Latest Images from Current Hashtag   #Poet .....See All Images  




Click on Images for Information



Current Hashtags....See All  


#Architecture

#History

#Castles

#wisdom

#Art

#Sculpture

#philosophical

#Poet

#Quotes

#Motivation

#literature

#painting

#Greece







@Historical Events
12-Jul-2026 12 am  

Helgi Hundingsbane is a prominent figure in Norse sagas. He is featured in the Volsunga saga and in two poems from the Poetic Edda, specifically Helgakviða Hundingsbana I and Helgakviða Hundingsbana II. According to the Poetic Edda, Helgi and his beloved Sigrún are the reincarnations of Helgi Hjörvarðsson and Sváva from the Helgakviða Hjörvarðssonar. They are also reborn as Helgi Haddingjaskati and Kára, whose narrative is preserved within the Hrómundar saga Gripssonar. Helgi is identified as the offspring of Sigmund and Borghild, and at the tender age of fifteen, he avenges his father by killing Hunding, the Saxon king. He continues to engage in martial exploits, and one day, while aboard his longship, he encounters a Valkyrie named Sigrún, who possesses the ability to traverse the air and sea and is well-acquainted with his heroic deeds. She embraces and kisses him, leading him to fall deeply in love with her. However, her father, King Högne of Östergötland, has pledged her to Hothbrodd, the son of King Granmar of Södermanland. Helgi assembles a force at Brandey and advances into realm of Granmar. The narrative elaborates on the mobilization of troops and recounts a significant battle in which Helgi and his brother Sinfjötli confront Högne, along with his son Dag, Granmar, and sons of Granmar namely Hothbrodd, Starkad, and Gudmund. Ultimately, all perish except for Helgi, Sinfjötli, and youngest son of Högne namely Dag. Sigrún bids a furious farewell to the dying Hothbrodd and rejoices upon learning that her entire family is deceased, save for Dag, who pledges his loyalty to Helgi. Sigrún and Helgi subsequently marry and have several sons. Nevertheless, Dag is plagued by the obligation to avenge his father. He makes a sacrifice to Odin in hopes of retribution. Odin grants him a spear, which he uses to fatally wound Helgi. Following this, he approaches Sigrún to express his condolences, provoking her curse upon him. She instructs Dag to escape into the forest and to thereafter subsist on carrion. Subsequently, she inters Helgi in a burial mound, yet spirit of Helgi has already ascended to Valhalla, where Odin advises him to make himself at ease. Helgi willingly complies and commands Hunding to tend to the pigs, cleanse the feet of the einherjars, and perform other menial tasks. One evening, a report surfaces that someone has witnessed Helgi riding with a grand entourage into his own burial mound, prompting Sigrún to visit the barrow to see Helgi. His hair is encrusted with frost, his body stained with blood, and his hands are damp. He clarifies that this is due to every tear she has wept falling cold and wet upon him. Despite this, she arranges the bedding in his mound, and they share a cosy and delightful night together. Before dawn arrives, Helgi must return to Valhalla. Sigrún goes back home and spends the remainder of her life waiting in vain for Helgi to revisit his barrow once more.

This article uses text information from the Wikipedia article – Helgi_Hundingsbane – [Wikipedia-Article-Link: https://en.wikipedia.org/wiki/Helgi_Hundingsbane ] which is released under the -- Creative Commons Attribution-ShareAlike 4.0 License – [License-Link: https://creativecommons.org/licenses/by-sa/4.0/deed.en ( https://en.wikipedia.org/wiki/Wikipedia:Text_of_the_Creative_Commons_Attribution-ShareAlike_4.0_International_License )] and additional terms may apply. [List of Principal Authors (5 or less) of the Wikipedia-Article on the date of this Article being Created in this Website: - Aethelraed Unraed, Wiglaf, 68.112.187.139, 68.117.24.67, 62.10.41.110] [Use the following Authorship tool to find out the author contributions:- https://xtools.wmcloud.org/authorship ] [The Current Article on this Website has been paraphrased from the above linked corresponding Wikipedia-Article and You may redistribute this, verbatim or modified, provided that you comply with the terms of the Creative Commons Attribution-ShareAlike 4.0 License]  [License-Link: https://creativecommons.org/licenses/by-sa/4.0/deed.en ( https://en.wikipedia.org/wiki/Wikipedia:Text_of_the_Creative_Commons_Attribution-ShareAlike_4.0_International_License )]

This article also uses an image from the Wikipedia article – Helgi_Hundingsbane – [Wikipedia-Article-Link: https://en.wikipedia.org/wiki/Helgi_Hundingsbane ] [Image: Helgi und Sigrun -- (1901) by Johannes Gehrts (1855–1921). Helgi Hundingsbane looks on while the valkyrie Sigrun raises her spear in the distance.] [Wikipedia-Image-Link: https://en.wikipedia.org/wiki/File:Helgi_und_Sigrun_by_Johannes_Gehrts.jpg ] [This is a faithful photographic reproduction of a two-dimensional, public domain work of art. The author died in 1921, so this work is in the public domain in its country of origin and other countries and areas where the copyright term is the life of author plus 100 years or fewer. This work is in the public domain in the United States because it was published (or registered with the U.S. Copyright Office) before January 1, 1931.] [Please Also Relate to Original Individual Text and Image URLs for More Usage Property and Sharing, Remixing or Attributing the Contents] [Contents on Wikipedia is covered by – Disclaimer – Wikipedia-Disclaimer-Link: https://en.wikipedia.org/wiki/Wikipedia:General_disclaimer ] [Contents in this Website is also covered by Disclaimer linked at the bottom of the Page] [This website article means no intellectual appropriation by any way and only wishes to contribute in sharing of knowledge]









 

@Mythology, Legends, Folklore and Mysterious Things
07-Jul-2026 10 pm  

Wayland the Smith is a mythical figure of great renown in Norse and Germanic lore, celebrated for his exceptional blacksmithing skills, cleverness, and the narrative of his enslavement and subsequent vengeance. His tale is most vividly recounted in the Old Norse texts Völundarkviða, a poem from the Poetic Edda, and Þiðreks saga. Within these accounts, Wayland is depicted as a blacksmith who falls into the servitude of a king. In a quest for retribution, he murders the sons of the king and ultimately escapes by fashioning a pair of wings and flying away. Additional references to similar narratives can be found in other sources, notably the Old English poem Deor and the Franks Casket. The Franks Casket serves as one of several early English mentions of Wayland, whose legend was evidently widespread and well-regarded, despite the absence of a comprehensive Old English version. On the front panel of the Franks Casket, juxtaposed with an Adoration of the Magi, Wayland is depicted at the far left in the forge where he is imprisoned by King Niðhad, who has cruelly severed his hamstrings to incapacitate him. Beneath the forge lies the headless corpse of the son of Niðhad, whom Wayland has slain, transforming his skull into a goblet; the head is likely the object that Wayland holds in the tongs. With his other hand, Wayland presents the goblet to Böðvildr, the daughter of Niðhad. A central female figure may represent either assistant of Wayland, his brother Egil, or possibly Böðvildr herself. To the right of this tableau, his brother is shown capturing birds, whose feathers he uses to create wings for their escape. The narrative of Wayland is also illustrated on Ardre image stone VIII and likely on a tenth-century copper mount discovered in Uppåkra in 2011. Several other potential visual depictions exist from early medieval Scandinavia, though they are more challenging to authenticate due to a lack of distinctive elements that align with the textual accounts of Wayland-story. Furthermore, Wayland is referenced in various texts, including the Old English works Waldere and Beowulf, where he is acknowledged as a creator of weapons and armour. In line 965 of the Latin epic Waltharius, Wayland is referred to as Wieland, a character derived from Old High German oral tradition, recognized as the smith who crafted the armour for the titular hero of the poem.

This article uses text information from the Wikipedia article – Wayland_the_Smith – [Wikipedia-Article-Link: https://en.wikipedia.org/wiki/Wayland_the_Smith ] which is released under the -- Creative Commons Attribution-ShareAlike 4.0 License – [License-Link: https://creativecommons.org/licenses/by-sa/4.0/deed.en ( https://en.wikipedia.org/wiki/Wikipedia:Text_of_the_Creative_Commons_Attribution-ShareAlike_4.0_International_License )] and additional terms may apply. [List of Principal Authors (5 or less) of the Wikipedia-Article on the date of this Article being Created in this Website: - Kiyoweap, Alarichall, Johnbod, 87.114.117.107, 73.210.155.96] [Use the following Authorship tool to find out the author contributions:- https://xtools.wmcloud.org/authorship ] [The Current Article on this Website has been paraphrased from the above linked corresponding Wikipedia-Article and You may redistribute this, verbatim or modified, provided that you comply with the terms of the Creative Commons Attribution-ShareAlike 4.0 License] [License-Link: https://creativecommons.org/licenses/by-sa/4.0/deed.en ( https://en.wikipedia.org/wiki/Wikipedia:Text_of_the_Creative_Commons_Attribution-ShareAlike_4.0_International_License )]

This article also uses an image from the Wikipedia article – Wayland_the_Smith – [Wikipedia-Article-Link: https://en.wikipedia.org/wiki/Wayland_the_Smith ] [Image: Böðvildur í smiðju Völundar ((Böðvild (Böðvildur) in forge of Wayland (Völundur)) by Johannes Gehrts (1855–1921). Date: 1 January 1888] [Wikipedia-Image-Link: https://en.wikipedia.org/wiki/File:Badhild_in_Wielands_Schmiede.png ] [This work is in the public domain in its country of origin and other countries and areas where the copyright term is the life of author plus 70 years or fewer. This work is in the public domain in the United States because it was published (or registered with the U.S. Copyright Office) before January 1, 1931.] [Please Also Relate to Original Individual Text and Image URLs for More Usage Property and Sharing, Remixing or Attributing the Contents] [Contents on Wikipedia is covered by – Disclaimer – Wikipedia-Disclaimer-Link: https://en.wikipedia.org/wiki/Wikipedia:General_disclaimer ] [Contents in this Website is also covered by Disclaimer linked at the bottom of the Page] [This website article means no intellectual appropriation by any way and only wishes to contribute in sharing of knowledge]









 

@Mythology, Legends, Folklore and Mysterious Things
09-May-2026 04 am  

In Norse mythology, Valhalla is depicted as a grand hall situated in Asgard, overseen by the god Odin. Upon death, a soul could journey to one of five potential realms. The first realm was Fólkvangr, governed by the goddess Freyja. The second was Hel, ruled by Hel, the daughter of Loki. The third realm belonged to the goddess Rán. The fourth was the Burial Mound, where the deceased could reside. The fifth and final realm was Valhalla, under the dominion of Odin, often referred to as the Hall of Heroes. The multitude of those who perished in battle, known as the einherjar, alongside various legendary Germanic heroes and kings, inhabit Valhalla until Ragnarök, at which point they will emerge from its numerous doors to assist Odin in combat against the jötnar. Valhalla was romanticized within Viking culture, instilling in the Scandinavians a pervasive cultural conviction that there is no greater honour than dying in battle. The belief in a Viking paradise and the prospect of eternal life in Valhalla with Odin may have provided the Vikings with a fierce advantage over other raiders of their era. Valhalla is referenced in the Poetic Edda, which was compiled in the thirteenth century from earlier traditional sources, as well as in the Prose Edda and Heimskringla. The women of Valhalla and their significance in the theology surrounding the Norse afterlife starkly contrast with the prevalent male-centric views of Viking society, mythology, and cultural traditions. Those selected for Valhalla are frequently linked to acts of heroism in combat; the god Odin was believed to have utilized women — known as valkyries or battle-maidens — to escort the deceased to his hall. These valkyries are crucial to the operation of Valhalla and influence the Norse afterlife and the destinies of the dead. They are regarded as proactive participants in the cosmic equilibrium of life, death, and honour. Valkyries played a significant role in the transition of men into Valhalla, which inherently connected their destinies with those of Viking warriors, and they were closely associated with the demise of men. Valhalla is also unique as the sole hall of the dead governed by a male deity.

This article uses text information from the Wikipedia article – Valhalla – [Wikipedia-Article-Link: https://en.wikipedia.org/wiki/Valhalla ] which is released under the -- Creative Commons Attribution-ShareAlike 4.0 License – [License-Link: https://creativecommons.org/licenses/by-sa/4.0/deed.en ( https://en.wikipedia.org/wiki/Wikipedia:Text_of_the_Creative_Commons_Attribution-ShareAlike_4.0_International_License )] [List of Principal Authors (5 or less) of the Wikipedia-Article on the date of this Article being Created in this Website: - Bloodofox, Quaxwell, Thatsnotmyname2020, Rushtheeditor, 80.111.232.39] [Use the following Authorship tool to find out the author contributions:- https://xtools.wmcloud.org/authorship ] [The Current Article on this Website has been paraphrased from the above linked corresponding Wikipedia-Article and You may redistribute this, verbatim or modified, provided that you comply with the terms of the Creative Commons Attribution-ShareAlike 4.0 License] [License-Link: https://creativecommons.org/licenses/by-sa/4.0/deed.en ( https://en.wikipedia.org/wiki/Wikipedia:Text_of_the_Creative_Commons_Attribution-ShareAlike_4.0_International_License )]

This article also uses an image from the Wikipedia article -- Valhalla -- [Wikipedia-Article-Link: https://en.wikipedia.org/wiki/Valhalla ] [Image: Walhalla (1896) by Max Brückner (1836–1919) in a scenic backdrop for Der Ring des Nibelungen by Richard Wagner] [Wikipedia-Image-Link: https://en.wikipedia.org/wiki/File:Walhalla_(1896)_by_Max_Br%C3%BCckner.jpg ] [This work (Image) is a faithful photographic reproduction of a two-dimensional, public domain work of art. The author died in 1919, so this work is in the public domain in its country of origin and other countries and areas where the copyright term is the life of author plus 100 years or fewer. This work is in the public domain in the United States because it was published (or registered with the U.S. Copyright Office) before January 1, 1931.] [Please Also Relate to Original Individual Text and Image URLs for More Usage Property and Sharing, Remixing or Attributing the Contents]
[Contents on Wikipedia is covered by -- Disclaimer – Wikipedia-Disclaimer-Link: https://en.wikipedia.org/wiki/Wikipedia:General_disclaimer ] [Contents in this Website is also covered by Disclaimer linked at the bottom of the Page] [This website article means no intellectual appropriation by any way and only wishes to contribute in sharing of knowledge]









 

@Mythology, Legends, Folklore and Mysterious Things
08-Mar-2026 03 am  

Höðr, frequently anglicized as Hod, Hoder, or Hodur, is a deity in Norse mythology. The sightless son of Odin is deceived and led by Loki to use a mistletoe arrow that slays the otherwise indestructible Baldr. As stated in the Prose Edda and the Poetic Edda, the goddess Frigg, mother of Baldr, compelled all of creation to vow never to injure Baldr, with the exception of the mistletoe, which she deemed either too insignificant to request an oath from or too youthful to require one. The gods entertained themselves by testing weapons on Baldr and watching them not inflict any damage. Loki, the trickster, discovering the one only vulnerability of Baldr, crafted a dart from mistletoe and assisted Höðr in aiming it at Baldr. In response to this, Odin fathered a son with Rindr, Váli, who matured into adulthood in a single day and killed Höðr. The Danish historian Saxo Grammaticus documented a different version of this myth in his Gesta Danorum. In this iteration, the mortal champion Hotherus and the demigod Balderus vie for affection of Nanna. In the end, Hotherus kills Balderus. In Gesta Danorum by Saxo Grammaticus, Hotherus is a mortal champion of the royal families of Denmark and Sweden. He is the offspring of Hothbrodd and sibling of Athisl, both of whom were Kings of Sweden prior to him. Hotherus himself ascended to the throne of both Sweden and Denmark following the demise of the usurper Hiartuar, yet much of the narrative concerning him in Gesta Danorum pertains to his youth prior to his kingship. The name Höðr appears in skaldic verse, featured in warrior-kennings.

This article uses text information from the Wikipedia article – Höðr – [Wikipedia-Article-Link: https://en.wikipedia.org/wiki/H%C3%B6%C3%B0r ] which is released under the -- Creative Commons Attribution-ShareAlike 4.0 License – [License-Link: https://creativecommons.org/licenses/by-sa/4.0/deed.en ( https://en.wikipedia.org/wiki/Wikipedia:Text_of_the_Creative_Commons_Attribution-ShareAlike_4.0_International_License )] [List of Principal Authors (5 or less) of the Wikipedia-Article on the date of this Article being Created in this Website: - Haukurth, Supermorff, TylerBurden, Yngvadottir, Lotje] [Use the following Authorship tool to find out the author contributions:- https://xtools.wmcloud.org/authorship ] [The Current Article on this Website has been paraphrased from the above linked corresponding Wikipedia-Article and You may redistribute this, verbatim or modified, provided that you comply with the terms of the Creative Commons Attribution-ShareAlike 4.0 License] [License-Link: https://creativecommons.org/licenses/by-sa/4.0/deed.en ( https://en.wikipedia.org/wiki/Wikipedia:Text_of_the_Creative_Commons_Attribution-ShareAlike_4.0_International_License )]

This article also uses an image from the Wikipedia article – Höðr – [Wikipedia-Article-Link: https://en.wikipedia.org/wiki/H%C3%B6%C3%B0r ] [Image: The little spring of mistletoe pierced the heart of Balder (published 1908, Illustrating the death of Baldr) by George Wright (1872-1951)] [Wikipedia-Image-Link: https://en.wikipedia.org/wiki/File:Death_of_Baldr_by_George_Wright.jpg ] [This media file is in the public domain in the United States. This applies to U.S. works where the copyright has expired, often because its first publication occurred prior to January 1, 1931, and if not then due to lack of notice or renewal. This image might not be in the public domain outside of the United States; this especially applies in the countries and areas that do not apply the rule of the shorter term for US works. The creator and year of publication are essential information and must be provided. ][Please Also Relate to Original Individual Text and Image URLs for More Usage Property and Sharing, Remixing or Attributing the Contents]
[Contents on Wikipedia is covered by – Disclaimer – Wikipedia-Disclaimer-Link: https://en.wikipedia.org/wiki/Wikipedia:General_disclaimer ] [Contents in this Website is also covered by Disclaimer linked at the bottom of the Page] [This website article means no intellectual appropriation by any way and only wishes to contribute in sharing of knowledge]









 

@Mythology, Legends, Folklore and Mysterious Things
08-Feb-2026 10 pm  

In Norse mythology, Bragi is the skaldic deity of poetry. He is portrayed as the spouse of the goddess Iðunn in the Prose Edda, Lokasenna, and Grettis saga. The masculine term Bragr, which in Old Norse can be interpreted as Poetry or as The First, Noblest, is likely the source of the theonym Bragi. It is unclear if the theonym linguistically corresponds to the first or second meaning. Old Norse and Old Swedish records frequently use the private name Bragi, which might possibly allude to the auxiliary aspect of the name of the God. The Old Norse Bragarfull, a cup drank on solemn occasions when oaths are taken, has also been linked to the phrase. The second meaning of Bragr is typically assumed to be the semantic antecedent of the word. It is made quite obvious in Skáldskaparmál that Bragi is son of Odin. Some specific lists of sons of Odin also include this information as well. Many stanzas credited to Bragi Boddason the Old, a Norwegian royal poet who served numerous Swedish kings, including Ragnar Lodbrok, Östen Beli and Björn at Hauge who ruled in the first half of the 9th century, are quoted by Snorri Sturluson in the Prose Edda. This Bragi was regarded as the first skaldic poet and is unquestionably the first known skaldic poet whose verse has survived in remembrance. Only in the Skjáldskaparmál is Bragi son of Hálfdan the Old attested. King Hálfdan the Old fathered this Bragi on Alvig the Wise, a daughter of King Eymund of Hólmgard, making him the sixth of the second of two groups of nine sons. Bragi, the ancestors of the Bragnings, are race of Hálfdan the Generous.

This article uses text information from the Wikipedia article – Bragi – [Wikipedia-Article-Link: https://en.wikipedia.org/wiki/Bragi ] which is released under the -- Creative Commons Attribution-ShareAlike 4.0 License –  [License-Link: https://en.wikipedia.org/wiki/Wikipedia:Text_of_the_Creative_Commons_Attribution-ShareAlike_4.0_International_License ] [List of Principal Authors (5 or less) of the Wikipedia-Article on the date of this Article being Created in this Website: - Alcaios, Jallan, Maen Dabbagh, MrGoldenfold007, 199.168.105.147] [Use the following Authorship tool to find out the author contributions:- https://xtools.wmcloud.org/authorship ] [The Current Article on this Website has been paraphrased from the above linked corresponding Wikipedia-Article and You may redistribute this, verbatim or modified, provided that you comply with the terms of the Creative Commons Attribution-ShareAlike 4.0 License] [License-Link: https://en.wikipedia.org/wiki/Wikipedia:Text_of_the_Creative_Commons_Attribution-ShareAlike_4.0_International_License ]

This article also uses an image from the Wikipedia article – Bragi – [Wikipedia-Article-Link: https://en.wikipedia.org/wiki/Bragi ]  [Image: Bragi by Carl Wahlbom (1810–1858);] [Wikipedia-Image-Link: https://en.wikipedia.org/wiki/File:Bragi_by_Wahlbom.jpg ] [The Work (Image) is a faithful photographic reproduction of a two-dimensional, public domain work of art. The work itself is in the public domain in its country of origin and other countries and areas where the copyright term is the life of author plus 100 years or fewer. This work is also believed to be in the public domain in the United States. ][Please Also Relate to Original Individual Text and Image URLs for More Usage Property and Sharing, Remixing or Attributing the Contents]
[Contents on Wikipedia is covered by – Disclaimer – Wikipedia-Disclaimer-Link: https://en.wikipedia.org/wiki/Wikipedia:General_disclaimer ] [Contents in this Website is also covered by Disclaimer linked at the bottom of the Page] [This website article means no intellectual appropriation by any way and only wishes to contribute in sharing of knowledge]









 

@Mythology, Legends, Folklore and Mysterious Things
07-Jan-2026 04 am  

In Norse mythology, Heimdall (from Old Norse Heimdallr, [hɛimˌdɑlːz̠]) is a God whose duty is to keep watch for foreign invaders as well as for the beginning of Ragnarök from his place of living i.e. Himinbjörg. It is in Himinbjörg where that the sky meets the glowing rainbow bridge Bifröst. He is mentioned to have been endowed with foreknowledge and very eager senses, in particular his ability to see and hear. Heimdall and his belongings have been mentioned in the most intriguing manners. For example, Heimdall is featured with gold-tooth -- The Head is Called His Sword -- and He is -- The Whitest of the Gods. Heimdall is in possession of the emphatic horn Gjallarhorn and the horse with golden-mane the Gulltoppr, along with a cache of mead at his living place. Heimdall is the Child of the Nine Mothers, and he is said to be the creator of all social classes among human beings. Other popular stories include the recovery of revered belonging of Goddess Freyja i.e. Brísingamen while battling in the form of a seal with Loki. The enmity between Heimdall and Loki is noteworthy, as they are already prophesized to kill each other during the final events of Ragnarök. Heimdallr is also known as Rig, Hallinskiði, Gullintanni, and Vindlér or Vindhlér. Heimdall has been mentioned in the 13th century compilation of Poetic Edda, collected from earlier traditional resources; in the 13th century composition of both Prose Edda and Heimskringla; as well as in the poetry of skalds and on an Old Norse runic inscription found in England. Two lines of an otherwise lost poem about the god, Heimdalargaldr, also do survive. Due to the emphatic nature of these testimonials, scholars have supposed various conjectures about the nature of the god, including his relationship to both animate and inanimate beings like sheep, borders and waves.

This article uses text information from the Wikipedia article – Heimdall – [Wikipedia-Article-Link: https://en.wikipedia.org/wiki/Heimdall ] which is released under the -- Creative Commons Attribution-ShareAlike 4.0 License – [License-Link: https://creativecommons.org/licenses/by-sa/4.0/deed.en ( https://en.wikipedia.org/wiki/Wikipedia:Text_of_the_Creative_Commons_Attribution-ShareAlike_4.0_International_License )] [List of Principal Authors (5 or less) of the Wikipedia-Article on the date of this Article being Created in this Website: - Bloodofox, Ingwina, Mclay1, Shibbolethink, MrGoldenfold007] [Use the following Authorship tool to find out the author contributions:- https://xtools.wmcloud.org/authorship ] [The Current Article on this Website has been paraphrased from the above linked corresponding Wikipedia-Article and You may redistribute this, verbatim or modified, provided that you comply with the terms of the Creative Commons Attribution-ShareAlike 4.0 License] [License-Link: https://creativecommons.org/licenses/by-sa/4.0/deed.en ( https://en.wikipedia.org/wiki/Wikipedia:Text_of_the_Creative_Commons_Attribution-ShareAlike_4.0_International_License )]

This article also uses an image from the Wikipedia article -- Heimdall -- [Wikipedia-Article-Link: https://en.wikipedia.org/wiki/Heimdall ] [Image: Heimdallr brings forth the gift of the gods to humanity (1907) by Nils Asplund; Wikipedia-Image-Source/Photographer: Own work, Vogler, 2010-10-14 https://commons.wikimedia.org/wiki/User:Vogler ] [Wikipedia-Image-Link: https://en.wikipedia.org/wiki/File:Nils_Asplund_-_Heimdal.jpg ] [Image Availed Under Creative Commons Attribution-Share Alike 3.0 Unported license] [License-Link: https://creativecommons.org/licenses/by-sa/3.0/deed.en ] [You may copy, distribute and transmit the work (image) or share (alike) the work (image), provided that you comply with the terms of the Creative Commons Attribution-Share Alike 3.0 Unported license or other compatible license in distribution] [License-Link: https://creativecommons.org/licenses/by-sa/3.0/deed.en ] [Please Also Relate to Original Individual Text and Image URLs for More Usage Property and Sharing, Remixing or Attributing the Contents]
[Contents on Wikipedia is covered by -- Disclaimer – Wikipedia-Disclaimer-Link: https://en.wikipedia.org/wiki/Wikipedia:General_disclaimer ] [Contents in this Website is also covered by Disclaimer linked at the bottom of the Page] [This website article means no intellectual appropriation by any way and only wishes to contribute in sharing of knowledge]









 

@Mythology, Legends, Folklore and Mysterious Things
05-Jan-2026 04 am  

In Nordic folk-tradition, notably Norse mythology, a troll is a supernatural entity. Trolls are creatures that appear in Old Norse literature. According to these texts, they live in solitary places like caverns, mountains or rock outcroppings. Trolls evolved into beings in their own capacity in later Scandinavian legend, where they dwell far away from human civilization, are not Christianized and are regarded as hazardous to humans. Their looks vary significantly depending on the source of origin; trolls may be hideous and dimwitted or may also act and appear just like humans, lacking any notable repulsive characteristics. In Scandinavian folktales, trolls are occasionally connected to specific locations, which might occasionally be explained as being created when a troll is exposed to sunlight. Trolls appear in a range of contemporary contemporary cultural media. Troll is a term used to refer to Jötnar in Norse mythology and is present all through the Old Norse literature, just like Thurs. Trolls are reported to reside in solitary mountains, rocks and caves, occasionally live in pairs, typically as mother and son or father and daughter and are infrequently portrayed as helpful or pleasant in Old Norse literature. An interaction between an unknown troll woman and the ninth skald (Poets who composed Skaldic Poetry) Bragi Boddason is detailed in the Prose Edda book Skáldskaparmál. In later Scandinavian legend, trolls are referred to be a specific kind of entity. The Proto-Germanic neuter noun *trullan gave rise to the Old Norse nouns troll and trǫll, which have variously been translated as Fiend, Demon, Werewolf and even Jötunn, and the Middle High German troll and trolle. However, it is unknown where the Proto-Germanic term came from Trolls are frequently depicted in numerous stories as being very ancient, very strong but also slow and buffoonish. They are also occasionally characterised as man-eating and as also turning in to stones when exposed to sunlight. Trolls, however, are also reported to have a close similarity to humans, not being particularly repulsive in appearance living far from human civilization, and typically possessing some kind of social structure. Numerous Scandinavian folktales contain the Scandinavian folk conviction that lightning scares away trolls and Jötnar. This concept may be a late manifestation of the role of the god Thor in battling these creatures. According to Scandinavian folklore, smaller trolls reside in mountains and burial mounds. These entities are known as troldfolk, bjergtrolde or bjergfolk in Denmark and as troldfolk and tusser in Norway. The name Troll, given to a Norwegian research outpost in Antarctica, derives from the rocky mountains that surround it and resemble trolls. It has a ground station for tracking polar-orbiting satellites.

This article uses text information from the Wikipedia article – Troll – [Wikipedia-Article-Link: https://en.wikipedia.org/wiki/Troll ] which is released under the -- Creative Commons Attribution-ShareAlike 4.0 License – [License-Link: https://en.wikipedia.org/wiki/Wikipedia:Text_of_the_Creative_Commons_Attribution-ShareAlike_4.0_International_License ] [List of Principal Authors (5 or less) of the Wikipedia-Article on the date of this Article being Created in this Website: - Bloodofox, Transcendent28, Piotrus, Haukurth, Schweinchen] [Use the following Authorship tool to find out the author contributions:- https://xtools.wmcloud.org/authorship ] [The Current Article on this Website has been paraphrased from the above linked corresponding Wikipedia-Article and You may redistribute this, verbatim or modified, provided that you comply with the terms of the Creative Commons Attribution-ShareAlike 4.0 License] [License-Link: https://en.wikipedia.org/wiki/Wikipedia:Text_of_the_Creative_Commons_Attribution-ShareAlike_4.0_International_License ]

This article also uses an image from the Wikipedia article – Troll – [Wikipedia-Article-Link: https://en.wikipedia.org/wiki/Troll ] [Image: Look at them, troll mother said. Look at my sons! You would not find more beautiful trolls on this side of the moon (1915) by John Bauer (1882–1918)] [Wikipedia-Image-Link: https://en.wikipedia.org/wiki/File:John_Bauer_1915.jpg ] [The Work (Image) is a faithful photographic reproduction of a two-dimensional, public domain work of art. The author died in 1918, so this work is in the public domain in its country of origin and other countries and areas where the copyright term is the life of author plus 100 years or fewer. This work is in the public domain in the United States because it was published (or registered with the U.S. Copyright Office) before January 1, 1930][Please Also Relate to Original Individual Text and Image URLs for More Usage Property and Sharing, Remixing or Attributing the Contents]
[Contents on Wikipedia is covered by – Disclaimer – Wikipedia-Disclaimer-Link: https://en.wikipedia.org/wiki/Wikipedia:General_disclaimer ] [Contents in this Website is also covered by Disclaimer linked at the bottom of the Page] [This website article means no intellectual appropriation by any way and only wishes to contribute in sharing of knowledge]









 

@Heritage Places, Castles & Architecture
03-Jan-2026 04 am  

There is a unique place for Mount Damavand in Persian mythology and folktales. At 5,671 metres, Damvand is the tallest mountain peak in Iran and Western Asia, the tallest volcano in Asia and the second highest volcano in the Eastern Hemisphere. It is a significantly an active stratovolcano. A notable mountain in Persian mythology is Damavand. The three-headed dragon Aži Dahāka was imprisoned inside Mount Damvand in Zoroastrian literature and mythology, where he would stay till the end of the world. Later on in the same narrative, after being vanquished by Kāveh and Fereydūn, the tyrant Zahhk was also bound in a cave somewhere within Mount Damvand. This incident is described in the masterpiece by the Persian Poet Ferdowsi, the Shahnameh. In t he Alborz ranges, Mount Damavand is situated near the center. It is located in Amol County, Mazandaran Province, 66 kilometres northeast of Tehran, close to the southern coast of Caspian Sea. The second most recognizable summit in Asia after Mount Everest is Mount Damvand, which is the 12th most notable mountain peak in the entire planet. It is a part of the Volcanic Seven Summits Mountaineering Challenge. The Shahnameh claims that the mountain has mystical powers and serves as a metaphor for Iranian struggle to authoritarianism and colonial occupation. The spot from whence the legendary hero Arash fired his enchanted arrow to define the boundary of Iran during the border dispute between Iran and Turan has also been identified as Damvand Mountain in the Iranian tale of Arash.

This article uses text information from the Wikipedia article -- Mount_Damavand -- [Wikipedia-Article-Link: https://en.wikipedia.org/wiki/Mount_Damavand ] which is released under the -- Creative Commons Attribution-ShareAlike 4.0 License – [License-Link: https://creativecommons.org/licenses/by-sa/4.0/deed.en ( https://en.wikipedia.org/wiki/Wikipedia:Text_of_the_Creative_Commons_Attribution-ShareAlike_4.0_International_License )] [List of Principal Authors (5 or less) of the Wikipedia-Article on the date of this Article being Created in this Website: - DJ Cane, 93.110.143.188, Badakhshan ziba, Viewfinder, Safa. daneshvar] [Use the following Authorship tool to find out the author contributions:- https://xtools.wmcloud.org/authorship ] [The Current Article on this Website has been paraphrased from the above linked corresponding Wikipedia-Article and You may redistribute this, verbatim or modified, provided that you comply with the terms of the Creative Commons Attribution-ShareAlike 4.0 License] [License-Link: https://creativecommons.org/licenses/by-sa/4.0/deed.en ( https://en.wikipedia.org/wiki/Wikipedia:Text_of_the_Creative_Commons_Attribution-ShareAlike_4.0_International_License )]

This article also uses an image from the Wikipedia article -- Mount_Damavand -- [Wikipedia-Article-Link: https://en.wikipedia.org/wiki/Mount_Damavand ] [Image: Mount Damavand, The south side - Mazandaran Province, Iran - January 2, 2010 - Photo by: Safa Daneshvar - Thanks to Mr. Reza Ziari; Wikipedia-Image-Author: Safa. daneshvar https://commons.wikimedia.org/wiki/User:Safa.daneshvar ] [Wikipedia-Image-Link: https://en.wikipedia.org/wiki/File:981012-Damavand-South-IMG_9861-2.jpg ] [Image Availed Under Creative Commons Attribution-Share Alike 4.0 International license] [License-Link: https://creativecommons.org/licenses/by-sa/4.0/deed.en ] [You may copy, distribute and transmit the work (image) or share (alike) the work (image), provided that you comply with the terms of the Creative Commons Attribution-Share Alike 4.0 International license or other compatible license in distribution] [License-Link: https://creativecommons.org/licenses/by-sa/4.0/deed.en ] [Please Also Relate to Original Individual Text and Image URLs for More Usage Property and Sharing, Remixing or Attributing the Contents]
[Contents on Wikipedia is covered by -- Disclaimer – Wikipedia-Disclaimer-Link: https://en.wikipedia.org/wiki/Wikipedia:General_disclaimer ] [Contents in this Website is also covered by Disclaimer linked at the bottom of the Page] [This website article means no intellectual appropriation by any way and only wishes to contribute in sharing of knowledge]









 

@Mythology, Legends, Folklore and Mysterious Things
26-Dec-2025 06 am  

The Snow Maiden, also known as Snegurochka or Snegurka, is a figure from Russian folklore. This character initially appeared in Russian folklore in the 19th century, and it is not clear whether it has any roots in the conventional Slavic mythology and practises. Snegurochka has also been portrayed as the granddaughter and helper of Ded Moroz during New-Year-Celebrations for kids since the mid-20th century during the Soviet era. In the second book of The Poetic Outlook on Nature by the Slavs, which was released in 1869, Alexander Afanasyev included a rendition of a folktale about a snow-white girl with the name Snegurka. He also mentioned the German equivalent, Schneekind (Snow Child). Ivan and Marya, two childless Russian peasants, created a snow doll in this rendition, and it came to life. Snegurka swiftly matures. She is invited by a group of girls for a walk in the woods, following which they build a little fire and alternate jumping over it. Snegurka begins to jump when it is her turn, but she only makes it halfway before dissipating into a tiny cloud. She is the daughter of Spring the Beauty (Веснa-Красна) and Ded Moroz in another narrative, and she longs for the company of mortal humans. She develops a liking for Lel, a shepherd, but her heart is incapable of experiencing love. Her mother bestows this talent on her to Love out of compassion, but the moment she falls in love, she melts away.

This article uses text information from the Wikipedia article – Snegurochka – [Wikipedia-Article-Link: https://en.wikipedia.org/wiki/Snegurochka ] which is released under the -- Creative Commons Attribution-ShareAlike 4.0 License – [License-Link: https://en.wikipedia.org/wiki/Wikipedia:Text_of_the_Creative_Commons_Attribution-ShareAlike_4.0_International_License ] [List of Principal Authors (5 or less) of the Wikipedia-Article on the date of this Article being Created in this Website: - Viceskeeni2, Altenmann, Revolynka, Goldfritha, Spudtater] [Use the following Authorship tool to find out the author contributions:- https://xtools.wmcloud.org/authorship ] [The Current Article on this Website has been paraphrased from the above linked corresponding Wikipedia-Article and You may redistribute this, verbatim or modified, provided that you comply with the terms of the Creative Commons Attribution-ShareAlike 4.0 License] [License-Link: https://en.wikipedia.org/wiki/Wikipedia:Text_of_the_Creative_Commons_Attribution-ShareAlike_4.0_International_License ]

This article also uses an image from the Wikipedia article – Snegurochka – [Wikipedia-Article-Link: https://en.wikipedia.org/wiki/Snegurochka ] [Image: Snow Maiden (1899) by Victor Vasnetsov] [Wikipedia-Image-Link: https://en.wikipedia.org/wiki/File:Vasnetsov_Snegurochka.jpg ] [The Work (Image) is a faithful photographic reproduction of a two-dimensional, public domain work of art. The author died in 1926, so this work is in the public domain in its country of origin and other countries and areas where the copyright term is the life of author plus 95 years or fewer. This work is in the public domain in the United States because it was published (or registered with the U.S. Copyright Office) before January 1, 1930.][Please Also Relate to Original Individual Text and Image URLs for More Usage Property and Sharing, Remixing or Attributing the Contents]
[Contents on Wikipedia is covered by – Disclaimer – Wikipedia-Disclaimer-Link: https://en.wikipedia.org/wiki/Wikipedia:General_disclaimer ] [Contents in this Website is also covered by Disclaimer linked at the bottom of the Page] [This website article means no intellectual appropriation by any way and only wishes to contribute in sharing of knowledge]









 











Disclaimer   Privacy-Policy   Email: [email protected]