals like peacocks, mice, elephants, and so on. On the left side wall of the entry of the Sabha Mandap are statues of Lord Brahma. The Lord Shiva Kopeshwar-Shivling is located in the Garbh-Griha in the centre, while a carved image of Lord Vishnu is located on the right side wall. A Sanskrit inscription in Devnagari script is carved into a stone pedestal that is positioned to the east of the southern door of the temple. It states that Raj Singhadev of the Yadav dynasty restored the temple around 1136 A.D. Only a few of the around dozen inscriptions on the inside and outside of this temple are in decent shape right now. Few kings and the names of their officers are revealed in these inscriptions. With the exception of one, all of these inscriptions are written in Kannada. The only Devanagari writing inscribed in Sanskrit is by Singhan-II and is found on the exterior wall close to the south entrance of the temple. #History#Architecture
This article also uses an image from the Wikipedia article -- Kopeshwar_Temple -- [Wikipedia-Article-Link: https://en.wikipedia.org/wiki/Kopeshwar_Temple ] [Image: Inside view of the Swarga gruha; Wikipedia-Image-Author: Unmesh Vijay https://commons.wikimedia.org/wiki/User:Iamunmesh ] [Wikipedia-Image-Link: https://en.wikipedia.org/wiki/File:Swarga_gruha.jpg ] [Image Availed Under Creative Commons Attribution-Share Alike 4.0 International license] [License-Link: https://creativecommons.org/licenses/by-sa/4.0/deed.en ] [You may copy, distribute and transmit the work (image) or share (alike) the work (image), provided that you comply with the terms of the Creative Commons Attribution-Share Alike 4.0 International license or other compatible license in distribution] [License-Link: https://creativecommons.org/licenses/by-sa/4.0/deed.en ] [Please Also Relate to Original Individual Text and Image URLs for More Usage Property and Sharing, Remixing or Attributing the Contents]
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The Katas Raj Temples are a group of Hindu temples connected by pathways. Hindus consider the pond known as Katas, which is surrounded by the temple complex, to be sacred. The complex is situated on the Potohar Plateau of Indian Subcontinent, in the Punjab province of modern political Pakistan. The Sanskrit word kataksha, which means tearful eyes, is said to be the source of the name of the temple complex. According to the Hindu Puranas, tears of Lord Shiva is what created the pond in the temples after he traversed the earth distraught over the death of his wife Sati. The pond has a maximum depth of 20 feet and a total area of two kanals and fifteen marlas. The temples are mentioned in the Mahābhārata, the Hindu epic literature, where the Pandava brothers are said to have spent a considerable amount of their exile visiting the temples. According to the Yaksha Prashna, it is also generally believed by Hindus to be the location of the riddle competition of the Pandava brothers with the Yakshas. In his travelogues from the fourth century CE, the Chinese monk Faxian wrote about a temple in Katas Raj. Before India was partitioned in 1947, the complex was a well-liked pilgrimage place for Hindus, with many coming for Maha Shivaratri. Over the decades that followed Partition, the temples were neglected and deteriorated. Hindus from Pakistan would still occasionally visit the location, but they could not keep up the large structure. The majority of the temples at Katas are built on square platforms. The elevation of sub-shrines appears to create a ribbed dome over a sequence of cornices with tiny rows of pillars. The Satgraha, a collection of seven ancient Hindu temples, five additional medieval temples, and havelis strewn around a pond revered by Hindus are all located at the Katas site. #History#Architecture
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The Amb Temples are a portion of an abandoned Hindu temple complex situated on the western side of the Salt Range in Indian subcontinent, atop the Sakesar mountain in the Punjab province of modern-day political Pakistan. The temple complex was constructed during the rule of the Hindu Shahi empire in the ninth and tenth centuries CE, although the foundations date back to the Kushan Empire. The ruins can be found in the Soon Valley on Sakesar Mountain. The Katas Raj Temples and the Tilla Jogian monastery complex are among the ruins that make up a chain of Hindu temples in the Salt Range mountains. The main temple is constructed of brick and mortar on a square base and is between 15 and 20 meters tall. It is thought to be the highest temple constructed by the Hindu Shahi empire. There are stairwells leading to inner ambulatories within the three-story temple remains. The temple-facade features Kashmiri-style decorations, such as a cusped niche. The main temple-structure is different from that of Kashmiri temples, which usually have pointed tops. Instead, the main temple shares a style with the neighboring Kalar temple and the Kafir Kot temple in the province of Khyber Pakhtunkhwa. Another smaller temple is located next to a cliff approximately 75 meters to the west. It is two stories high, or 7 to 8 meters. The temple has a tiny vestibule area that faces the main temple. The earliest architecture at the site dates to the late Kushan period, and the entire temple complex was encircled by a fortification. #History#Architecture
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Situated in the village of Modhera in the Mehsana district of Gujarat, India, the Sun Temple of Modhera is a Hindu temple devoted to the solar deity Surya. The temple was built after 1026–1027 CE, during the reign of Bhima I of the Chaulukya dynasty, and is located on the Pushpavati River. The Archaeological Survey of India is responsible for maintaining the temple, which is no longer a place of worship. The shrine hall, the assembly hall, and Kunḍa, the reservoir, are the three parts of the temple complex. The elaborately carved exteriors and ornate pillars of the halls are well-known. The tiered steps of the reservoir go to the bottom and a number of tiny shrines. Before becoming a part of Mehsana District in 2013, Sun Temple of Modhera was a part of Patan District. During the time of Bhima I of the Chaulukya dynasty, the main shrine of the Sun Temple was constructed. The Māru-Gurjara architectural style, sometimes referred to as the Chaulukya style, is used in the construction of the temple complex. The Kunda with its corner shrines was constructed earlier, at the start of the eleventh century, according to stylistic evidence. A troop of about 20,000 warriors attempted to halt invasion of kingdom of Bhima at Modhera by Mahmud of Ghazni earlier in 1024–1025. The Sun Temple may have been constructed to honor this defense, according to the theory historian A. K. Majumdar. Following the Uttarayan festival in the third week of January, the Tourism Corporation of Gujarat has been hosting the Uttarardha Mahotsav, a three-day dance festival, within the temple complex since 1992. The purpose of the event is to portray traditional Indian dance styles in an environment that is reminiscent of the historical context of these performances. #History#Architecture
[Image: Kunda Reservoir in Sun Temple of Modhera; Image-Author: Jigar Maru] [Image-Source-Link: https://www.pexels.com/photo/kunda-reservoir-in-sun-temple-of-modhera-18534121/ ] [License-Link: https://www.pexels.com/license/ ] [Please Also Relate to Original Individual Text and Image URLs for More Usage Property and Sharing, Remixing or Attributing the Contents] [Contents on Wikipedia is covered by – Disclaimer – [Wikipedia-Disclaimer-Link: https://en.wikipedia.org/wiki/Wikipedia:General_disclaimer ]] [Contents in this Website is also covered by Disclaimer linked at the bottom of the Page] [This website article means no intellectual appropriation by any way and only wishes to contribute in sharing of knowledge]
The Rock of Cashel, sometimes referred to as Cashel of the Kings is a significant historical site in the Irish town of Cashel, County Tipperary. Over many centuries prior to the Norman conquest, the Rock of Cashel served as the customary residence of the Munster monarchs. Muirchertach Ua Briain, the King of Munster, gave his castle on the Rock to the Church in 1101 A.D. Having one of the most outstanding assemblages of Celtic art and mediaeval architectural constructions to be encountered anywhere in Europe, the gorgeous compound has a distinct personality. The majority of the structures on the existing site are from the twelfth and thirteenth centuries, leaving few traces of the earlier structures. The 90-feet circular tower, which dates to around 1100 and is in good condition, is the earliest and highest component of the structure. Its shallow base, typical of round towers, made it necessary for its entrance being 12 feet above the ground. For security purposes, current conservationists patched in a portion of the tower with masonry. The chapel of King Cormac Mac Carthaigh was built in 1127 and dedicated in 1134. It is a remarkable building with vaulted ceilings and large arches that combines distinctive native characteristics with modern European style. The twin towers along either flank of the intersection of the nave and chancel are highly indicative of the Germanic influence of the two carpenters sent by the Irish Abbot of Regensburg, Dirmicius of Regensburg, as this design is otherwise unheard of in Ireland. Additionally noteworthy aspects of the structure include the spectacular north doorway and chancel arch, the oldest steps in Ireland, interior and exterior arcading, a barrel-vaulted roof, a carved tympanum over both doorways and both interior and exterior arcading. Among the best-preserved Irish frescoes from this era can be found there. The majority of the sandstone used to build the Chapel has become flooded over the years, severely affecting the interior frescoes. The chapel had to be completely surrounded in a water-resistant building with interior dehumidifiers to dry out the stone as part of the rehabilitation and conservation process. Limited public visits are currently available. The Cathedral is an aisleless, cruciform-shaped structure that was constructed between 1235 and 1270 A.D. It has a central tower and extends westward to a sizable residential fortress. In the fifteenth century, the Hall of the Vicars Choral was constructed. #History#Architecture
Dougga, also known as Thugga, was a Berber, Punic, and Roman settlement in northern Tunisia close to modern-day Téboursouk. Currently, 75 hectares make up the archeological site. In 1997, Dougga was designated as a World Heritage Site by UNESCO. In contrast to Carthage, which has been repeatedly pillaged and rebuilt, the location, which is in the middle of the countryside, has been shielded from the encroachment of contemporary urbanization. Dougga is unique due to its vastness, well-preserved structures, and rich history of Numidian-Berber, Punic, ancient Roman, and Byzantine cultures. The Libyco-Punic Mausoleum, the Capitol, the Roman theater, and the temples of Saturn and Juno Caelestis are among of the most well-known structures of thesite. The settlement with Numidian name, TBGG, was recorded in the Libyco-Berber alphabet. It seems that the city was established in the sixth century BC. Although many pre-Roman monuments, including as a necropolis, a mausoleum, and several temples, have been found during archaeological excavations, history of Dougga is well known from the period of the Roman conquest. The significance of the location prior to the arrival of the Romans is demonstrated by these monuments. Dougga was recognized as an indigenous city when the Romans conquered the area. Institutional standing of Dougga was hampered by the establishment of the colony of Carthage during rule of Augustus. Although the city was part of the jurisdiction of Roman colony, a population of Roman colonists also emerged at this time to coexist with the established settlement. Thus, two institutional and civic entities controlled the location for two centuries. The two communities became closer as the city became more Romanized over time. However, the two settlements did not unite as a single municipality until AD 205, under Septimius Severus. Growth of Dougga reached its pinnacle under Gallienus, when it was granted the status of an independent Roman colony. The 17th century saw the arrival of the first Western tourists who left first-hand reports of the remains. #History#Architecture
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Originally constructed in the thirteenth century, Caerlaverock Castle is a triangular castle with moats. It is situated on the edge of the Caerlaverock National Nature Reserve on the southern coast of Scotland, eleven kilometers south of Dumfries. From the thirteenth century until the abandonment of the castle in the seventeenth, Caerlaverock served as the bastion of Maxwell family. Throughout the 14th and 15th centuries, it was partially demolished and rebuilt after being besieged by the English during the Wars of Scottish Independence. The Maxwells constructed a new residence inside the walls after being made Earls of Nithsdale in the 17th century. After the Protestant Covenanters army attacked the castle for the final time in 1640, it was abandoned. Despite multiple demolitions and reconstructions, the unique triangle layout of the castle from the 13th century is still present. In the past, Caerlaverock Castle was constructed to regulate trade. The estates of Caerlaverock were first mentioned in 1160, when the monks of Holm Cultram Abbey received them. One of the first stone castles constructed in Scotland, the initial fortress was square in design. It included a bridge looking north across a moat. The only remnants of a wooden enclosure surrounding it are the foundations. The quarrying was most likely a supply of building stone for the second castle when the moat surrounding it was dug. The remainder of the castle was constructed on a clay platform made specifically for the castle, but the gatehouse is situated on natural rock. The English-held Lochmaben Castle was attacked in 1299 by the Caerlaverock garrison. The castle is a well-liked tourist destination and is maintained by Historic Environment Scotland. It is designated as a scheduled monument. #History#Architecture#Castles
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In Baalbek, Lebanon, there is a massive Roman temple called the Temple of Jupiter. After the Temple of Venus and Roma in Rome, it is the biggest in the Roman world. The actual construction date of the temple and the person who commissioned or designed it are unclear. Construction most likely started in the first century BC. Located on a wide platform of stone elevated an additional 7 meters above the massive stones of the foundation—three of which are among the biggest blocks ever used in construction—it is positioned at the western end of the Great Court of Roman Heliopolis. The location has long been the focus of cultic activity; the temple most likely replaced an earlier one that may have used the same foundation. It was the biggest temple in the entire Roman Empire devoted to Jupiter Optimus Maximus Heliopolitanus. The largest columns in the classical world stood here at 19.9 meters tall and had a diameter of almost 2.5 meters. This enormous temple complex was built over three centuries. Even though this mountain site is on the far eastern edge of the Roman Empire, the Roman choice to build a massive Great Court of a large pagan temple complex there was probably influenced by the adjacent quarry. The original construction technique is still a mystery to archaeologists. The stones did not need to be lifted because this quarry was somewhat higher than the temple complex. Stones weighing between 60 and 100 tons could not be lifted by a single Roman crane; nevertheless, a special one could have been constructed specifically for this temple-construction. The big stones were most likely rolled into place along makeshift earthen banks from the quarry, or several cranes might have been used in tandem, or they might have swapped sides slightly at a time, filling in supports underneath each time. According to Macrobius, who was there around 400 AD, the temple included a golden statue of either Zeus or Apollo. depicted as a young man without a beard, dressed like a charioteer, with wheat ears, a lightning bolt in his left hand, and a whip in his right. The sanctuary of the temple was enhanced by several Julio-Claudian emperors. The Temple-Sanctuary of Heliopolitan Zeus was devastated by earthquakes, pillaged for stone under Theodosius, and again under Justinian. Eight columns were later transported to Constantinople to be incorporated into the Hagia Sophia. In the latter part of the eighteenth century, three columns collapsed. #History#Architecture
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Schloss Muskau is located in the German district of Görlitz in the state of Saxony. It is situated in Muskau Park, an expanded park that has been recognized as a UNESCO World Heritage Site since July 2004. The construction complex took a long time to develop. The current main structure, known as Neues Schloss or New Palace, was created in the Neo-Renaissance style in the 19th century. It burned down in 1945 and remained a ruin for decades until being rebuilt until 2013. Stretching along both sides of the German-Polish border on the Lusatian Neisse, Muskau Park is the biggest and most well-known English landscape garden in Central Europe. At the request of Prince Hermann von Pückler-Muskau (1785–1871), the park was designed starting in 1815. Inspired by Humphry Repton, whose son John Adey worked at Muskau from 1822 onward, Pückler rebuilt the medieval fortification as the New Castle, the compositional center of the park with a network of paths radiating from it and a pleasure ground. The extensions continued until 1845, when Pæler was forced to sell the patrimony due to his massive debts. Prince Frederick of the Netherlands purchased it the following year and hired renowned landscape gardener Eduard Petzold, a pupil of Pückler, to finish his plan. Princess Marie, his daughter, succeeded him after his death in 1881 and sold the estates to the Count von Arnim. #History#Architecture#Castles
[Image: Majestic Muskau Castle Reflected in Autumn Lake; Image-Author: Laura Meinhardt] [Image-Source-Link: https://www.pexels.com/photo/majestic-muskau-castle-reflected-in-autumn-lake-34149553/ ]
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An UNESCO World Heritage Site in Belarus, the Mir Catle Complex is a historic fortified castle. It is situated in the Karelichy District of Grodno Oblast in the town of Mir. The Mir Castle Complex is situated 164 meters above sea level. One of the few surviving architectural remnants of the former Polish-Lithuanian Commonwealth in modern-day Belarus, it was built in the late Brick Gothic style in the sixteenth century. After the turn of the sixteenth century, Duke Juryj Ivanavě Illinič started building the castle in the Belarusian Gothic style close to the settlement of Mir. The citadel-courtyard was encircled by five towers, the walls of which created a 75-meter square on each side. After the Ilyinich dynasty ended in 1568, Mikalaj Kryštafor acquired the Mir Castle and renovated it with a three-story, two-winged noble home along the inner walls of the castle to the east and north. Renaissance-style limestone portals, plates, balconies, and porches adorned plastered façade. Owner Daminik Hieranim Radziwil passed away from combat injuries in 1817 after the castle had been abandoned for almost a century and had sustained significant damage at the Battle of Mir in 1812. His daughter Stefania, who later married Ludwig von Sayn-Wittgenstein-Berleburg, inherited the castle. Their daughter Maria later acquired the castle after she wed Prince Chlodwig Hohenlohe-Schillingsfürst. In 1895, Mikalaj Sviatapolk-Mirski of the Bialynia clan purchased the castle from their son, Maurice Hohenlohe-Schillingsfürst. Michail, son of Mikalaj, started rebuilding the castle in accordance with the plans of Teodor Bursche. UNESCO designated the Mir Castle as a World Heritage Site in December 2000. #History#Architecture#Castles
[Image: The Mir Castle Complex on Green Grass Field; Image-Author: Sarazh Izmailov] [Image-Source-Link: https://www.pexels.com/photo/the-mir-castle-complex-on-green-grass-field-13087008/ ] [License-Link: https://www.pexels.com/license/ ] [Please Also Relate to Original Individual Text and Image URLs for More Usage Property and Sharing, Remixing or Attributing the Contents]
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Babelsberg Palace stands in the eponymous park and quarter of Potsdam, the capital of the German state of Brandenburg, near Berlin. Prince William, later German Emperor William I and King of Prussia, and his wife, Augusta of the House of Saxe-Weimar-Eisenach, German Empress and Queen of Prussia, used it as their vacation home for more than fifty years. Along with the adjacent park and other parks in the area, the Babelsberg Palace was included on the UNESCO World Heritage list in 1990 for its architectural cohesiveness and its monument to the strength of the Prussian monarchy. The edifice, designed in the English Gothic revival style, was built in two phases over the period 1833–1849. The contract to plan the palace was given to the architects Karl Friedrich Schinkel, who was in charge of the works until his death, in 1841, Ludwig Persius and Johann Heinrich Strack. On 22 September 1862 in the palace and nearby grounds the discussion between King William I of Prussia and Otto von Bismarck took place that resulted with the appointment of Bismarck as Minister President and Foreign Minister of Prussia. The architecture of Babelsberg Palace was the prototype for the construction of Kittendorf Palace between 1848 and 1853 in Mecklenburg-Vorpommern, by pupil of Schinkel, Friedrich Hitzig. The palace has been undergoing extensive exterior and interior renovations since 2013. #History#Architecture#Castles
[Image: Babelsberg Palace in Potsdam, Germany; Image-Author: János Csatlós]
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Situated in the small village of Moszna in southwest Poland, the Moszna Castle is a historic castle and palace. Located between the villages of Prudnik and Krapkowice, about 30 kilometers south of the regional capital Opole, the home is a superb example of eclectic and romantic fairy-tale architecture. Although evidence of earlier cellars was found in the grounds during excavation and repair projects at the start of the 20th century, the history of the building dates back to the 18th century. It is possible that some of those were the remains of a Templar castle. Following the Second World War, further excavations unearthed a medieval barrier. The core component of the castle is a historic baroque palace which was partially damaged by fire on the night of April 2, 1896 and was repaired in the same year in its original form by Franz Hubert von Tiele-Winckler. The house was extended as part of the reconstruction project. The eastern Neogothic-styled wing of the building was erected around 1900, along with an attached orangery. In 1912–1914, the western wing was erected in the Neo-Renaissance style. The architectural shape of the castle contains a wide variety of styles, hence it may be usually classified as eclectic. Verticalism is suggested by the building-height as well as its many turrets and spires. The total castle contains exactly ninety-nine turrets. The castle was twice visited by the German Emperor Wilhelm II. In 1911 and the next year, a handwritten chronicle recorded his involvement in hunting throughout his time at the castle. After World War II the castle did not have a permanent owner and was the home of several institutions until 1972 when it became a convalescent facility. It then evolved into a Public Health Care Center for Neuroses Therapies. Nowadays it can be visited by tourists since the health institution has moved to another building in the vicinity. Additionally, the chapel of the castle serves as a performance hall. Since 1998 the castle houses a gallery in which works of various painters are shown at regular exhibitions. Aside from the castle itself, the entire complex consists of a park with surrounding fields, meadows, and a woodland that lacks clear limits. Only the main axis of the park can be classified as geometrical. It begins at the gate and travels to the castle via the oak and horse-chestnut avenues. Further on, the park enters into an avenue of lime trees with symmetrical canals running along both sides of the path, flanked with a few species of rhododendrons. #History#Architecture#Castles
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On the left bank of the Main River in Würzburg, in the Franconia area of Bavaria, Germany, sits the well-known Marienberg Fortress. For almost 500 years, the local prince-bishops resided there, making it a symbol of Würzburg. Although the majority of the existing buildings were constructed in Renaissance and Baroque styles between the 16th and 18th centuries, it has been a fort since ancient times. The castle was rebuilt as a Baroque home following Gustavus Adolphus of the conquest of the region in 1631 by Gustavus Adolphus of Sweden. The stronghold was frequently used in the conflicts of the late 18th and early 19th centuries after it was no longer the residence of the Bishops of Würzburg. It was only completely reconstructed in 1990 after being badly damaged by British bombs in March 1945. It is now home to two museums. On the other side of Würzburg, the fortress is situated on a prominent spur of the 266-meter-high Marienberg, which rises roughly 100 meters above the Main River. Vineyards are located on the slopes surrounding the castle. Members of the Urnfield culture constructed a Celtic refuge castle on the site circa 1000 BC. According to archeological discoveries, the hill represented an extreme northern point on the wine trade network of the period around 500 BC, and the inhabitants of the later Hallstatt culture had commercial ties with Ancient Greece. Before the Franks conquered the region in the sixth century, the Suevi, Marcomanni, Allemanni, and Burgundians were among the various tribes that alternated possession of it after 100 AD. Under the Merovingians, Würzburg occasionally served as the residence of a Franconian-Thuringian duke. But his court was located on the right bank of Mainz. Uburzi, the hilltop fortification, was referenced in a written record from the seventh century. Only from the high medieval period onward was the name Marienberg used. After 1495, Bishop Lorenz von Bibra erected fortifications and had the stronghold restored as a Renaissance residence. #History#Architecture#Castles
[Image: A View of the Marienberg Fortress in Germany; Image-Author: Patrycja Grobelny][Image-Source-Link: https://www.pexels.com/photo/a-view-of-the-marienberg-fortress-in-germany-12300946/ ]
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An historic Roman temple in Rome called the Temple of Antoninus and Faustina was eventually transformed into the San Lorenzo church in Miranda, a Roman Catholic church. It is situated across from the Regia on the Via Sacra in the Forum Romanum. Emperor Antoninus Pius started building the temple in 141 AD. At first, it was devoted to Faustina the Elder, his departed and exalted wife. As a result, Faustina became the first Roman empress to occupy the Forum Romanum permanently. Marcus Aurelius, successor of Antoninus Pius, rededicated the temple to both Antoninus and Faustina after Antoninus Pius was deified following his death in 161 AD. The structure is supported by a tall platform made of big slabs of grey peperino tufa. Its pronaos has eight 17-meter-tall solid Corinthian columns. From the sixteenth to the nineteenth centuries, the magnificent bas-reliefs of the frieze beneath the cornice, which included candelabra, acanthus scrolls, and griffins, were frequently replicated. The temple was originally gated off from the Via Sacra, according to numismatic evidence, and the cella would have contained a huge, seated statue of Faustina. In front of the Temple, pieces of this statue and a later statue of Antoninus Pius were found. It is first mentioned in the eleventh-century work Mirabilia Urbis Romae that the temple was transformed into the Chiesa di San Lorenzo in Miranda, a Roman Catholic church, possibly as early as the seventh century. Though it did not completely shield the structure from harm, Christianization accounts explains why the portico and cella of the temple have survived the ages. White marble slabs with matching marble moldings at the top and bottom originally covered the podium. With the exception of the molding, the majority of the marble facing was scavenged. The deep grooves in the temple-columns are thought to be the result of a medieval attempt to demolish the pagan temple or remove the pillared portico for spolia. In order to rebuild the historic temple for the visit of the Holy Roman Emperor Charles V to Rome in 1536, the cathedral was substantially destroyed and the side chapels were taken down. #History#Architecture
[Image: Temple of Antoninus and Faustina in Rome, Italy; Image-Author: Josh Withers][Image-Source-Link: https://www.pexels.com/photo/temple-of-antoninus-and-faustina-in-rome-italy-26975946/ ]
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The Erechtheion, also known as the Temple of Athena Polias, was an ancient Greek Ionic temple on the north side of the Acropolis in Athens that was mainly devoted to the goddess Athena. The famous Ionic structure, which held the statue of Athena Polias, has been referred to in modern scholarship as the Erechtheion, or the sanctuary of Erechtheus or Poseidon, in the belief that it encompassed two buildings mentioned by the Greek-Roman geographer Pausanias: the Temple of Athena Polias and the Erechtheion. However, there have been disagreements over whether the Erechtheion mentioned by Pausanias and other sources is the Ionic temple and that Athena and Erechtheus were worshipped in one building. According to the conventional view, two passages in Homer and later Greek writings suggest that the joint cult of Athena and Poseidon-Erechtheus was established on the Acropolis at a very early time, and they were even worshipped in the same temple. Several temples and other structures on the site were replaced by the current structure. It had historically been believed to have been constructed between 421 and 406 BCE, although more recent research supports a date in the 430s, when it might have been a part of the Pericles-initiated program of works. In the collection of Greek temples, the Erechtheion stands out due to its asymmetrical design, which deviates from the standards of Greek classical architecture. This is explained by the irregularities of the site, the complex and ever-evolving nature of the cults housed within the temple, or the possibility that it is an unfinished portion of a larger symmetrical structure. It is also one of the more challenging sites in classical archaeology due to its post-classical history of spoliation, destruction, and change of usage. There is still disagreement over the exact characteristics and placement of the numerous architectural and religious features of the building. The buildings on the Acropolis often known as the Arrephorion, the Sanctuary of Zeus Polieus, the Sanctuary of Pandion, and the Dörpfeld foundations are other possible sites for the actual Erechtheion. #History#Architecture
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The Athenians built the Athenian Treasury at Delphi to store votive offerings and dedications offered to the shrine of Apollo by their city and its residents. Parian marble is used throughout the entire treasury, including the sculptures that adorn it. Scholarly opinions on the building date vary from 510 to 480 BCE. On the route up to the sanctuary, all visitors can see the Athenian treasury, which is situated just underneath the Temple of Apollo along the Sacred route. In his description of the sanctuary, Pausanias describes the structure and asserts that it was constructed with the loot from the Battle of Marathon, which was fought against the Persians in 490 BCE. Some of the images of the metopes, which liken their victory to mythology, depict the Battle of Marathon. The Treasury made Athens one of the most powerful polis of Greece by utilizing Theseus, the founder of the city, to demonstrate the triumphs of the city. The first known large-scale sculpture of Theseus can be seen in the Athenian Treasury Metopes. Theseus had been portrayed on vase paintings before this collection, but no architectural representations have been discovered. The additional heroic figure demonstrated the growing devotion of Athenians to Theseus, even if Herakles was also portrayed in the metopes. The pairing of the two heroes served as a metaphor for the Battle of Marathon. The metopes depict identity of Athens and their perceptions of both foreign and domestic adversaries. The first Panhellenic sanctuary dedicated by Athens was the Athenian treasury. Treasuries were constructed in Delphi by a number of other city-states. The Athenian Treasury in Delphi was erected according to a conventional distyle in antis design, with two antae framing two columns. The central figures of metopes are drawn from popular Athenian mythology and depict these heroes going through their numerous hardships. The thirty metopes of the Treasury measure 67 cm in height and 62–64 cm in width. The order in which several of these metopes might have emerged is debatable, and they were discovered dispersed over the surrounding area. #History#Architecture
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Among the most notable Renaissance castles in Northern Europe is Glücksburg Castle. The castle was the administrative centre for the ducal lines of the Glücksburg family and, for a while, the main residence of the monarch of Denmark. The structure is in the northern German town of Glücksburg on the Flensburg Firth. The building is a water fortress. The castle gave rise to the ducal house of Glücksburg, whose members are related to practically all European dynasties. The castle is currently one of Schleswig Holstein, the most well-known landmarks of Germany. There is a public museum housed inside the castle. When the double monastery of St. Michael auf der Berge was liquidated in Schleswig in 1192, the foundation of the current castle grounds officially began. The monks left and relocated to Guldholm on Langsee, and the nuns moved to the St. John Monastery in Schleswig, which is still in use today. The monks established a new Cistercian monastery in Glücksburg between 1209 and 1210. There was an old motte-and-bailey castle close to the monastery, and some of it is still standing today. At the centuries that followed, the monks lived in and took care of the so-called Ryd Abbey and the vast grounds. At the very same time, the nearby town of Flensburg still possessed a number of castles in addition to the substantial, militarily significant Duburg fortification, which was constructed in 1411 A.D. The Rüdekloster was secularised after the Reformation in 1538, and Danish King Christian III acquired ownership of it in 1544. The administrator lived in the monastic structures. The Duburg fortification near Flensburg started to deteriorate from the start of the 16th century. #History#Architecture#Castles
From 359/58 until 338 BC, Ochus, also known by his dynastic name Artaxerxes III, ruled as King of the Achaemenid Empire. His mother was Stateira, and he was the son and heir of Artaxerxes II. Artaxerxes commanded the army of his father as a satrap prior to taking the throne. Following the execution of one of his brothers, the suicide of another, the murder of the remaining, and the death of his father, Artaxerxes II, Artaxerxes came to power. Artaxerxes eliminated every member of the royal family shortly after ascending to the throne in order to maintain his position. He launched two significant campaigns against Egypt. Rebellions erupted throughout the western region of his empire after the first campaign failed. After 60 years, Nectanebo II, the Pharaoh of Egypt, was eventually defeated by Artaxerxes during the second invasion, reuniting Egypt with Persia. As influence of Philip II of Macedon grew in Greece during later years of Artaxerxes, he attempted to persuade the Greeks to overthrow the Achaemenid Empire. Artaxerxes opposed his actions, and the city of Perinthus withstood a Macedonian siege with his help. In his final years, Artaxerxes established a new palace, constructed his own tomb, and started long-term projects like the Unfinished Gate, demonstrating a revitalized building policy at Persepolis. In the past, the kings of Achaemenid Empire either adhered to Zoroaster or were greatly impacted by Zoroastrian philosophy. The cult of Anahita and Mithra was revived during the reign of Artaxerxes II, who even erected statues of his gods and invoked Ahura Mazda, Anahita, and Mithra in his architectural inscriptions. Although some of the buildings at Persepolis remained incomplete when he passed away, there is indication of a revised building policy. The Palace of Artaxerxes III and the Hall of Thirty-Two Columns, whose purpose is unknown, were two of his structures at Persepolis. Archaeologists were able to learn more about the construction of Persepolis thanks to the incomplete Army Road and Unfinished Gate, which linked the Gate of All Nations with the One-hundred Column Hall. #History#Architecture
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The Roman goddess Venus Genetrix, the founding goddess of the Julian gens, is honored in the now ruined Temple of Venus Genetrix in Forum of Caesar of Rome. On September 26, 46 BCE, Julius Caesar dedicated it to the goddess. Construction on the forum and temple may have started as early as 54 BCE. Caesar dedicated the temple to Venus Victrix on the eve of the Battle of Pharsalus. In the end, he made the decision to dedicate the temple to Venus Genetrix, the mythical ancestress of the Julian line and the mother of Aeneas. On September 26, 46 BCE, the final day of the victory of Caesar, the Temple was dedicated. Octavian eventually finished the temple and forum. The fire in 80 CE caused devastation to the area. On May 12, 113 CE, Trajan renovated and rededicated the temple that Domitian had later rebuilt. After being destroyed once more in 283 CE, Diocletian repaired it. This subsequent reconstruction includes the three columns that are currently visible. Originally, the temple was situated against the saddle that connected the Quirinal Hill and the Capitoline Hill. The temple included eight columns on the facade and eight columns on each side. It was constructed of marble-faced brick. The temple had a vaulted ceiling. Statues of Julius Caesar and a statue of Venus Genetrix by Arcesilaus were among the objects placed inside the Temple. The Temple was previously filled with a contentious golden statue of Queen Cleopatra as the goddess Isis, six collections of engraved gems, a breastplate adorned with pearls from Britain, and numerous Greek paintings by Timomachus of Ajax and Medea. Corinthian order was used in the Temple-design. This included entablature, capitals, and sculpted mouldings. Dolphins, shells, and tridents were carved into one of the moldings, the cyma molding. These allude to the sea and Venus. The Temple had three fountain basins: one on each corner and one in front of the façade. #History#Architecture
In the western Slovakian region of Trenčín, near the village of Beckov in Nové Mesto nad Váhom District, lies a castle that is in ruins called Beckov Castle. It is a cultural and national landmark, and the restorations that took place between 2002 and the final part of the 20th century gave it its current form. The original name of the castle, in Latin, was Blundix. The term was taken from the Slavic word Bludište, which reflected the challenging topography of the region. Subsequently, the name of the castle was changed to reflect that of the nearby village of Beckov. A klippe of the Hronic nappe that is effectively revealed by the Váh River is the Beckov Cliff. The fortress, which is perched on a rock beside a river, served as strategic outlook of Great Moravia. There was most likely a stone fortress constructed in the middle of the thirteenth century to guard the frontiers of the Kingdom of Hungary. During the turn of the thirteenth and fourteenth century, Matthew III Csák acquired ownership of the fortress, which he reinforced. Castellans took over management of the castle after his death in 1321 A.D. Miklós Bánffy received the fortress from Louis I of Hungary in 1379 as gratitude for his participation in conflicts in the Balkans and Italy. Sigismund, King of Hungary, gave the castle to Stibor of Stiboricz of the Clan of Ostoja, a Baron with Polish ancestry, in 1388. Stibor owned 31 castles, but he picked Beckov as his residence and took extra care of it. He had the castle Gothically rebuilt to serve as the residence of his family. To make Beckov a unique place, artists from Veneto, Poland, Germany, and Bohemia worked on it. Stibor also constructed a church that featured magnificent sculptural ornamentation and paintings, including a sculpture of Black Madona that was at the time regarded as one of the most beautiful sculptures of Europe. A family coat of arms carved out of stone was located at the entryway of the chapel. Stibor Stiboric of Beckov received the castle as an inheritance upon the passing of his faher in 1414. Stibor Stiboric eventually left the estate to his daughter Katarína because he did not have a son. The royal council, however, ruled that she could only be given the traditional financial distribution of one-fourth of her the estate od her father. One day before Sigismund passed away in 1437 A.D., he gave Pál Bánffy the castle, perhaps with the understanding that he would wed Katarína, which he did. After the Ottoman Empire defeated the Kingdom of Hungary in the Battle of Mohács in 1526, the Bánffy family rebuilt the castle into a Renaissance fortress and aristocratic residence. In 1599, a Tatar siege was effectively repelled by the stronghold. The castle was owned by the Bánffy family until Kristóf Bánffy, the only surviving member, passed away in 1646. After the passing of Kristóf Bánffy, Beckov Castle was progressively converted into a prison and barracks. The interior and roofs of the castle were destroyed by fire in 1729, leaving it in ruins. In 1970, the castle was designated as a national cultural landmark. It underwent renovated in the last decade of the twentieth century, giving it its current appearance. #History#Architecture#Castles
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In the Swabian Jura region of southern Germany, there is a privately held Gothic Revival castle called Lichtenstein Castle. Its moniker, shining stone or bright stone, refers to its Carl Alexander Heideloff-designed aesthetic. The castle has a view of the Echaz valley, which is close to Honau in Reutlingen, Baden-Württemberg. The 1840–1842 construction of the present castle was motivated by the 1826 novel Lichtenstein by Wilhelm Hauff. A couple of hundred metres away are the remnants of an older mediaeval fortress. On the cliff above the origin of the river Echaz, a fortress that belonged to a family of ministerial of the counts of Achalm and afterwards the counts of Württemberg was built starting approximately 1100 A.D. Due to their hostility toward the Free Imperial City of Reutlingen, the castle and the lords of Lichtenstein who lived there were frequently attacked. The original castle was demolished twice: initially during the 1311 A.D. imperial civil war and once between 1377 and 1381 A.D. by Reutlingen residents. A second castle was erected around 1390, about 500 metres from the remnants of the old one. The location chosen was the same as for the existing building. it was One of the finest defences of the Late Middle Ages. The castle lost its status as the ducal seat in 1567 A.D. and fell into decay despite characteristics like early casemates that rendered it virtually impenetrable. After the death of the very last descendant of the Lichtenstein family in 1687 during the Great Turkish War, it was seized by the Tyrolean line of the Habsburgs during the Thirty Years War period i.e. 1618– 1648 A.D. The Hallway of the castle still houses the coat of arms of the family, which is a pair of golden angel wings on a blue backdrop. The castle was taken over by King Frederick I of Württemberg in 1802, who levelled it down to its very foundations and built a hunting lodge in its place. Johann Georg Rupp oversaw the construction of the New Lichtenstein Castle, which got under way in 1840. With a curtain wall and courtyard to complete the castle complex, this building, whose design was profoundly affected by Count Wilhelm, stood up to three stories tall on the 1390 underpinnings of the ancient castle. In 1857, a barbican and a sizable outer bailey with corner bastions and towers were built. When the castle was finished in 1842, the king was present for its dedication. It was the official residence of the Dukes of Urach starting in 1869. #History#Architecture#Castles
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The Temple of Diana, often referred to as the Temple of Artemis or Artemision, was a Greek temple devoted to a prehistoric, regional form of the goddess Artemis. It could be found in Ephesus. The Ionic immigration occurred several years after the earliest iteration of the temple, a Bronze Age temenos. About 550 BC, Chersiphron and his son Metagenes, a Cretan architect, began to rebuild it in a grander style. Croesus of Lydia provided the funding, and it took ten years to finish the project. An arsonist destroyed this rendition of the temple in 356 BC. According to the list of Antipater of Sidon, the Seven Wonders of the World, the next, greatest, and last iteration of the temple was financed by the Ephesians themselves. It is thought to be older than the Didyma oracular shrine to Apollo. Leleges and Lydians are thought to have lived in the city prior to the Ionic period. The first temenos at Ephesus was credited by the ancient Greek poet and scholar Callimachus to the Amazons, legendary warrior-women whose religious practises, in his imagination, already revolved on an image or bretas of Artemis, their matron goddess. According to Pausanias, the temple existed even before the Amazons. The peripteral temple at Ephesus is the earliest example of its kind on coast of Asia Minor and may be the oldest Greek temple ever to be encircled by colonnades. A flood in the seventh century BC wrecked the temple and covered the original clay floor with more than half a metre of sand and flotsam. The remains of an ivory plaque depicting a griffin and the Tree of Life, as well as few drilled tear-shaped amber drops, were found among the flood wreckage. Croesus, who established empire of Lydia and ruled Ephesus, was at least partially responsible for funding the construction of the second great temple. It began to be planned and built in 550 BC. The temple burned down in 356 BC. According to a number of traditions, Herostratus committed this heinous crime of arson in an effort to gain glory at all costs. This is how the term — Herostratic Fame — came to be used to define his desire for recognition. The Ephesians condemned the offender to death for this crime and barred anybody from mentioning his name ever. According to Greek and Roman legacy, Alexander the Great was born about the time the temple was destroyed. Plutarch says that Goddess Artemis was too busy with birth of Alexander to put out the fire in her temple, but he does not say what caused it. The Ephesians politely declined offer of Alexander to pay for the reconstruction of the temple, arguing that it would be wrong for one god to construct a temple for another, and they ultimately reconstructed it after his death at their own expense. Construction began around 323 BC and lasted for a long time. The third temple, which was 450 feet long, 225 feet wide, and 60 feet high with more than 127 columns, was bigger than the second temple. In early Christian records of Ephesus, this new restoration is mentioned several times and had endured for 600 years. The Temple was eventually demolished or destroyed by 401 AD. #History#Architecture
This article also uses an image from the Wikipedia article -- Maarten_van_Heemskerck -- [Wikipedia-Article-Link: https://en.wikipedia.org/wiki/Maarten_van_Heemskerck ] [Image: From the 1572 Octo Mundi Miracula, the earliest known representation of the temple in modern times. The hand-colored engraving was by Martin Heemskerck.] [Wikipedia-Image-Link: https://en.wikipedia.org/wiki/File:Temple_of_Artemis.jpg ] [The Work (Image) is a faithful photographic reproduction of a two-dimensional, public domain work of art. This work is in the public domain in its country of origin and other countries and areas where the copyright term is the life of author plus 100 years or fewer. The Work is believed to be in Public Domain in the United States as well.] [Please Also Relate to Original Individual Text and Image URLs for More Usage Property and Sharing, Remixing or Attributing the Contents]
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On the southern tip of the Danish island of Funen, close to Kvaerndrup, is where one will find Egeskov Castle. The building is the best-maintained Renaissance water castle in Europe. In 1405 A.D., Egeskov was first mentioned. Frands Brockenhuus built the castle building around 1554. Most Danish nobility constructed their homes as fortifications because of the hardships brought on by the Counts Feud, widespread civil unrest, and a civil war that led to the Protestant Reformation. The castle is situated in a small lake with a deepest point of five metres and is built on oaken piles. The drawbridge was initially the only means of entry. The name Egeskov, which means — Oak Forest, comes from a tale that claims it took a whole forest of oak trees to lay the foundation. Since purchasing it from heirs of the Brockenhuus family in 1784, the Bille-Brahe family has owned the estate. The counts Ahlefeldt-Laurvig-Bille, who still possess it, inherited it in 1882. The castle is a Late Gothic structure from the outside. The basic components already exhibit Renaissance architecture. The castle is made up of two long structures joined by a substantial double wall, which enables the defenders to evacuate one building and carry on battling from the other. The double wall is over one metre thick and has a well and a set of hidden stairs. From the two circular corner towers, defenders could strike the flanks of an adversary. Scalding holes, arrow slits, and artillery ports are a few additional mediaeval defences. The bricks used to build the castle are of a huge mediaeval variety known as Monks Bricks. The conical towers are built out of various individual panels. Depressed and round-arched windows, round-arched blank arcading inside the gables, and a double string course between the lofty cellar and the ground floor are all features of the architecture. The building has some of the earliest indoor plumbing designs, which were developed in Europe and had vertical shafts for waste. A water well that is accessible from the kitchen of the servants in the east house is also part of the strong double wall. Massive parallel uncovered beams with some end carving may be found in a few of the major rooms.
[Image: Egeskov Castle, Kvrndrup, Denmark; Image-Author: Bruna Noronha][Image-Source-Link: https://www.pexels.com/photo/egeskov-castle-kvrndrup-denmark-6270891/ ] [License-Link: https://www.pexels.com/license/ ] [Please Also Relate to Original Individual Text and Image URLs for More Usage Property and Sharing, Remixing or Attributing the Contents]
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In the province of Burgos, the Peñaranda de Duero Castle of Spain is a well maintained gothic medieval structure. The castle was built in the tenth century, but Counts of Miranda del Castañar renovations in the fifteenth century significantly altered the structure. Only the crenellated arch of Las Monjas remains of the defensive wall that once encompassed the town, which nowadays marks the beginning of the castle. Throughout the 10th century, the fortress played a significant role in fortifying the border between the Moorish state of Al Andalus and the medieval Christian Kingdom of Castile. The castle is a small, walled enclosure with a central keep rising four stories high. The keep has three more square towers, two of which flank the ogival arch that serves as the entrance, in addition to battlements, a gallery of machiolations, and a rooftop terrace. Although a large portion of the keep has ornate wooden beams, the walls are made of solid stone ashlar stone. The Castle of Peñaranda de Duero is one of the many historical sites and popular tourist destinations in the region nowadays. There is a nominal entrance fee of between 1 and 2 euros for visitors. #History#Architecture#Castles
The Hindu temple Veerabhadra is situated in the Lepakshi in the Indian state of Andhra Pradesh. The shrine honors the ferocious form of Shiva, Virabhadra. Constructed in the sixteenth century, the architectural characteristics of the temple are in the Tuluva Vijayanagara style, and practically every exposed surface is covered in an abundance of paintings and carvings. It is regarded as one of the most magnificent Vijayanagara temples and one of the nationally significant sites that is centrally protected. Scenes of Rama and Krishna from the epic legends of the Ramayana, Mahabharata, and Puranas are depicted in the well-preserved fresco murals, which are especially detailed in vivid clothing and colors. About 200 meters from the temple is a massive Nandi, or bull, that is considered to be among the biggest of its kind in the world. It is carved from a single block of stone. The temple was constructed in 1530 AD, while 1540 AD is also cited, by two brothers from Karnataka named Virupanna Nayaka and Viranna, who served as governors of the Vijayanagar Empire at Penukonda under King Achyuta Deva Raya. They were members of warrior merchant class of Veerashaiva Vani. There are solely Kannada inscriptions in the temple. The government paid for the temple-construction. The temple-architecture is in the Vijayanagara style. The three sections of the main temple are as follows: The gathering hall is referred to as the garbhagriha or the sanctum sanctorum, the arda mantapa or antarala i.e. ante chamber, and the Mukha mantapa, Natya mantapa, or Ranga mantapa. As a structure, the temple is surrounded by two enclosures. There are three gates on the outermost walled perimeter; the northern gate is frequently used. The assembly hall, a spacious open hall with a huge area in the middle, is accessible through the inner east entrance. Shiva and his consort Parvathi are engraved on a boulder in a separate chamber located on the eastern wing of the temple complex. An image of Lord Vishnu can be found in a different shrine room. On the eastern side of the temple grounds is a massive granite rock carved like a coiled, multi-hooded serpent that serves as a canopy over a linga. #History#Architecture
This article also uses an image from the Wikipedia article -- Veerabhadra_Temple,_Lepakshi -- [Wikipedia-Article-Link: https://en.wikipedia.org/wiki/Veerabhadra_Temple,_Lepakshi ] [Image: The naga linga sculpture is inside the Veerahbadreswara temple at Lepakshi in Andhra Pradesh, Hindupur was supposed to have been carved out by a man in an hour. This is about 15 feet high very massive shiva linga sculpture with naga Prabhavali (This is a photo of ASI monument number IN-AP-8) ; Wikipedia-Image-Author: Narasimha Prakash] [Wikipedia-Image-Link: https://en.wikipedia.org/wiki/File:Naga_Lingam_Lepakshi_Temple_Hindupur_3.jpg ] [Image Availed Under Creative Commons Attribution-Share Alike 3.0 Unported license] [License-Link: https://creativecommons.org/licenses/by-sa/3.0/deed.en ] [You may copy, distribute and transmit the work (image) or share (alike) the work (image), provided that you comply with the terms of the Creative Commons Attribution-Share Alike 3.0 Unported license or other compatible license in distribution] [License-Link: https://creativecommons.org/licenses/by-sa/3.0/deed.en ] [Please Also Relate to Original Individual Text and Image URLs for More Usage Property and Sharing, Remixing or Attributing the Contents]
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Falak-ol-Aflak, also known as The Sky of the Skies or Shapur Khast Castle, is a fortress that is located on top of the same-named, sizable hill in Khorramabad, the regional center of Lorestan province of Iran. This enormous building was constructed between 224-651 A.D., during the Sassanid Empire. The Khorramabad River passes by the eastern and south-western slopes of the Falak-ol-Aflak hill, offering the castle some natural protection on those sides. The residential areas of Khorramabad currently flank the western and northern sides of the hill. Among the most significant monuments erected during the Sassanid era is the castle of Falak-ol-Aflak. Since it was created more than 1800 years ago, it has gone by a variety of names. It has been known by several names, including Shapur-Khast or Sabr-Khast fortification, Dezbaz, Khoramabad castle, and finally Falak-ol-Aflak Castle. The foundations of the real castle are about 300 by 400 meters in size. The slope and the complete building are 40 meters tall, towering above the surroundings. Twelve towers on a two-tiered rampart were formerly built around the current structure, according to archeological findings. The enclosure of the rampart mostly extended westward. Only two of the twelve original towers still stand, and they are located to the northwest and southwest of the current castle. The dehumidifier method seems to have been used in the construction of Falak ol-Aflak Castle. Previously, researchers thought the almost one-meter-high dehumidifier canals that covered the whole region beneath the castle were hiding places for the inhabitants. The Sassanid engineers really installed a dehumidifier in the castle because they were aware of the shifting climate of the area and the presence of subsurface waters. The Falak ol-Aflak castle is composed of several materials, including wood and stone, which are susceptible to moisture. Because of this, the castle was erected on the highest point of the city in Khoram-abad so that the wind could enter the structure and dry its foundations. #History#Architecture#Castles
This article also uses an image from the Wikipedia article -- Falak-ol-Aflak -- [Wikipedia-Article-Link: https://en.wikipedia.org/wiki/Falak-ol-Aflak ] [Image: Falak ol-aflak castle, central Khorramabad; Wikipedia-Image-Author: Omid. Koli https://commons.wikimedia.org/wiki/User:KOLI ] [Wikipedia-Image-Link: https://en.wikipedia.org/wiki/File:Falak-ol-aflak-Khorramaabaadcxxxx.jpg ] [Image Availed Under Creative Commons Attribution-Share Alike 3.0 Unported license] [License-Link: https://creativecommons.org/licenses/by-sa/3.0/deed.en ] [You may copy, distribute and transmit the work (image) or share (alike) the work (image), provided that you comply with the terms of the Creative Commons Attribution-Share Alike 3.0 Unported license or other compatible license in distribution] [License-Link: https://creativecommons.org/licenses/by-sa/3.0/deed.en ] [Please Also Relate to Original Individual Text and Image URLs for More Usage Property and Sharing, Remixing or Attributing the Contents]
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Architecturally similar to the Scottish tower house, Doe Castle, also known as Caisleán na dTuath, was the ancient stronghold of Clan tSuibhne and was located close to Creeslough in County Donegal of Ireland. One of the better fortalices in the northwest of Ireland, it was constructed in the early 15th century. With a moat carved out of the rock on the landward side, the castle is situated on a small peninsula that is encircled by water on three sides. The building is mostly made up of tall exterior walls encircling a four-story tower-house, or keep, inside a bawn. The Quinn family most likely constructed Doe Castle around 1420, although the gallowglass MacSweeney family had acquired ownership of it by the 1440s. For nearly 200 years, the castle was held by a Clan Sweeney branch, but King James VI and I took control of it when the MacSweeneys rebelled against him. During the Plantation of Ulster on March 7, 1613, the king gave Sir John Davies, the Attorney-General for Ireland, the castle and other estates. Sir John sold the castle to Captain John Sandford, an English settler from Shropshire, on December 31, 1614. During the Wars of the Three Kingdoms, Owen Roe ONeill led the Ulster Army of the Irish Confederate armies, returning there in 1642. Throughout the English and Irish struggle for dominance of Ireland in the 17th century, the castle was owned by different people on multiple occasions. It is known that the castle was occupied by Sir Charles Coote, the Governor of Londonderry, in 1650. In the end, Sir George Vaughan Hart purchased the castle, and his family lived there until 1843. After being taken over by the Land Commission in 1932, the castle was designated a national monument in 1934 and purchased by the Office of Public Works. In the 1990s, the tower house of the castle received extensive repair. #History#Architecture#Castles
This article also uses an image from the Wikipedia article -- Doe_Castle -- [Wikipedia-Article-Link: https://en.wikipedia.org/wiki/Doe_Castle ] [Image: Doe Castle from the front, featuring Towerhouse and Bawn Walls; Wikipedia-Image-Author: Seamus mcmonagle] [Wikipedia-Image-Link: https://en.wikipedia.org/wiki/File:Doe_Castle,_Donegal.jpg ] [Image Availed Under Creative Commons Attribution-Share Alike 4.0 International license] [License-Link: https://creativecommons.org/licenses/by-sa/4.0/deed.en ] [You may copy, distribute and transmit the work (image) or share (alike) the work (image), provided that you comply with the terms of the Creative Commons Attribution-Share Alike 4.0 International license or other compatible license in distribution] [License-Link: https://creativecommons.org/licenses/by-sa/4.0/deed.en ] [Please Also Relate to Original Individual Text and Image URLs for More Usage Property and Sharing, Remixing or Attributing the Contents]
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Lismore Castle is a castle in the County Waterford of Republic of Ireland, situated in the town of Lismore. It was owned by the Desmond Earls until 1753, when it was passed down to the Cavendish family. The Duke of Devonshire now resides there in Ireland. The sixth Duke of Devonshire had it substantially rebuilt in the Gothic style in the middle of the 1800s. The location of the castle was originally occupied by Lismore Abbey, an important monastery and place of learning founded in the early 7th century. The castle was built in 1185 by Prince John of England, the Lord of Ireland, to secure the river crossing. When King Henry II of England came here in 1171, it was still an episcopal centre. It was also the episcopal seat of the local bishop for a short while after 1185, when King John of England, his son, was tasked with erecting a castellum. It belonged to the Desmond earls, whose estates were divided up during the plantations when Gerald FitzGerald, the 14th earl of Desmond, was killed in 1583. Sir Walter Raleigh leased Lismore in 1589 and later bought it. Raleigh sold the land to Richard Boyle, another infamous colonial explorer who would go on to become the 1st Earl of Cork in 1620, while he was imprisoned for high treason in 1602. With just twenty-seven pounds when he arrived in the Kingdom of Ireland from the Kingdom of England in 1588, Boyle went on to build an incredible wealth. After acquiring Lismore, he turned it into his principal house and built an opulent mansion with striking gabled ranges on either side of the courtyard. In addition, he constructed the Riding Gate, a gatehouse with a castellated exterior wall. The main chambers featured velvet and silk embroidery, tapestry hangings, and plaster ceilings adorned with fretwork. The fourteenth of the fifteen children of the Earl, Robert Boyle, The Father of Modern Chemistry, was born here in 1626. Eventually, The 3rd Earl of Burlington and 4th Earl of Cork,1694–1753, commonly referred to as the Earl of Burlington in architectural histories, inherited the castle. He was a significant influence on Georgian architecture. After Lady Charlotte Boyle, the heiress and daughter of the 3rd and 4th Earls of Burlington and Cork, married the Marquess of Hartington in 1753, the castle was eventually acquired by the Cavendish family. The 4th Duke of Devonshire, who became the Prime Minister of the Kingdom of Great Britain in 1755, was born out of this marriage. Improvements at Lismore were carried out by their son, the 5th Duke, who designed the bridge over the River Blackwater in 1775. Thomas Ivory, an architect from Cork, was the architect for the original structure. The current appearance of the castle is a result of the work of the 6th Duke, also referred to as the Bachelor Duke. As soon as he succeeded his father in 1811, he set about converting the castle into a chic quasi-feudal ultra-regal stronghold. From 1812 to 1822, he hired architect William Atkinson to rebuild the castle in the Gothic style using cut stone that was transported from Derbyshire. The favorite home of the Bachelor Duke has always been Lismore, but as he got older, his affection for the area turned into a passion. Public access is available to the gardens situated within the castle. While much of the informal design of the lower garden dates back to the 19th century, the upper garden is a walled garden from the 17th century. The abandoned west range was transformed into Lismore Castle Arts, a modern art gallery, in 2005. The remaining interior space can be rented by parties of up to twenty-three people, but is not accessible to the general public. #History#Architecture#Castles
This article also uses an image from the Wikipedia article -- Lismore_Castle -- [Wikipedia-Article-Link: https://en.wikipedia.org/wiki/Lismore_Castle ] [Image: Lismore Castle, located in the town of Lismore, in County Waterford, Ireland; Wikipedia-Image-Author: Raúl Corral] [Wikipedia-Image-Link: https://en.wikipedia.org/wiki/File:Lismore_Castle_(Lismore,_Co._Waterford).jpg ] [Image Availed Under Creative Commons Attribution-Share Alike 3.0 Unported license] [License-Link: https://creativecommons.org/licenses/by-sa/3.0/deed.en ] [You may copy, distribute and transmit the work (image) or share (alike) the work (image), provided that you comply with the terms of the Creative Commons Attribution-Share Alike 3.0 Unported license or other compatible license in distribution] [License-Link: https://creativecommons.org/licenses/by-sa/3.0/deed.en ] [Please Also Relate to Original Individual Text and Image URLs for More Usage Property and Sharing, Remixing or Attributing the Contents]
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A fortification from the Scaliger era, the Scaligero Castle serves as a gateway to historic area of Sirmione on Lake Garda. One of the best-preserved castles in all of Italy. With 308,459 visits in 2019, it was the 22nd most popular attraction in Italy. On the southernmost point of Lake Garda in Northern Italy, it was constructed in the second half of the 14th century. The Scaligeri, who give it its name, are the Veronese Della Scala family. Construction was started on their behalf. From 1259 through 1387, the family held sway over Verona and a sizable portion of the Venetian region. After the Della Scala family submitted to Venice in 1405, the fortress was later under the jurisdiction of Republic of Venice beginning in the 15th century. It remained a crucial fortification in the region. With the construction of the nearby fortress in Peschiera del Garda in the 16th century, its prominence began to fade. Up to the Italian Union, it was still utilized as a fortification and armory before becoming the municipal government-office of Sirmione. It underwent restoration beginning in 1919, the year it became into a museum and a popular tourist destination. However, it was not completely reconstructed until 2018 after the internal waters of the castle were cleared. The interior docks are the only remaining portion of a fortified port from the fourteenth century. #History#Architecture#Castles
[Image: Scaligero Castle Facade, Italy; Image-Author: Natalia Yefremova][Image-Source-Link: https://www.pexels.com/photo/scaligero-castle-facade-italy-8986604/ ] [License-Link: https://www.pexels.com/license/ ] [Please Also Relate to Original Individual Text and Image URLs for More Usage Property and Sharing, Remixing or Attributing the Contents]
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In Killarney National Park, County Kerry of Ireland, Ross Castle is a tower house and keep from the 15th century that is situated on the edge of Lough Leane. It is the ancestral residence of the Clan O Donoghue Chiefs, who were afterwards connected to the Killarney Browne family. The Office of Public Works manages the castle, which has seasonal public access and guided tours. The O-Donoghues Mór (Ross), the local reigning clan, constructed Ross Castle in the late 15th century. However, ownership was transferred to the MacCarthy Mór during the Second Desmond Rebellion in the 1580s. Sir Valentine Browne, an ancestor of the Earls of Kenmare, was thereafter given a lease on the castle and the land by him. During the Irish Confederate Wars, the fortress was one of the last to fall to the Roundheads of Oliver Cromwell, and it was only conquered after artillery was transported by boat over the River Laune. Edmund Ludlow assaulted the fortress by sea after marching to Ross with 4,000 foot soldiers and 200 horses, but Lord Muskerry defended the castle from his attack. The Irish believed that until a vessel could navigate the lake, Ross would remain unconquerable. The Brownes kept the holdings after the battles because they could prove that their successor was too young to have taken part in the uprising. They had built a mansion residence close to the castle by around 1688, but they were exiled following the Glorious Revolution because of their loyalty to King James II of England. The castle was converted into a military garrison, and it remained thus until the beginning of the 19th century. The Brownes did not relocate back to Ross, instead constructing Kenmare House close to Killarney. According to a tradition, O Donoghue, his horse, his table, and his library all vanished into the lake after he leaped or was sucked out of the grand room window at the top of the castle. O Donoghue is rumored to be living in a large palace at the base of the lake, where he maintains a watchful check on all he observes. #Castles#History#Architecture
This article also uses an image from the Wikipedia article -- Ross_Castle -- [Wikipedia-Article-Link: https://en.wikipedia.org/wiki/Ross_Castle ] [Image: Ross Castle; Wikipedia-Image-Author: Dumphasizer] [Wikipedia-Image-Link: https://en.wikipedia.org/wiki/File:Ross_Castle_on_Lough_Leane_(15242590587).jpg ] [Image Availed Under Creative Commons Attribution-Share Alike 2.0 Generic license] [License-Link: https://creativecommons.org/licenses/by-sa/2.0/deed.en ] [You may copy, distribute and transmit the work (image) or share (alike) the work (image), provided that you comply with the terms of the Creative Commons Attribution-Share Alike 2.0 Generic license or other compatible license in distribution] [License-Link: https://creativecommons.org/licenses/by-sa/2.0/deed.en ] [Please Also Relate to Original Individual Text and Image URLs for More Usage Property and Sharing, Remixing or Attributing the Contents]
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South of Veytaux in the canton of Vaud, on an island in Lake Geneva, lies a castle called Chillon Castle. It is located on the slender shore between Montreux and Villeneuve at the eastern end of the lake, providing access to the Rhône-Valley-Alpine region. Among the most popular medieval castles in Switzerland and Europe is Chillon. It was successively occupied from 1536 until 1798 by the House of Savoy, then by the Bernese, and is currently a part of the State of Vaud. It is a Swiss Cultural Property of National Significance. Its contemporary equivalent, the Fort de Chillon, is concealed by the mountain-incline. The island of Chillon, an oval limestone rock advancing in Lake Geneva between Montreux and Villeneuve with a steep side on one side and the lake and its steep bottom on the other side, is particularly where the castle of Chillon is located. The location of the castle is significant because it guards the path between the Rhone valley, which provides a direct route to Italy, and the Vaud Riviera, which gives access to the north towards Germany and France. It also provides a glimpse of the Savoyard coast on the other side of the lake. Thus, a garrison could manage traffic on the way to Italy and charge a toll, both militarily and commercially. Since the Roman era, Chillon has served as a military outpost. The construction of the existing castle took place during three eras: the Savoy, Bernese, and Vaudois periods. Initially, Chillon served as a Roman stronghold that protected the important route through the Alpine Alps. In the nineteenth century, archeological digs turned up Roman-era artifacts as well as Bronze Age artifacts. Before a square donjon was erected in the tenth century, the Romans would have fortified the area from a double wooden fence. Although the oldest components of the castle have not been precisely dated, the first documented mention of it dates to the year 1005 A.D. To regulate the route from Burgundy to the Great Saint Bernard Pass, it was constructed. The Counts of Savoy had a fleet of ships on Lake Geneva, and from the middle of the 12th century, the castle served as their summer residence. The dukes of Savoy used the fortress to imprison prisoners during the Wars of Religion in the sixteenth century. A Genevois and Bernese force conquered the fortress in 1536, and all the inmates were freed. Until Chillon was turned into a state jail in 1733, the castle served as the home of the Bernese bailiff. The Lemanic Republic was established in 1798 after the French-speaking canton of Vaud expelled the German-speaking Bernese rulers. To support them in maintaining their independence from the other Swiss, the Vaudois invited French troops. Chillon served as a weapons and ammunition storage facility when the French invaded and occupied. The Romantic aesthetic prompted some 19th-century restoration work on the Castle that sacrificed historical accuracy. A thorough restoration of the monument was started at the end of the 19th century, and as a result, an ethic of monumental restoration was formed. This was one of the first instances where archaeology and history were used to restore a structure in a historically accurate manner. #History#Architecture#Castles
This article also uses an image from the Wikipedia article -- Chillon_Castle -- [Wikipedia-Article-Link: https://en.wikipedia.org/wiki/Chillon_Castle ] [Image: Veytaux, Schloss Chillon; Wikipedia-Image-Photographer: Werner Friedli (1910–1996); Wikipedia-Image-Source: E-Pics Bildarchiv online http://doi.org/10.3932/ethz-a-000353222 ] [Wikipedia-Image-Link: https://en.wikipedia.org/wiki/File:ETH-BIB-Veytaux,_Schloss_Chillon-LBS_H1-011115.tif ] [Image Availed Under Creative Commons Attribution-Share Alike 4.0 International license] [License-Link: https://creativecommons.org/licenses/by-sa/4.0/deed.en ] [You may copy, distribute and transmit the work (image) or share (alike) the work (image), provided that you comply with the terms of the Creative Commons Attribution-Share Alike 4.0 International license or other compatible license in distribution] [License-Link: https://creativecommons.org/licenses/by-sa/4.0/deed.en ] [Please Also Relate to Original Individual Text and Image URLs for More Usage Property and Sharing, Remixing or Attributing the Contents]
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The ruins of Čachtice Castle are located in Slovakia, adjacent to the Čachtice village. Because of the uncommon flora that grow on the hill where it is located, it has been designated as a national nature reserve. The Countess Elizabeth Báthory, who was accused of being a serial killer, lived at the castle before it was converted into a jail. As a guard on the route to Moravia, Kazimir of the Hont-Pázmány gens constructed Čachtice in the middle of the thirteenth century. It later belonged to Elizabeth Báthory, the Stibor family, and before that to Matthew Csák. When Elizabeth married Ferenc Nádasdy in 1575, the Nádasdy family gave her Čachtice, along with the surrounding estates and villages. Čachtice was formerly a Romanesque fortress with a fascinating dwelling tower built like a horseshoe. Later on, in the fifteenth and sixteenth centuries, its size was expanded, and it was transformed into a Gothic castle. 17th-century renovations throughout the Renaissance came next. In 1708, rebels of Francis II Rákóczi took control of the castle. In 1799, it suffered from negligence and was burned down. Before being converted into a tourist attraction in 2014, it was allowed to deteriorate. #History#Architecture#Castles
This article also uses an image from the Wikipedia article -- Čachtice_Castle -- [Wikipedia-Article-Link: https://en.wikipedia.org/wiki/%C4%8Cachtice_Castle ] [Image: Čachtice Castle, Slovakia, aerial photography; Wikipedia-Image-Author: Civertan] [Wikipedia-Image-Link: https://en.wikipedia.org/wiki/File:Csejtecivertanlegi1.jpg ] [Image Availed Under Creative Commons Attribution-Share Alike 3.0 Unported license] [License-Link: https://creativecommons.org/licenses/by-sa/3.0/deed.en ] [You may copy, distribute and transmit the work (image) or share (alike) the work (image), provided that you comply with the terms of the Creative Commons Attribution-Share Alike 3.0 Unported license or other compatible license in distribution] [License-Link: https://creativecommons.org/licenses/by-sa/3.0/deed.en ] [Please Also Relate to Original Individual Text and Image URLs for More Usage Property and Sharing, Remixing or Attributing the Contents]
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The Gothic-Renaissance Corvin Castle is located in Hunedoara, Romania, and is often referred to as Hunyadi Castle or Hunedoara Castle. One of the Seven Wonders of Romania, this castle is among the biggest in all of Europe. John Hunyadi, the Voivode of Transylvania, ordered the construction of Corvin Castle in 1446 with the intention of transforming the previous keep constructed by Charles I of Hungary. Sigismund of Luxembourg, king of Hungary and Croatia, first bequeathed the castle to father of John Hunyadi, Voicu, as a gift in 1409. John Hunyadi was chosen by the Diet to serve as the regent governor in 1446. The Knights Hall, the Diet Hall, and the circular stairway are the three main rooms of the castle. The halls are shaped like rectangles and have marble decorations. Feasts were held in the Knights Hall, while ceremonies and formal receptions took place in the Diet Hall. Following death of John Hunyadi in 1456, construction on the fortress ceased. New commissions were taken on to build the Matia Wing of the castle beginning in 1458. When construction on the castle was finally completed in 1480, it was acknowledged as one of the largest and most remarkable structures in all of Eastern Europe. The castle did not undergo any renovations in the 16th century, but in the 17th century, both military and decorative expansions were constructed. The grand new palace faced the town and was designed with aesthetics in mind. It was a two-story structure with residential quarters and a spacious living room. The White Tower and the Artillery Tower are two new structures built for military use. The outside yard was also created for administration and storage purposes. The present castle is the product of an imaginative restoration effort that was started following a catastrophic fire and several decades of complete disregard. #History#Architecture#Castles
This article also uses an image from the Wikipedia article -- Corvin_Castle -- [Wikipedia-Article-Link: https://en.wikipedia.org/wiki/Corvin_Castle ] [Image: Hunedoara castle; Wikipedia-Image-Author: Paszczur01] [Wikipedia-Image-Link: https://en.wikipedia.org/wiki/File:Hunedoara_castle.jpg ] [Image Availed Creative Commons Attribution-Share Alike 3.0 Romania license] [License-Link: https://creativecommons.org/licenses/by-sa/3.0/ro/deed.en ] [You may copy, distribute and transmit the work (image) or share (alike) the work (image), provided that you comply with the terms of the Creative Commons Attribution-Share Alike 3.0 Romania license or other compatible license as the original in distribution] [License-Link: https://creativecommons.org/licenses/by-sa/3.0/ro/deed.en ] [Please Also Relate to Original Individual Text and Image URLs for More Usage Property and Sharing, Remixing or Attributing the Contents]
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Shri Meenakshi Sundareshwarar Temple, also known as Arulmigu Meenakshi Amman Thirukkovil, is a historical Hindu Temple site, located in the Temple-City of Madurai, Tamil Nadu, India. The current main temple complex, including the Three Storied Gopura at the Entrance and Central Portion of the Goddess Meenakshi Shrine, was built by Pandayan Emperor Sadayavarman Kulasekaran I (1190 AD – 1205 AD). Because it symbolizes the confluence of the Shaivism, Shaktism, and Vaishnavism branches of Hinduism, the temple has theological significance. The Temple is situated on the Southern Bank of the Vaigai River and is dedicated to Goddess Meenakshi, a form of Goddess Parvati, and Sundareshwarar, a form of Lord Shiva. The Goddess-Temple is mentioned in the Tamil Sangam Literature Texts and is one of the 275 Temples of Shiva (Paadal Petra Sthalams) that are revered in the Tamil Saiva Nayanars of 6-9th AD. The Shri Meenakshi Sundareshwarar Temple is a revered pilgrimage site within the Shaivism tradition of Hindu Religion and dedicated to Meenakshi Devi and Lord Shiva. Unlike most other Shiva Temples of South-India, Devi Meenakshi is the Main Deity of the Temple. The Heritage Town of Madurai has been mentioned in the ancient Sangam era texts from 1st - 4th Century CE. The town of Madurai has been described in the earlier texts as a Capital and a Temple Town where the every street was illuminated from the Temple Complex. Goddess Meenakshi is described as the Divine Ruler and were heavily revered by the Southern Tamil Kingdoms like the Pandya Dynasty. These early texts suggest that the Temple existed by early 6th CE. Very famous saint of Saiva philosophy Thirugnanasambandar mentions the Temple as early as of 7th CE. The temple, as is devoted to Meenakshi Devi and Lord Shiva, is a popular destination for pilgrims in the Shaivism tradition. However, because Vishnu is regarded as brother of Meenakshi, he appears in several narratives, sculptures, and rituals at the temple. This has led to Madurai and this temple being referred to as the -- southern Mathura --- in Vaishnava scriptures. Along with artwork depicting stories from important Hindu texts, the Meenakshi Amman temple also features Lakshmi, flute-playing Krishna, Rukmini, Brahma, Saraswati, and other Vedic and Puranic deities. Tens of thousands of people visit the huge temple complex every day, making it the most noticeable feature in Madurai. The Temple complex has been awarded as the best -- Swachh Iconic Place -- in India as on 1 October 2017 under -- Swachh Bharat Abhiyan. #History#Architecture
This article also uses an image from the Wikipedia article -- Meenakshi_Temple -- [Wikipedia-Article-Link: https://en.wikipedia.org/wiki/Meenakshi_Temple ] [Image: Meenakshi Amman Temple (Tamil: மீனாட்சி அம்மன் கோவில்) is a historic Hindu temple located in the holy city of Madurai, Tamil Nadu, South India; Wikipedia-Image-Author: brad. coy] [Wikipedia-Image-Link: https://en.wikipedia.org/wiki/File:01MaduraiMeenakshiAmmanTemple%26IndoorCorridorView.jpg ] [Image Availed Under Creative Commons Attribution 2.0 Generic license] [License-Link: https://creativecommons.org/licenses/by/2.0/deed.en ] [You may copy, distribute and transmit the work (image) or remix the work (image) and attribute the work (image) with proper license link, complying with the terms of the Creative Commons Attribution 2.0 Generic license in distribution] [License-Link: https://creativecommons.org/licenses/by/2.0/deed.en ] [Please Also Relate to Original Individual Text and Image URLs for More Usage Property and Sharing, Remixing or Attributing the Contents]
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In the Rajsamand district of the western Indian state of Rajasthan, Kumbhalgarh, commonly referred to as the Great Wall of India, is a Mewar fortification on the western slope of the Aravalli Hills, only 48 kilometres from Rajsamand city. About 84 kilometres separate it from Udaipur. It is a part of Hill Forts of Rajasthan, a World Heritage Site. Rana Kumbha constructed it in the 15th century. Kumbhalgarh Fort and five other Rajasthani forts were included in the list of forts included in the Hill Forts of Rajasthan category when the 37th session of World Heritage Committee was held in Phnom Penh, Cambodia, in 2013. Mandan, who served as the principal architect of the fort, described his method of construction in his book Rajvallabh. The fort complex is one of the biggest in the world. The 36 kilometre perimeter walls of the fort of Kumbhalgarh, which was constructed on a mountaintop 1,100 metres above sea level in the Aravalli range, make it one of the longest walls in the world. The thickness of the frontal walls is fifteen feet. There are seven fortified entrances in Kumbhalgarh. The fort contains more than 70 temples, including Jain and Hindu temples. One can view kilometres into the Aravalli Range from the palace-roof. Mandan, the principal architect of the Kingdom of Mewar, constructed the Kumbhalgarh fort. According to the Kumbhalgarh inscription, Rana Kumbha gave the order to build the fort in 1448 AD. The fort was the second most preferred capital of Rana Kumbha. From Ranthambore to Gwalior, kingdom of Mewar of Rana Kumbha encompassed sizable portions of present-day Madhya Pradesh and Rajasthan. Rana Kumbha is credited with constructing 32 of the 84 forts in his domain, the largest and most ornate of which is Kumbhalgarh. The original building constructed by Maharana Kumbha still stands, despite extensions made by the Maharanas of Mewar. The temples and residential structures are in good condition. Maharana Pratap is also said to have been born at the fort. The fort is home to more than 360 temples, including both Hindu and Jain temples. There are seven fortified entrances in Kumbhalgarh. One can view kilometres into the Aravalli Range from the top of the palace. In honour of passion of Maharana Kumbha of art and architecture, the Rajasthan Tourism Department hosts a three-day festival annually in the fort. The fort serves as the backdrop for organized light and sound displays. To honour the occasion, a number of dance performances and concerts are also planned. #History#Architecture
This article also uses an image from the Wikipedia article -- Kumbhalgarh -- [Wikipedia-Article-Link: https://en.wikipedia.org/wiki/Kumbhalgarh ] [Image: Fort of Kumbhalgarh A portion of the fort wall which runs for 36 kms and is claimed to be the second longest wall after the Great wall of China; Wikipedia-Image-Author: Rajesh Kapoor] [Wikipedia-Image-Link: https://en.wikipedia.org/wiki/File:Kumbhalgarh_008.jpg ] [Image Availed Under Creative Commons Attribution-Share Alike 4.0 International license] [License-Link: https://creativecommons.org/licenses/by-sa/4.0/deed.en ] [You may copy, distribute and transmit the work (image) or share (alike) the work (image), provided that you comply with the terms of the Creative Commons Attribution-Share Alike 4.0 International license or other compatible license in distribution] [License-Link: https://creativecommons.org/licenses/by-sa/4.0/deed.en ] [Please Also Relate to Original Individual Text and Image URLs for More Usage Property and Sharing, Remixing or Attributing the Contents]
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In the northern Italian province of Parma, close to Langhirano, sits the 15th-century Torrechiara Castle. It is strategically located south of the city of Parma, atop a terraced hill with a view of the Parma River and the valley below. Pier Maria II de Rossi, the fourth count of San Secondo, ordered the construction of the fortress, which was completed between 1448 and 1460. The fortification demonstrates the impact of the strongholds of the Sforza family, especially Visconti-Sforza Castle. In addition to serving as an aristocratic home for the mistress of de Rossi, Bianca Pellegrini d Arluno, the castle was constructed as a defensive fortress. Bianca passed away in Torrechiara circa 1480. In 1482, Pier Maria retired to Torrechiara, where he passed away a few months later. Both of them were interred in the northeast tower of the castle, at the Oratory of San Nicomede. Over the ages, the castle saw numerous ownership changes before being designated as a national monument in 1911. The Italian State bought it the next year and let the public use it without any furnishings. The castle was mostly rebuilt between 1448 and 1460, although it dates back to the Middle Ages. It comprises four rectangular towers united by two lines of merloned walls. Many rooms in the interior are furnished with fantastical, grotesque, or realistic characteristics. The paintings in the lunettes depict Bianca Pellegrini running through Rossi and her estates in quest of her beloved; Benedetto Bembo is credited with creating the fresco cycle. The room opens up onto a broad loggiato. On December 23, 2008, a moderate earthquake with a magnitude of roughly 5.2 rocked the area, seriously damaging the castle, especially the battlement and the outside walls of San Nicomede Tower. When structural renovations were finished in 2009, some of the rooms were off-limits to the general public. On the ground floor, where the early 19th-century reconstruction of the collapsing roof slab had occurred, the San Nicomede Oratory was refurbished. The old Sala della Sera was reconstructed and repaired on the main floor of the castle, and it was positioned at the end of the row containing the Aurora, Meriggio, and Vespro chambers. 2014 saw the castle reopen in July. #History#Architecture
This article also uses an image from the Wikipedia article -- Torrechiara_Castle -- [Wikipedia-Article-Link: https://en.wikipedia.org/wiki/Torrechiara_Castle ] [Image: Castle town of Torreciara in the vicinity of Parma, Italy; Wikipedia-Image-Author: Mdntb] [Wikipedia-Image-Link: https://en.wikipedia.org/wiki/File:Castello_di_Torrechiara_birdsview.jpg ] [Image Availed Under Creative Commons Attribution-Share Alike 4.0 International license] [License-Link: https://creativecommons.org/licenses/by-sa/4.0/deed.en ] [You may copy, distribute and transmit the work (image) or share (alike) the work (image), provided that you comply with the terms of the Creative Commons Attribution-Share Alike 4.0 International license or other compatible license in distribution] [License-Link: https://creativecommons.org/licenses/by-sa/4.0/deed.en ] [Please Also Relate to Original Individual Text and Image URLs for More Usage Property and Sharing, Remixing or Attributing the Contents]
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The village of Abhaneri in the Indian state of Rajasthan is home to the stepwell known as Chand Baori. It is one of the deepest and biggest stepwells in India, reaching a depth of about 30 metres. According to legend, Raja Chanda, a local ruler of the Nikumbh dynasty, inspired the name Chand Baori. The Chand Baori can be dated to the 8th or 9th century based on parallels in style and carvings with the tiered temples of Paranagar and Mandore. However, there is no epigraphic proof regarding the Chand Baori or the neighbouring Harshat Mata Temple. Most likely, the Stepwell was built before the Temple. The earliest components of the step-well date to the eighth century. A sizable temple is situated adjoining to the Chand Baori, a deep, four-sided well. The fundamental structural elements of the monumental well are visible at the site and include a lengthy corridor of stairs that descend five or six levels below earth. Over 13 cascading storeys, Chand Baori consists of 3,500 steps. Because Rajasthan is a very dry state, Chand Baori was built with the goal of conserving as much water as possible. The construction of wells, canals, tanks, and dams, as well as their effective operation and upkeep, were mentioned in ancient Indian texts. Many of these operations were combined at this site to make local water easily accessible. The air is still 5–6 °C cooler at the bottom of the well than it is at the top, and Chand Baori served as a hub for villagers to congregate during extreme heat waves. The resting room and haveli pavilion of the royals are located on one side of the well. From the tabular arches that the Chauhan Kings used, an upper palace building was erected to the location can be seen. Along with providing water and having a vital role in religious or ceremonial activities, several of these stepwells, like Chand Baori, performed numerous functions. It is said that after arduous journeys, pilgrims sought solace in quenching their thirst and finding a location to relax at the Chand Baori steps. The current monument still exhibits this distinctive style of subterranean well-architecture from the seventh century. The Archaeological Survey of India currently houses the excavated stones of the temple in the arcades of the well. In western India, Chand Baori is an important architectural landmark. There are many levels of pillared corridors on the fourth side. Here, the image of Sheshasayee Vishnu reclining on the serpent Ananta and the stunning diamond-setting geometry of the cascading steps on three sides are noteworthy. This stepwell, or baori, was built in the shape of an upside-down pyramid. Each of the ten landings on all three sides of the baori features two flights of steps. To the north on the fourth side is a multi-story passageway supported by pillars. There are two projected offsets on this north wall, each of which can accommodate a niche. These two niches are shrines; the image of Mahishasuramardini is located in the left niche, and the deity Ganesha is located in the right. #History#Architecture
This article also uses an image from the Wikipedia article -- Chand_Baori -- [Wikipedia-Article-Link: https://en.wikipedia.org/wiki/Chand_Baori ] [Image: Panorama of Chand Baori (stitched from 4 photos); Wikipedia-Image-Author: Chainwit. ] [Wikipedia-Image-Link: https://en.wikipedia.org/wiki/File:Chand_Baori_perspective_panorama_(July_2022).jpg ] [Image Availed Under Creative Commons Attribution-Share Alike 4.0 International license] [License-Link: https://creativecommons.org/licenses/by-sa/4.0/deed.en ] [You may copy, distribute and transmit the work (image) or share (alike) the work (image), provided that you comply with the terms of the Creative Commons Attribution-Share Alike 4.0 International license or other compatible license in distribution] [License-Link: https://creativecommons.org/licenses/by-sa/4.0/deed.en ] [Please Also Relate to Original Individual Text and Image URLs for More Usage Property and Sharing, Remixing or Attributing the Contents]
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