Sturm und Drang, commonly translated as -- storm and stress, represents a proto-Romantic movement in German literature and music that flourished from the late 1760s to the early 1780s. This movement emphasized individual subjectivity and, notably, the unrestrained expression of extreme emotions as a counter to the rationalism that characterized the Enlightenment and its associated aesthetic trends. The term derives from the play of Friedrich Maximilian Klinger of the same name, which was written for Seylersche Schauspiel-Gesellschaft of Abel Seyler and published in 1776. The narrative of the play is set against the backdrop of the American Revolution, where the author articulates intense emotions and champions individuality and subjectivity in opposition to the dominant rationalist paradigm. Although it is posited that the literary and musical works linked to Sturm und Drang predate this pivotal play, it was at this juncture that German artists became acutely aware of a novel aesthetic. This seemingly spontaneous movement became linked with a diverse range of German writers and composers during the mid-to-late Classical period. Sturm und Drang is often associated with works of literature or music designed to astonish audiences or evoke profound emotional responses. The movement eventually transitioned into Weimar Classicism and early Romanticism, which integrated socio-political concerns for enhanced human freedom from tyranny alongside a spiritual approach to nature. There remains considerable debate regarding which works of authors should be classified within the Sturm und Drang canon. Key figures include Johann Anton Leisewitz, Jakob Michael Reinhold Lenz, H. L. Wagner, Friedrich Maximilian Klinger, and Johann Georg Hamann. Notably, Johann Wolfgang von Goethe and Friedrich Schiller were early advocates of this movement in their formative years. #History
This article also uses an image from the Wikipedia article – Sturm_und_Drang – [Wikipedia-Article-Link: https://en.wikipedia.org/wiki/Sturm_und_Drang ] [Image: Clearing Up—Coast of Sicily (1847) by
Andreas Achenbach (1815–1910)] [Wikipedia-Image-Link: https://en.wikipedia.org/wiki/File:Andreas_Achenbach_-_Clearing_Up%E2%80%94Coast_of_Sicily_-_Walters_37116.jpg ] [This work is in the public domain in its country of origin and other countries and areas where the copyright term is the life of author plus 100 years or fewer. This work has been released into the public domain by its author, Walters Art Museum https://thewalters.org/ This applies worldwide.
In some countries this may not be legally possible; if so: Walters Art Museum grants anyone the right to use this work for any purpose, without any conditions, unless such conditions are required by law.] [Please Also Relate to Original Individual Text and Image URLs for More Usage Property and Sharing, Remixing or Attributing the Contents] [Contents on Wikipedia is covered by – Disclaimer – Wikipedia-Disclaimer-Link: https://en.wikipedia.org/wiki/Wikipedia:General_disclaimer ] [Contents in this Website is also covered by Disclaimer linked at the bottom of the Page] [This website article means no intellectual appropriation by any way and only wishes to contribute in sharing of knowledge]
Pāṇini was a distinguished grammarian, logician, philologist, and esteemed scholar of Ancient India, active during the mid-1st millennium BCE, with most scholars dating his life between the sixth–fifth and fourth centuries BCE. His most significant contribution, the Ashtadhyayi (Devanagari: अष्टाध्यायी), is widely regarded as the beginning of Classical Sanskrit. This work systematically codified Classical Sanskrit as a polished and standardized language, employing a specialized metalanguage that included syntax, morphology, and lexicon, structured according to a set of meta-rules. Panini has been considered as the father of linguistics and his approach to grammar influenced such foundational linguists as Ferdinand de Saussure and Leonard Bloomfield. Panini references at least ten predecessors in the field of grammar and linguistics: Āpiśali, Kāśyapa, Gārgya, Gālava, Cākravarmaṇa, Bhāradvāja, Śākaṭāyana, Śākalya, Senaka, Sphoṭāyana, and Yaska. The name Panini is derived from a patronymic meaning -- descendant of Paṇina. His complete name was Dakṣiputra Panini, indicating that the name of his mother was Dakṣi. Legends from the Kathāsaritsāgara suggest that Panini was a student of his guru Varsha in Pataliputra. Following the counsel of wife of Varsha, Panini travelled to the Himalayas to perform penance and seek knowledge from Shiva. Shiva granted him sutras, performing a dance and playing His Damaru, which produced the fundamental sounds of these sutras. Panini accepted these teachings, which are now referred to as the Shiva Sutras. Equipped with this new grammatical framework, Panini returned to Pataliputra. An inscription from Siladitya VII of Valabhi refers to him as Śalāturiya, meaning -- a man from Salatura. This indicates that Panini resided in Salatura, located in ancient Gandhara, likely near Lahore, a town situated at the confluence of the Indus and Kabul rivers in the Indian subcontinent or Akhanda Bharat (Undivided India). It is believed that Panini spent the majority of his life in Pataliputra, and some scholars assert that he was born and raised there, with his ancestors having migrated from Salatura. Additionally, Panini has been linked to the University of Taxila and is mentioned in various Indian fables and other ancient texts. The Panchatantra, for instance, states that Panini met his demise at the hands of a lion. Some historians suggest that Pingala was sibling of Panini. During the late classical period, Indian educational systems cantered around a framework of grammatical study and linguistic analysis. The foundational text for this scholarly pursuit was Ashtadhyayi of Panini, which is considered essential for learning. This grammar of Panini was the focus of rigorous examination for the ten centuries leading up to the creation of the Bhaṭṭikāvya. Exploration by Panini of noun compounds continues to underpin contemporary linguistic theories regarding compounding in Indian languages. His extensive and methodical approach to grammar is typically regarded as the commencement of Classical Sanskrit. His systematic work not only inspired but also established Sanskrit as the dominant language of Indian scholarship and literature for two thousand years. His treatise is both generative and descriptive, employs metalanguage and meta-rules, and has been likened to the Turing machine, where the logical framework of any computational device is distilled to its fundamental components through an idealized mathematical model. #History
[Image: AI generated art of Pāṇini] [Please Also Relate to Original Individual Text and/or Image URLs (if applicable) for More Usage Property and Sharing, Remixing or Attributing the Contents] [Contents on Wikipedia is covered by -- Disclaimer – [Wikipedia-Disclaimer-Link: https://en.wikipedia.org/wiki/Wikipedia:General_disclaimer ] [Contents in this Website is also covered by Disclaimer linked at the bottom of the Page] [This website article means no intellectual appropriation by any way and only wishes to contribute in sharing of knowledge]
The Battle of Camlann is the fabled conflict in which King Arthur fought alongside or against Mordred, who also died fighting, and either perished or was gravely wounded. The earliest tale of Camlann, which was allegedly based on an incident that happened in Britain in 537, is only briefly mentioned in a number of mediaeval Welsh literature that date from the 10th century or earlier. Since the 12th century, significantly more accurate representations of the fight have arisen, usually based on the devastating combat depicted in the pseudo-historical-chronicle Historia Regum Britanniae. The subsequent French knightly romantic heritage, in which it became known as the Battle of Salisbury, is where the further substantially inflated variants come from. The Welsh annals Annales Cambriae from the 10th century contain the oldest dateable mention of the conflict. The occurrence of the battle is mentioned in a record for the year 537. It is argued that the conflict is real and that it followed the famine brought on by the terrible weather disasters that occurred in 535 and 536. However, the majority of historians believed that Arthur and the Battle of Camlann were mythological. In the Arthurian chivalric romances, further legends concerning decisive conflict of Arthur are formed. Arthur was subsequently transported from the Camlann battlefield to Avalon, a frequently unearthly and magical island, in the hope that he could be healed. Geoffrey had Taliesin, under the direction of Barinthus, deliver Arthur to Morgen (Morgan le Fay) in Avalon. Later writers of the prose cycles included Morgan herself, frequently travelling in a fairy boat with two or more other women, coming to pick up the king. Many later works, such as the Old French Post-Vulgate Cycle and the Middle English Stanzaic Morte Arthur, included adaptations of the final conflict of Arthur.
This article also uses an image from the Wikipedia article – Battle_of_Camlann – [Wikipedia-Article-Link: https://en.wikipedia.org/wiki/Battle_of_Camlann ] [Image: The Battle Between King Arthur and Sir Mordred by William Hatherell (1855–1928)] [Wikipedia-Image-Link: https://en.wikipedia.org/wiki/File:Battle_Between_King_Arthur_and_Sir_Mordred_-_William_Hatherell.jpg ] [This work (Image) is faithful photographic reproduction of a two-dimensional, public domain work of art. The author died in 1928, so this work is in the public domain in its country of origin and other countries and areas where the copyright term is the life of author plus 95 years or fewer. This work is in the public domain in the United States because it was published (or registered with the U.S. Copyright Office) before January 1, 1931. ] [Please Also Relate to Original Individual Text and Image URLs for More Usage Property and Sharing, Remixing or Attributing the Contents]
[Contents on Wikipedia is covered by – Disclaimer – Wikipedia-Disclaimer-Link: https://en.wikipedia.org/wiki/Wikipedia:General_disclaimer ] [Contents in this Website is also covered by Disclaimer linked at the bottom of the Page] [This website article means no intellectual appropriation by any way and only wishes to contribute in sharing of knowledge]
The Hindu Kush is a mountain range in Central and South Asia that stretches 800 kilometres west of the Himalayas. It is called upariśaina in Vedic Sanskrit and upāirisaēna in Avestan. It extends from central and eastern Afghanistan to far southeast Tajikistan and northwest Pakistan on the Indian subcontinent. The western portion of Hindu Kush Himalayan Region is made up of the range. It separates the Indus River valley to the south from the Amu Darya, the ancient Oxus, valley to the north. In popular literature, Hindu Kush is typically translated as Hindu-Killer or Killer of Hindus. Ibn Battuta provided the first explanation for the name. Ibn Battuta provided the first explanation for the name. He claims that the name Hindu Kush means Hindu-slayer, because slaves from the Indian subcontinent perished in the severe weather of the mountains while being transported by traders to Turkestan. The mountain range was known as the Caucasus Indicus during the time of Alexander the Great, and the Hellenic Greeks called the extension of the range as Paropamisos in the latter part of the first millennium BCE. In South and Central Asia, the great elevations of the mountains have historical significance. With locations like the Bamiyan Buddhas, the Hindu Kush range was a significant Buddhist centre. Additionally, it served as a route for the invasion of the Indian subcontinent. Gem-grade emeralds can be discovered north of Kabul in the valley of the Panjsher River and several of its tributaries, while lapis lazuli can be found in ancient mines in Kowkcheh Valley. For thousands of years, the best lapis lazuli has come from the West Hindu Kush highlands. In the ancient Hindu Kush, Buddhism was very common. The enormous rock-carved statues known as the Bamiyan Buddhas, which are located in the western and southern regions of the Hindu Kush, are examples of ancient Buddhist art. The Mahāsāṃghika-Lokottaravāda was a well-known early Buddhist school in the Bamiyan region. The Hindu Shahi dynasty of Kabul was unquestionably in charge of the region for a long time. In the tenth century, Sabuktigin overthrew the reign of Hindu Shahi king Jayapala west of Peshawar, bringing about the Islamic invasion of the region. #History
This article also uses an image from the Wikipedia article – Hindu_Kush – [Wikipedia-Article-Link: https://en.wikipedia.org/wiki/Hindu_Kush ] [Image: Landscape of Afghanistan with a T-62 tank in the foreground; Wikipedia-Image-Author: davric]
[Wikipedia-Image-Link: https://en.wikipedia.org/wiki/File:T-62_tank_abandoned_in_Afghanistan.jpg ]
[The copyright holder of the work (Image) has released the work into the public domain. This applies worldwide. In some countries this may not be legally possible; if so: the copyright holder grants anyone the right to use this work for any purpose, without any conditions, unless such conditions are required by law. ][Please Also Relate to Original Individual Text and Image URLs for More Usage Property and Sharing, Remixing or Attributing the Contents]
[Contents on Wikipedia is covered by – Disclaimer – Wikipedia-Disclaimer-Link: https://en.wikipedia.org/wiki/Wikipedia:General_disclaimer ] [Contents in this Website is also covered by Disclaimer linked at the bottom of the Page] [This website article means no intellectual appropriation by any way and only wishes to contribute in sharing of knowledge]
Parameswara Tiru Located in the historic Pallava capital city of Kanchipuram in the modern-day Indian state of Tamil Nadu, Vinnagaram, also called the Vaikunta Perumal Temple, is a Hindu temple devoted to the god Vishnu. Originally called Paramechuravinnagaram in Tamil and Vishnugriha in Sanskrit, which means Vishnu-house and denotes a regal palace for Parameshwar or God, this 8th-century stone temple was constructed by the monarch Nandivarman II Pallavamalla. Parts of the Bhagavata Purana, one of the eighteen major Puranas and a key literature in Hindu religious history, have been dated thanks to research conducted at the Vaikunta Perumal Temple. Historian D. Dennis Hudson provides a thorough examination of the temple. His monograph focuses on interpreting its iconography and arrangement as an architectural summary of the Bhagavata Purana. The temple is one of the prominent tourist attractions in the city. As per local belief, the sage Bharadvaja was performing penance at the location of the unfinished temple and was enchanted by a heavenly nymph. The wise man wedded her, and they had a child. The sage resumed his penance while the nymph went back to svarga (heaven), yet the child stayed on Earth. Shiva and Vishnu took on the safeguarding of the child. One day, Vishnu assumed the guise of a hunter to present a child to a Pallava king without heirs who had been yearning for a son; this child would eventually inherit the throne, build a temple dedicated to Vishnu, and according to legend, also become known as Paramesvaravarman II. The renowned Vaishnava saint Thirumangai Alvar was a contemporary of Nandivarman II and solidified the temple-heritage by writing a poem about it, included in the Periya Tirumoli, possibly between the completion of the temple and the demise of Pallava King, around 790 CE. Several inscriptions within the temple illuminate the socio-economic and political landscape of the country during the Pallava era and also affirm the ongoing royal support for the temple into the 9th century. Paramesvara Vinnagaram serves as an early instance of Dravidian architecture. The temple features a rectangular layout and is accessed via a level granite entry tower. The vimana features a tiered pyramid roof and looks similar to a vihara. The temple has been designated a heritage monument and is managed by the Archaeological Survey of India as a site under protection. #History#Architecture
A prominent figure in Welsh mythology, Rhiannon first appears in the First Branch of the Mabinogi and then reappears in the Third Branch. She is without a doubt the most iconic female character in all of human literature, according to Ronald Hutton, who also referred to her as one of the greatest female personas in world literature. Rhiannon, a strong-willed Otherworld woman in the Mabinogi, selects Pwyll, prince of Dyfed, or West Wales, as her consort over another man she is previously engaged to. She is renowned for her charity and money, as well as being politically astute and attractive. Her son with Pwyll is the brave Pryderi, who subsequently becomes the lord of Dyfed. When her newborn is kidnapped, she suffers tragedy and is charged with infanticide. After becoming a widow, she weds Manawydan, a member of the British royal family, and goes on further magical adventures. Rhiannon, like several other characters from Welsh and British literature, might be a reflection of an earlier Celtic goddess. Her name seems to come from the rebuilt form of Brittonic *Rīgantonā, a derivative of *rīgan- i.e. queen. Rhiannon and her son Pryderi have a strong bond with horses in the First Branch of the Mabinogi. It is commonly believed that she is related to Epona, the horse goddess of Gaul. She is frequently shown as a mare and her son. She occasionally sits on her horse in a serene, stoic manner, much like Epona. While most Mabinogi and Celtic studies scholars agree that Epona is connected to this, paganism historian Ronald Hutton is not convinced.
This article also uses an image from the Wikipedia article – Rhiannon – [Wikipedia-Article-Link: https://en.wikipedia.org/wiki/Rhiannon ] [Image: Rhiannon riding in Arberth. From The Mabinogion, translated by Lady Charlotte Guest, 1877] [Wikipedia-Image-Link: https://en.wikipedia.org/wiki/File:Charlotte_Guest_Rhiannon.jpg ] [This media file is in the public domain in the United States. This applies to U.S. works where the copyright has expired, often because its first publication occurred prior to January 1, 1931, and if not then due to lack of notice or renewal. ][Please Also Relate to Original Individual Text and Image URLs for More Usage Property and Sharing, Remixing or Attributing the Contents]
[Contents on Wikipedia is covered by – Disclaimer – Wikipedia-Disclaimer-Link: https://en.wikipedia.org/wiki/Wikipedia:General_disclaimer ] [Contents in this Website is also covered by Disclaimer linked at the bottom of the Page] [This website article means no intellectual appropriation by any way and only wishes to contribute in sharing of knowledge]
In Germanic mythology and culture, an Elf is a particular kind of human-like supernatural entity, particularly in North Germanic mythology and folk-tales. Elves appear to have been viewed in mediaeval Germanic-speaking societies as entities with magical abilities and extraordinary beauty who were indifferent toward common people and capable of either aiding or hurting them. The specifics of these ideas, meanwhile, have developed in both pre-Christian and Christian cultures and have changed significantly across time and geography. All of the Germanic languages contain the word Elf, which appears to have initially meant just -- White Being. However, the Old and Middle English, mediaeval German and Old Norse texts written by Christians played a significant role in rebuilding the older idea of an Elf. These connect the Elves in different ways to the Deities of Norse mythology, to the ability to inflict disease, to magic, to beauty and allurement and more. After the Middle Ages, the name Elf tended to become less prevalent throughout all of the Germanic languages, losing ground to loanwords like Fairy, being borrowed from French into most of the Germanic languages and alternative native meanings like Zwerg (i.e. German for the meaning Dwarf) and Huldra (which is North Germanic for Hidden Beings). Nevertheless, Elven superstitions remained during the early modern era, especially in Scotland and Scandinavia, where Elves were perceived as mysteriously powerful individuals coexisting with regular human populations while typically remaining invisible. They kept getting blamed for spreading diseases and making sexual harassment. For instance, a number of early modern songs from Scandinavia and the British Isles that date back to the Middle Ages show Elves attempting to woo or kidnap human people. From the early modern age onward, Elves became more prevalent in the literature and art of intellectual elite. These fictional elves were pictured as beings that were small and joyful. This idea of the Elf impacted German Romantic writers in the eighteenth century, who brought the English word Elf back into the German language. The Elves of popular culture that appeared in the nineteenth and twentieth centuries were inspired by this romantic notion of the Elves. Following the publication of works by authors like J. R. R. Tolkien, who helped re-popularize the notion of Elves as human-shaped and human looking entities, Elves made their way into the high fantasy genre of the twentieth century. Elves continue to be a common element in modern fictional entertainment.
This article also uses an image from the Wikipedia article – Elf – [Wikipedia-Article-Link: https://en.wikipedia.org/wiki/Elf ] [Image: Dancing Fairies (1866) by August Malmström (1829–1901)] [Wikipedia-Image-Link: https://en.wikipedia.org/wiki/File:%C3%84lvalek.jpg ] [The Work is in the public domain in its country of origin and other countries and areas where the copyright term is the life of author plus 100 years or fewer. The work is in the public domain in the United States because it was published (or registered with the U.S. Copyright Office) before January 1, 1931. ][Please Also Relate to Original Individual Text and Image URLs for More Usage Property and Sharing, Remixing or Attributing the Contents]
[Contents on Wikipedia is covered by – Disclaimer – Wikipedia-Disclaimer-Link: https://en.wikipedia.org/wiki/Wikipedia:General_disclaimer ] [Contents in this Website is also covered by Disclaimer linked at the bottom of the Page] [This website article means no intellectual appropriation by any way and only wishes to contribute in sharing of knowledge]
The Sketch Book of Geoffrey Crayon, Gent, a collection of 34 essays and small tales by American author Washington Irving, include the gothic tale The Legend of Sleepy Hollow. The Legend of Sleepy Hollow was initially released in 1819 and was written while Irving was a foreign resident of Birmingham. The Legend of Sleepy Hollow, along with companion work of Irving i.e. Rip Van Winkle, is one of the earliest works of American literature that has maintained iconic status, particularly around Halloween because of a figure known as the Headless Horseman who was thought to be a Hessian soldier whose head was severed by a cannonball during combat. The story took place in 1790 in a remote valley known as Sleepy Hollow, in the countryside near the Dutch hamlet of Tarry Town i.e. the actual Tarrytown, New York. Sleepy Hollow was well known for its ghosts and the eerie ambiance that captures both its residents and imaginations of the guests. Some locals thought that the village was cursed when the Dutch first settled there, while others assert that an ageing Native American chief was to blame for the eerie atmosphere. The citizens of the town appeared to experience a variety of eerie and paranormal phenomena. They frequently experienced eerie sights, music and voices right from the thin air as well as trance-like visuals. Due to the strange incidents and eerie ambiance in Sleepy Hollow, the locals were attracted by local folklore, haunted sites and nightfall superstitions. The Headless Horseman served as the most notorious ghost in the Hollow and suggestively the commander-in-chief of all the powers of the air. According to legend, He was the restless ghost of a Hessian soldier whose head was amputated by an errant cannonball during some unidentified battle of the American Revolution and who rode forth to the place of battle-site in nightly pursuit of his severed head.
This article also uses an image from the Wikipedia article – The_Legend_of_Sleepy_Hollow – [Wikipedia-Article-Link: https://en.wikipedia.org/wiki/The_Legend_of_Sleepy_Hollow ] [Image: The Headless Horseman Pursuing Ichabod Crane (1858) by John Quidor (1801–1881)] [Wikipedia-Image-Link: https://en.wikipedia.org/wiki/File:John_Quidor_-_The_Headless_Horseman_Pursuing_Ichabod_Crane_-_Google_Art_Project.jpg ] [The Work (Image) is a faithful photographic reproduction of a two-dimensional, public domain work of art. The author died in 1881, so the work itself is in the public domain in its country of origin and other countries and areas where the copyright term is the life of author plus 100 years or fewer. This work is in the public domain in the United States because it was published (or registered with the U.S. Copyright Office) before January 1, 1931. ][Please Also Relate to Original Individual Text and Image URLs for More Usage Property and Sharing, Remixing or Attributing the Contents]
[Contents on Wikipedia is covered by – Disclaimer – Wikipedia-Disclaimer-Link: https://en.wikipedia.org/wiki/Wikipedia:General_disclaimer ] [Contents in this Website is also covered by Disclaimer linked at the bottom of the Page] [This website article means no intellectual appropriation by any way and only wishes to contribute in sharing of knowledge]
The mother goddess of Anatolia, Cybele, may have had an early Neolithic ancestor in Çatalhöyük. She was likely the national divinity of Phrygia and is the only goddess known to exist there. There is no extant tale or literature that describes the original nature or characteristics of the Phrygian cult of Cybele. She might have developed from a kind of statuary from Anatolia called Çatalhöyük, which dates to the sixth millennium BC and is thought by some to be a mother goddess. It depicts a corpulent, fertile female figure surrounded by big cats. The cult features of the Phrygian mother-goddess, seen in 8th-century BC Phrygian art, include attendant lions, a prey-bird and a little vase for her offerings or libations. Around the sixth century BC, Greek colonists in Asia Minor took up and modified her Phrygian cult, which they then brought to mainland Greece and the farther-flung western Greek colonies. Cybele had a mixed response when she arrived in Greece. She began to adopt characteristics of the harvest-mother goddess Demeter, the Earth-goddess Gaia, and her potential Minoan counterpart Rhea. Her most famous Greek ceremonies and processions portray her as an inherently alien, exotic mystery-goddess who arrives in a lion-drawn chariot to the accompaniment of wild music, wine, and an agitated, ecstatic following. However, some city-states, most notably Athens, invoked her as a protector. She held a eunuch mendicant priesthood, which was unique in Greek religion. Rituals to a divine Phrygian castrate shepherd-consort Attis, who was most likely a Greek fabrication, were part of many of her Greek religions. In Greece, Cybele came to be connected to mountains, city walls, lush surroundings, and untamed animals, particularly lions. Cybele earned the title Magna Mater or Great Mother, in Rome. Once the Sibylline oracle in 205 BC urged her conscription as a crucial religious ally in the second war of Rome against Carthage between 218 and 201 BC, the Roman state adopted and developed a specific form of her cult. Roman mythographers reinterpreted her as a Trojan goddess, and thus an ancestral goddess of the Roman people through the Trojan prince Aeneas. Romanized versions of the cults of Cybele spread throughout empire as Rome eventually consolidated dominance over the Mediterranean region. Greek and Roman writers argued and argued over the morality and significance of her cults and priesthoods, topics that are still contentious in contemporary scholarship.
This article also uses an image from the Wikipedia article – Cybele – [Wikipedia-Article-Link: https://en.wikipedia.org/wiki/Cybele ] [Image: Cybele in a chariot driven by Nike and drawn by lions toward a votive sacrifice (right); above are heavenly symbols including a solar deity, Plaque from Ai Khanoum, Bactria (Afghanistan), 2nd century BC; Wikipedia-Image-Author: No machine-readable author provided. World Imaging assumed (based on copyright claims). https://commons.wikimedia.org/wiki/User:World_Imaging ] [Wikipedia-Image-Link: https://en.wikipedia.org/wiki/File:AiKhanoumPlateSharp.jpg ] [The Work (Image) is a faithful photographic reproduction of a two-dimensional, public domain work of art. The work itself is in the public domain in its country of origin and other countries and areas where the copyright term is the life of author plus 100 years or fewer. This work is in the public domain in the United States because it was published (or registered with the U.S. Copyright Office) before January 1, 1931. ][Please Also Relate to Original Individual Text and Image URLs for More Usage Property and Sharing, Remixing or Attributing the Contents]
[Contents on Wikipedia is covered by – Disclaimer – Wikipedia-Disclaimer-Link: https://en.wikipedia.org/wiki/Wikipedia:General_disclaimer ] [Contents in this Website is also covered by Disclaimer linked at the bottom of the Page] [This website article means no intellectual appropriation by any way and only wishes to contribute in sharing of knowledge]
Roman mystery religion Mithraism, also known as the Mithraic mysteries or the Cult of Mithras, was based on the god Mithras. The Roman Mithras is associated with a new and distinctive imagery, with the degree of continuity between Persian and Greco-Roman practice being disputed, despite being inspired by Iranian worship of the Zoroastrian god (i.e., yazata) Mithra. From around the first through the fourth century CE, the mysteries were a favorite among the Imperial Roman troops. The seven levels of initiation and shared ceremonial meals were part of a complicated system used by Mithras worshippers. Syndexioi, those -- United by the Handshake, was the name given by initiates. They met in one of the several Mithraea, or underground temples, that still exist today. The worship is thought to have originated in Rome and spread throughout the western half of the empire, including Roman Africa and Numidia in the south, Roman Dacia in the east, Roman Britain in the north, and to a lesser extent Roman Syria in the east. Early Christianity is perceived as competing with Mithraism. Christians later persecuted Mithraists throughout the fourth century, and by the end of the century, the religion had been outlawed and suppressed in the Roman Empire. Throughout the Roman Empire, numerous archaeological discoveries, including gathering sites, monuments, and artifacts, have added to our current understanding of Mithraism. The most well-known images of Mithras depict him emerging from a rock or dining with the god Sol, or the Sun. There would have been at least 680 mithraea in Rome, according to estimates. Limited information may be gleaned from the inscriptions and fleeting or passing references in Greek and Latin literature; no written narratives or theology from the religion have survived. The interpretation of the tangible evidence is still up for debate.
This article also uses an image from the Wikipedia article – Mithraism – [Wikipedia-Article-Link: https://en.wikipedia.org/wiki/Mithraism ]
[Image: Mosaic (1st century CE) depicting Mithras emerging from his cave and flanked by Cautes and Cautopates (Walters Art Museum); Wikipedia-Source: Walters Art Museum https://thewalters.org/ ]
[Wikipedia-Image-Link: https://en.wikipedia.org/wiki/File:Roman_-_Fragment_of_a_Mosaic_with_Mithras_-_Walters_437.jpg ] [The Work (Image) is a faithful photographic reproduction of a two-dimensional, public domain work of art. The Work is in the public domain in its country of origin and other countries and areas where the copyright term is the life of author plus 100 years or fewer. The work has been released into the public domain by its author, Walters Art Museum. This applies worldwide. In some countries this may not be legally possible; if so: Walters Art Museum ( https://thewalters.org/ ) grants anyone the right to use this work for any purpose, without any conditions, unless such conditions are required by law. ][Please Also Relate to Original Individual Text and Image URLs for More Usage Property and Sharing, Remixing or Attributing the Contents]
[Contents on Wikipedia is covered by – Disclaimer – Wikipedia-Disclaimer-Link: https://en.wikipedia.org/wiki/Wikipedia:General_disclaimer ] [Contents in this Website is also covered by Disclaimer linked at the bottom of the Page] [This website article means no intellectual appropriation by any way and only wishes to contribute in sharing of knowledge]
In Nordic folk-tradition, notably Norse mythology, a troll is a supernatural entity. Trolls are creatures that appear in Old Norse literature. According to these texts, they live in solitary places like caverns, mountains or rock outcroppings. Trolls evolved into beings in their own capacity in later Scandinavian legend, where they dwell far away from human civilization, are not Christianized and are regarded as hazardous to humans. Their looks vary significantly depending on the source of origin; trolls may be hideous and dimwitted or may also act and appear just like humans, lacking any notable repulsive characteristics. In Scandinavian folktales, trolls are occasionally connected to specific locations, which might occasionally be explained as being created when a troll is exposed to sunlight. Trolls appear in a range of contemporary contemporary cultural media. Troll is a term used to refer to Jötnar in Norse mythology and is present all through the Old Norse literature, just like Thurs. Trolls are reported to reside in solitary mountains, rocks and caves, occasionally live in pairs, typically as mother and son or father and daughter and are infrequently portrayed as helpful or pleasant in Old Norse literature. An interaction between an unknown troll woman and the ninth skald (Poets who composed Skaldic Poetry) Bragi Boddason is detailed in the Prose Edda book Skáldskaparmál. In later Scandinavian legend, trolls are referred to be a specific kind of entity. The Proto-Germanic neuter noun *trullan gave rise to the Old Norse nouns troll and trǫll, which have variously been translated as Fiend, Demon, Werewolf and even Jötunn, and the Middle High German troll and trolle. However, it is unknown where the Proto-Germanic term came from Trolls are frequently depicted in numerous stories as being very ancient, very strong but also slow and buffoonish. They are also occasionally characterised as man-eating and as also turning in to stones when exposed to sunlight. Trolls, however, are also reported to have a close similarity to humans, not being particularly repulsive in appearance living far from human civilization, and typically possessing some kind of social structure. Numerous Scandinavian folktales contain the Scandinavian folk conviction that lightning scares away trolls and Jötnar. This concept may be a late manifestation of the role of the god Thor in battling these creatures. According to Scandinavian folklore, smaller trolls reside in mountains and burial mounds. These entities are known as troldfolk, bjergtrolde or bjergfolk in Denmark and as troldfolk and tusser in Norway. The name Troll, given to a Norwegian research outpost in Antarctica, derives from the rocky mountains that surround it and resemble trolls. It has a ground station for tracking polar-orbiting satellites.
This article also uses an image from the Wikipedia article – Troll – [Wikipedia-Article-Link: https://en.wikipedia.org/wiki/Troll ] [Image: Look at them, troll mother said. Look at my sons! You would not find more beautiful trolls on this side of the moon (1915) by John Bauer (1882–1918)] [Wikipedia-Image-Link: https://en.wikipedia.org/wiki/File:John_Bauer_1915.jpg ]
[The Work (Image) is a faithful photographic reproduction of a two-dimensional, public domain work of art. The author died in 1918, so this work is in the public domain in its country of origin and other countries and areas where the copyright term is the life of author plus 100 years or fewer. This work is in the public domain in the United States because it was published (or registered with the U.S. Copyright Office) before January 1, 1930][Please Also Relate to Original Individual Text and Image URLs for More Usage Property and Sharing, Remixing or Attributing the Contents]
[Contents on Wikipedia is covered by – Disclaimer – Wikipedia-Disclaimer-Link: https://en.wikipedia.org/wiki/Wikipedia:General_disclaimer ]
[Contents in this Website is also covered by Disclaimer linked at the bottom of the Page] [This website article means no intellectual appropriation by any way and only wishes to contribute in sharing of knowledge]
There is a unique place for Mount Damavand in Persian mythology and folktales. At 5,671 metres, Damvand is the tallest mountain peak in Iran and Western Asia, the tallest volcano in Asia and the second highest volcano in the Eastern Hemisphere. It is a significantly an active stratovolcano. A notable mountain in Persian mythology is Damavand. The three-headed dragon Aži Dahāka was imprisoned inside Mount Damvand in Zoroastrian literature and mythology, where he would stay till the end of the world. Later on in the same narrative, after being vanquished by Kāveh and Fereydūn, the tyrant Zahhk was also bound in a cave somewhere within Mount Damvand. This incident is described in the masterpiece by the Persian Poet Ferdowsi, the Shahnameh. In t he Alborz ranges, Mount Damavand is situated near the center. It is located in Amol County, Mazandaran Province, 66 kilometres northeast of Tehran, close to the southern coast of Caspian Sea. The second most recognizable summit in Asia after Mount Everest is Mount Damvand, which is the 12th most notable mountain peak in the entire planet. It is a part of the Volcanic Seven Summits Mountaineering Challenge. The Shahnameh claims that the mountain has mystical powers and serves as a metaphor for Iranian struggle to authoritarianism and colonial occupation. The spot from whence the legendary hero Arash fired his enchanted arrow to define the boundary of Iran during the border dispute between Iran and Turan has also been identified as Damvand Mountain in the Iranian tale of Arash.
This article also uses an image from the Wikipedia article -- Mount_Damavand -- [Wikipedia-Article-Link: https://en.wikipedia.org/wiki/Mount_Damavand ] [Image: Mount Damavand, The south side - Mazandaran Province, Iran - January 2, 2010 - Photo by: Safa Daneshvar - Thanks to Mr. Reza Ziari; Wikipedia-Image-Author: Safa. daneshvar https://commons.wikimedia.org/wiki/User:Safa.daneshvar ] [Wikipedia-Image-Link: https://en.wikipedia.org/wiki/File:981012-Damavand-South-IMG_9861-2.jpg ] [Image Availed Under Creative Commons Attribution-Share Alike 4.0 International license] [License-Link: https://creativecommons.org/licenses/by-sa/4.0/deed.en ] [You may copy, distribute and transmit the work (image) or share (alike) the work (image), provided that you comply with the terms of the Creative Commons Attribution-Share Alike 4.0 International license or other compatible license in distribution] [License-Link: https://creativecommons.org/licenses/by-sa/4.0/deed.en ] [Please Also Relate to Original Individual Text and Image URLs for More Usage Property and Sharing, Remixing or Attributing the Contents]
[Contents on Wikipedia is covered by -- Disclaimer – Wikipedia-Disclaimer-Link: https://en.wikipedia.org/wiki/Wikipedia:General_disclaimer ] [Contents in this Website is also covered by Disclaimer linked at the bottom of the Page] [This website article means no intellectual appropriation by any way and only wishes to contribute in sharing of knowledge]
The Katas Raj Temples are a group of Hindu temples connected by pathways. Hindus consider the pond known as Katas, which is surrounded by the temple complex, to be sacred. The complex is situated on the Potohar Plateau of Indian Subcontinent, in the Punjab province of modern political Pakistan. The Sanskrit word kataksha, which means tearful eyes, is said to be the source of the name of the temple complex. According to the Hindu Puranas, tears of Lord Shiva is what created the pond in the temples after he traversed the earth distraught over the death of his wife Sati. The pond has a maximum depth of 20 feet and a total area of two kanals and fifteen marlas. The temples are mentioned in the Mahābhārata, the Hindu epic literature, where the Pandava brothers are said to have spent a considerable amount of their exile visiting the temples. According to the Yaksha Prashna, it is also generally believed by Hindus to be the location of the riddle competition of the Pandava brothers with the Yakshas. In his travelogues from the fourth century CE, the Chinese monk Faxian wrote about a temple in Katas Raj. Before India was partitioned in 1947, the complex was a well-liked pilgrimage place for Hindus, with many coming for Maha Shivaratri. Over the decades that followed Partition, the temples were neglected and deteriorated. Hindus from Pakistan would still occasionally visit the location, but they could not keep up the large structure. The majority of the temples at Katas are built on square platforms. The elevation of sub-shrines appears to create a ribbed dome over a sequence of cornices with tiny rows of pillars. The Satgraha, a collection of seven ancient Hindu temples, five additional medieval temples, and havelis strewn around a pond revered by Hindus are all located at the Katas site. #History#Architecture
This article also uses an image from the Wikipedia article -- Katas_Raj_Temples -- [Wikipedia-Article-Link: https://en.wikipedia.org/wiki/Katas_Raj_Temples ] [Image: The temples surround a pond regarded as sacred by Hindus; Wikipedia-Image-Author: ClicksByMohammadOmer https://commons.wikimedia.org/wiki/User:ClicksByMohammadOmer ] [Wikipedia-Image-Link: https://en.wikipedia.org/wiki/File:Katas_Raj_Temples_2.JPG ] [Image Availed Under Creative Commons Attribution-Share Alike 3.0 Unported license] [License-Link: https://creativecommons.org/licenses/by-sa/3.0/deed.en ] [You may copy, distribute and transmit the work (image) or share (alike) the work (image), provided that you comply with the terms of the Creative Commons Attribution-Share Alike 3.0 Unported license or other compatible license in distribution] [License-Link: https://creativecommons.org/licenses/by-sa/3.0/deed.en ] [Please Also Relate to Original Individual Text and Image URLs for More Usage Property and Sharing, Remixing or Attributing the Contents]
[Contents on Wikipedia is covered by -- Disclaimer – Wikipedia-Disclaimer-Link: https://en.wikipedia.org/wiki/Wikipedia:General_disclaimer ] [Contents in this Website is also covered by Disclaimer linked at the bottom of the Page] [This website article means no intellectual appropriation by any way and only wishes to contribute in sharing of knowledge]
In the Matter of Britain literature cycle, the Knights of the Round Table are the knights from the company of King Arthur. The Knights are a fraternity committed to maintaining the peace of the kingdom of Arthur. After an early fighting period, they were later given the responsibility of engaging in a mysterious quest for the Holy Grail. The Knights first appear in literature around the middle of the 12th century. The Round Table, where they gathered, was a representation of the equality of its participants, who span from mighty kings to lowly lords. A variety of knights from Great Britain and other places abroad, some of them even from outside of Europe, were featured in the numerous storylines of the cycles. Far away relatives of Arthur like Agravain and Gaheris, as well as his accommodated foes and those he conquered in combat, such Galehaut and Lot, were frequently found in the ranks of the Round Table. The most famous knights, such as Bedivere, Gawain, Kay, and Yvain were modelled after older figures who were connected to Arthur in the Welsh version of the narrative. Numerous knights, including Gawain, Lancelot, Perciva and Tristan, frequently showed up in knightly romances as the main character or the title character. Galahad, a saintly knight who succeeded Percival in obtaining the Holy Grail and Mordred, a disloyal son of King Arthur, were among the other notable members of the group. After the infidelity of Lancelot with wife of King Arthur, Queen Guinevere, was made public toward the conclusion of the Arthurian prose cycles, the knights got divided into rival factions. The Knights of the Queen, i.e. the own exclusive order of youthful warriors and knights of Guinevere, were depicted alongside her in the same manner. Some of these love interests recount the history of the Knights of the Old Table, led by Uther Pendragon, father of Arthur, while other stories centre around the representatives of the Grail Table, who were the adherents of early Christian Joseph of Arimathea, whose Grail Table later served as the model for the subsequent Round Tables of Uther and Arthur.
This article also uses an image from the Wikipedia article – Knights_of_the_Round_Table – [Wikipedia-Article-Link: https://en.wikipedia.org/wiki/Knights_of_the_Round_Table ] [Image: The Arming and Departure of the Knights, one of the Holy Grail-themed 19th-century tapestries by Edward Burne-Jones, William Morris, and John Henry Dearle]
[Wikipedia-Image-Link: https://en.wikipedia.org/wiki/File:Holy_Grail_Tapestry_-The_Arming_and_Departure_of_the_Kniights.jpg ] [The work (Image) is in the public domain in its country of origin and other countries and areas where the copyright term is the life of Author plus 70 years or fewer. The Image is also believed to be in Public Domain in the United States][Please Also Relate to Original Individual Text and Image URLs for More Usage Property and Sharing, Remixing or Attributing the Contents]
[Contents on Wikipedia is covered by – Disclaimer – Wikipedia-Disclaimer-Link: https://en.wikipedia.org/wiki/Wikipedia:General_disclaimer ] [Contents in this Website is also covered by Disclaimer linked at the bottom of the Page] [This website article means no intellectual appropriation by any way and only wishes to contribute in sharing of knowledge]
Similar to the Knights of Western Europe, Bogatyr is the equivalent mythical hero of the mediaeval East Slavs. They were historically born as members of the prestigious Druzhina warrior order under King Vladimir the Great, the Grand Prince of Kiev from 980 to 1015. According to legend, Bogatyr was a superb warrior with courage, gallantry and power. They are renowned for having a loud voice and for wanting to defend Russia against both its foes outside and their own religious ideals. The word Bogatyr in contemporary Russian refers to a valiant hero, an athlete or a physically powerful man. The epic poems are typically separated into three collections: the mythical and ancient legends, which were gathered from eras before Kiev-Rus was created and feature magic and the supernatural. The following is from the Kievan cycle, which contained the most Bogatyr tales, then is from the Novgorod cycle. Stories about these warriors were extensively featured in numerous epic poems of Kievan Rus i.e. the Bylinas, as well as multiple chronicles, such as the Galician-Volhynian Chronicle from the thirteenth century. According to the Brockhaus and Efron Encyclopedic Dictionary, the Sanskrit term - Baghadhara is the source of the word Bogatyr. The Indo-Iranian term Bhaga, which means God or Lord, is perhaps the initial constituent of the word. Bogatyr chiefly appears in the epic poem Bylinas by the Kievan Rus. Another theory links the word to the Turkish-Mongolian word Baghatur, which means Hero. While certain Bogatyrs, like the enormous Svyatogor, are purportedly mythical creations descended from Slavic paganism while other Bogatyrs are assumed to be historical individuals. Numerous authors and artists in Russian literature and art have been influenced by Bogatyrs and their noble stories, including Victor Vasnetsov, Andrei Ryabushkin as well as Alexander Pushkin, the author of the legendary fairy-lore poem Ruslan and Ludmila from 1820.
This article also uses an image from the Wikipedia article – Bogatyr – [Wikipedia-Article-Link: https://en.wikipedia.org/wiki/Bogatyr ] [Image: In 1898 painting — Bogatyrs by Victor Vasnetsov (1848–1926), Three of the Most Well-Known Bogatyrs—Dobrynya Nikitich, Ilya Muromets and Alyosha Popovich—are depicted together;]
[Wikipedia-Image-Link: https://en.wikipedia.org/wiki/File:Viktor_Vasnetsov_-_%D0%91%D0%BE%D0%B3%D0%B0%D1%82%D1%8B%D1%80%D0%B8_-_Google_Art_Project.jpg ]
[The Work (Image) is a faithful photographic reproduction of a two-dimensional, public domain work of art. The author died in 1926, so this work is in the public domain in its country of origin and other countries and areas where the copyright term is the life of author plus 95 years or fewer. This work is in the public domain in the United States because it was published (or registered with the U.S. Copyright Office) before January 1, 1930.] [Please Also Relate to Original Individual Text and Image URLs for More Usage Property and Sharing, Remixing or Attributing the Contents]
[Contents on Wikipedia is covered by – Disclaimer – Wikipedia-Disclaimer-Link: https://en.wikipedia.org/wiki/Wikipedia:General_disclaimer ] [Contents in this Website is also covered by Disclaimer linked at the bottom of the Page] [This website article means no intellectual appropriation by any way and only wishes to contribute in sharing of knowledge]
The Gaelic holiday Samhain celebrates the completion of the harvest and the onset of winter i.e. the - darker half - of the year. Since the Celtic day began and finished at sundown, it is celebrated on November 1st, but festivities get underway on October 31st. This falls roughly in the middle of the autumnal equinox and the winter solstice. In addition to Imbolc, Beltaine, and Lughnasa it is also one of the four Gaelic seasonal celebrations. In the past, it was frequently observed in Scotland, the Isle of Man, Galicia and Ireland (where it is pronounced as Sauin). The Brittonic Celtic people known as Calan Gaeaf in Wales, Kalan Gwav in Cornwall and Kalan Goañv in Brittany also celebrated a similar holiday. While the classic Manx Gaelic name is Sauin, the name Samhain is used in modern Irish and Scottish Gaelic. Samhain serves as the root for the name of November in Gaelic. In Mythology of Ireland Samhain is listed as the first of the four seasonal celebrations of the year in the tenth-century story Tochmarc Emire. According to the literature, there would be a declaration of peace and crowded gatherings where people would hold discussions, feast, partake in alcohol consumption and compete. The scenes of early Irish stories frequently take place at these gatherings. According to the legend Echtra Cormaic, the High King of Ireland staged the Feast of Tara every seventh Samhain, at which new laws and obligations were enacted. Anyone who disobeyed these regulations would be exiled. While Bealtaine was a summer holiday for the living, Samhain was basically a celebration for the dead, according to Irish mythology, Samhain was a time when the doorways to the Otherworld unlocked, enabling supernatural entities and the spirits of the dead to enter our realm. During the Samhain feast, the fire-breather Aillen arrivesd from the Otherworld and after luring everyone to sleep with his music, burned down the palace of Tara. One Samhain, the young Fionn mac Cumhaill managed to stay awake and used a magical spear to kill Aillen, earning him the position of Fianna-leader. Some myths also claim that at Samhain, sacrifices or offerings were made. According to legend the feast of the Ulaid at Samhain, this included Samhain itself and the three days before and after it, lasted a whole week. It involved large gatherings where people held discussions, feasted, drank alcohol and participated in competitions. At Samhain, bonfires were also built on hilltops and ceremonies involved them, just like at Bealtaine. On the eve of Samhain, people in certain places put out their household fires. The neighbourhood came together as each family respectfully re-lit its fireplace using embers from the community bonfire.
This article also uses an image from the Wikipedia article – Samhain – [Wikipedia-Article-Link: https://en.wikipedia.org/wiki/Samhain ] [Image: Snap-Apple Night (1833), painted by Daniel Maclise, shows people playing divination games on 31 October in Ireland] [Wikipedia-Image-Link: https://en.wikipedia.org/wiki/File:Snap-Apple_Night_globalphilosophy.PNG ] [The work (Image) is a faithful photographic reproduction of a two-dimensional, public domain work of art. The author died in 1870, so this work is in the public domain in its country of origin and other countries and areas where the copyright term is the life of author plus 100 years or fewer. This work is in the public domain in the United States because it was published (or registered with the U.S. Copyright Office) before January 1, 1930.] [Please Also Relate to Original Individual Text and Image URLs for More Usage Property and Sharing, Remixing or Attributing the Contents]
[Contents on Wikipedia is covered by – Disclaimer – Wikipedia-Disclaimer-Link: https://en.wikipedia.org/wiki/Wikipedia:General_disclaimer ] [Contents in this Website is also covered by Disclaimer linked at the bottom of the Page] [This website article means no intellectual appropriation by any way and only wishes to contribute in sharing of knowledge]
Radagast is, of course, a worthy wizard, a master of shapes and changes of hue; and he has much lore of herbs and beasts, and birds are especially his friends. — Gandalf
Radagast was a friend to animals and birds and one of the Maiar of Yavanna. He was particularly interested in the kelvar and olvar of Middle-earth. But compared to Radagast, Gandalf was more knowledgeable about and respected birds. There is little insight into the character of Radagast in the work of Tolkien. Other than some distinguishing traits, not much is known about Radagast in the literature. Radagast had far less authority and knowledge than Saruman, who was the leader of the Order of Wizards, followed by Gandalf. When Radagast offered to assist the White in their examination of the Gladden Fields, he demonstrated certain traits of purity and naivete that made him a perfect collaborator for schemes of Saruman. He was viewed by Saruman as simple-minded and foolish, and it is audible that he behaved in a way that was not appropriate for an Istari. He failed in his assigned mission, but he did not fall into the shade since he was essentially nice and honest. It is unclear what Gandalf meant when he called Radagast the -- master of shapes and changes of hue -- during the Council of Elrond in the books. However, when it came to herbs and animals, he knew more than any man. He reportedly spoke several bird languages and was friendly with all animals. According to The Languages of Middle-earth by Tolkien, the name Radagast is derived from a Slavic pagan god, though it may possibly be Anglo-Saxon and have multiple meanings. One of the lesser gods of West Slavic mythology was called Radegast. He is a fertility, harvest, war, and sun deity. Redigast, Radegast, Radhost, Radhošť, and Radigost are some of his other names. Fans have also remarked on the resemblance to the Old English word rudugást, which means -- red-brown spirit.
[This article uses material from the – Radagast – article on the The Lord of the Rings wiki at Fandom and is licensed under the Creative Commons Attribution-Share Alike License] [Information Credit Link: https://lotr.fandom.com/wiki/Radagast ]
[License-Link: https://creativecommons.org/licenses/by-sa/3.0/ ]
[Image: AI generated art of Radagast] [Please Also Relate to Original Individual Text and and/or Image URLs (if applicable) for More Usage Property and Sharing, Remixing or Attributing the Contents] [Contents in this Website is also covered by Disclaimer linked at the bottom of the Page] [This website article means no intellectual appropriation by any way and only wishes to contribute in sharing of knowledge]
Mysterious fairies named Bereginyas, Berehynias or Brzeginias are referenced in The Lay of St. Gregory the Theologian of the Idols, which was preserved in a manuscript from Novgorod in the fifteenth century. The Lay is an anthology of translations from Greek sources that a Kievan monk from the 12th century annotated. The literature mentions Bereginyas as the first entities worshipped by the Slavs, even before the cult of Perun was brought in their regions; nonetheless, it appears that later scribes made significant revisions to it. There is no information provided concerning Bereginyas, leaving plenty of room for conjecture of all kinds. Boris Rybakov explains that the term refers to Slavic mermaids, but unlike Rusalkas, they were kindhearted. The term is related to the Slavic word for riverbank. Following the release of the findings by Rybakov, Slavic neo-pagans have come to favor the Bereginya, viewing it as a potent pagan goddess as opposed to a simple water sprite.
This article also uses an image from the Wikipedia article -- Berehynja -- [Wikipedia-Article-Link: https://it.wikipedia.org/wiki/Berehynja ] [Image: Bereginya by Andrey Shishkin] [Wikipedia-Image-Link: https://it.wikipedia.org/wiki/File:Bereginya_by_Andrey_Shishkin.jpg ] [Image Availed Under Creative Commons Attribution 3.0 Unported license]
[License-Link: https://creativecommons.org/licenses/by/3.0/deed.en ] [You may copy, distribute and transmit the work (image) or remix the work (image) and attribute the work (image) with proper license link, complying with the terms of the Creative Commons Attribution 3.0 Unported license in distribution] [License-Link: https://creativecommons.org/licenses/by/3.0/deed.en ] [Please Also Relate to Original Individual Text and Image URLs for More Usage Property and Sharing, Remixing or Attributing the Contents]
[Contents on Wikipedia is covered by -- Disclaimer – [Wikipedia-Disclaimer-Link: https://en.wikipedia.org/wiki/Wikipedia:General_disclaimer ] [Contents in this Website is also covered by Disclaimer linked at the bottom of the Page] [This website article means no intellectual appropriation by any way and only wishes to contribute in sharing of knowledge]
Three Hoysala-style temples in South India are part of the Sacred Ensembles of the Hoysalas, which have been designated as World Heritage Sites. The Hoysala Empire constructed these temples in Somanathapura, Belur, and Halebidu in the twelfth and thirteenth centuries. In 2023, the three temples known as the Sacred Ensembles of the Hoysalas were added to the UNESCO World Heritage List because of their exceptional stone carvings, hyper-realistic sculptures, and architecture. The early Hoysala monarchs, who founded their new kingdoms and regimes in South India, created the architectural style of the three temples as a unique and avant-garde kind of holy building that sets them apart from modern kingdoms and dynasties. These temples are as follows: 1. Chennakeshava Temple in Belur (built by King Vishnuvardhana). 2. Hoysaleswara Temple in Halebidu (built by King Vishnuvardhana). 3. Keshav Temple in Somanathapura (built by Somanatha under King Narasimha III). Three locations—two in Hassan district and one in Mysore district—are home to the Sacred Ensembles of the Hoysalas in the two Karnataka districts. From the eleventh to the fourteenth century, the Hoysala dynasty dominated a sizable portion of modern-day Karnataka. The process of state building began when they established taxing, revenue, and administrative structures by the end of the 12th century, in addition to expanding the agrarian economic system of the kingdom. By supporting literature, art, and architecture, the Hoysala kings simultaneously attempted to forge a new and unique identity for their realm. This led to the development of a new style of temple building that combined creative temple planning with exquisite carving and decorating. This architectural style creatively integrated and blended original aspects with architectural traits that were common throughout the nation. Vishnuvardhana was one of the Hoysala monarchs who ascended to power in 1110 AD. In 1117 AD, he ordered the construction of the Chennakeshava Temple, which is devoted to Lord Vishnu. The complex continued to grow for more than a century after the completion of the main Chennakeshava Temple at Belur in 1117 AD. In 1150 AD, Ketamalla, an employee of King Vishnuvardhana, constructed the Hoysaleswara Temple. Additionally, it notes that in 1121 AD, the king gave land for the Lord Shiva temple-building, upkeep, and management. #History#Architecture
This article also uses an image from the Wikipedia article -- List_of_World_Heritage_Sites_in_India -- [Wikipedia-Article-Link: https://en.wikipedia.org/wiki/List_of_World_Heritage_Sites_in_India ]
[Overview of the Chennakesava (or Chennakeshava) temple in Somnathpur (or Somanathapura); Wikipedia-Image-Author: Jean-Pierre Dalbéra from Paris, France]
[Wikipedia-Image-Link: https://en.wikipedia.org/wiki/File:Le_temple_de_Chennakesava_(Somanathapura,_Inde)_(14465165685).jpg ]
[Image Availed Under Creative Commons Attribution 2.0 Generic license]
[License-Link: https://creativecommons.org/licenses/by/2.0/deed.en ] [You may copy, distribute and transmit the work (image) or remix the work (image) and attribute the work (image) with proper license link, complying with the terms of the Creative Commons Attribution 2.0 Generic license in distribution]
[License-Link: https://creativecommons.org/licenses/by/2.0/deed.en ]
[Please Also Relate to Original Individual Text and Image URLs for More Usage Property and Sharing, Remixing or Attributing the Contents]
[Contents on Wikipedia is covered by -- Disclaimer –
Wikipedia-Disclaimer-Link: https://en.wikipedia.org/wiki/Wikipedia:General_disclaimer ] [Contents in this Website is also covered by Disclaimer linked at the bottom of the Page] [This website article means no intellectual appropriation by any way and only wishes to contribute in sharing of knowledge]
One of the oldest Hindu temples in Bhubaneswar, the capital of the Indian state of Odisha, is the Lingaraja Temple, which is devoted to Shiva. The temple is one of the top tourist destinations and the most noticeable feature in Bhubaneswar. Parvati, consort of Shiva and the goddess who rules the temple, is known as Annapurna or Girija. The current version of the temple was created in the final ten years of the eleventh century. According to several seventh-century Sanskrit literature, there is proof that a portion of the temple was constructed in the sixth century CE. Fergusson thinks that Lalat Indu Keshari, who ruled from 615 to 657 CE, may have been the one who began constructing the temple. The largest temple in Bhubaneswar is the Lingaraja temple. The central tower of the temple is 180 feet high. The temple symbolizes the pinnacle of Kalinga architecture and the conclusion of medieval architectural legacy of Bhubaneswar. It is thought that the Somavamsi dynasty-kings constructed the temple, with Ganga rulers adding to it later. The temple is constructed in the Deula style and consists of four parts: the sanctum-containing vimana, the assembly hall or jagamohana, the festival hall or natamandira, and the hall of offerings or bhoga-mandapa. Each part is taller than the one before it. The temple complex is surrounded by a huge compound wall and has 108 more shrines. According to the Ekamra Purana, a 13th-century Sanskrit treatise, the deity Lingaraja was initially beneath a mango tree or Ekamra, which is why Bhubaneswar is known as the Ekamra Kshetra. Worship is practiced actively at the temple. Lingaraja, the main deity of the temple, is revered as Shiva. The Archaeological Survey of India, or ASI, and the Temple Trust Board are in charge of maintaining the Lingaraja temple. The temple draws hundreds of thousands of tourists during festivals, with an average of 6,000 visitors every day. 2012 saw 200,000 visit to the temple for the Shivaratri festival, which is the main celebration there. #History#Architecture
This article also uses an image from the Wikipedia article -- Lingaraja_Temple -- [Wikipedia-Article-Link: https://en.wikipedia.org/wiki/Lingaraja_Temple ]
[Image: View into the compound from the viewing platform. The main vimana is at left; the second large temple is dedicated to Maa Parvati;
Wikipedia-Image-Author: Puja Rakshit]
[Wikipedia-Image-Link: https://en.wikipedia.org/wiki/File:Lingaraj_Temple_Complex.jpg ]
[Image Availed Under Creative Commons Attribution-Share Alike 4.0 International license]
[License-Link: https://creativecommons.org/licenses/by-sa/4.0/deed.en ] [You may copy, distribute and transmit the work (image) or share (alike) the work (image), provided that you comply with the terms of the Creative Commons Attribution-Share Alike 4.0 International license or other compatible license in distribution]
[License-Link: https://creativecommons.org/licenses/by-sa/4.0/deed.en ]
[Please Also Relate to Original Individual Text and Image URLs for More Usage Property and Sharing, Remixing or Attributing the Contents]
[Contents on Wikipedia is covered by -- Disclaimer –
Wikipedia-Disclaimer-Link: https://en.wikipedia.org/wiki/Wikipedia:General_disclaimer ] [Contents in this Website is also covered by Disclaimer linked at the bottom of the Page] [This website article means no intellectual appropriation by any way and only wishes to contribute in sharing of knowledge]
Located on the Lycus River in Asia Minor, present-day Turkey, Laodicea was a wealthy ancient Greek city. It was situated in the Lydia and Caria Hellenistic regions, which subsequently evolved into the Roman Province of Phrygia Pacatiana. Today, it is close to the contemporary Turkish city of Denizli. Situated on a hill above the Lycus river, at its confluence with the Maeander, Laodicea on the Lycus was constructed on the location of a previous pre-Hellenistic city. In 261-253 BC, Antiochus II Theos, monarch of the Seleucid Empire, established Laodicea and several other cities bearing the same name in honor of his wife Laodice. Pliny the Elder claims that the town was formerly known as Diospolis, meaning the City of Zeus, and later Rhoas. The city quickly grew prosperous. Achaeus proclaimed himself king of the area in 220 BC, but Antiochus the Great overthrew him in 213 BC. Following the Roman victory over the Seleucids in the Battle of Magnesia in 188 BC, the Treaty of Apamea was written, granting the Kingdom of Pergamon sovereignty over all of western Asia Minor. Its territory was given to Rome in 133 BC after the passing of its last monarch. Rome bestowed to it the title of free city. During the Mithridatic Wars, it suffered significantly, but under Roman rule, it recovered swiftly. Laodicea benefited from its strategic location on a trade route towards the end of the Roman Republic and under the first emperors, becoming one of the most significant and thriving commercial cities of Asia Minor, where a vast trade in black wool and large-scale financial transactions were conducted. It is evident from its ruins that the riches of its people fostered a liking for Greek art, and it is also known to have advanced literature and science. Zeus, Æsculapius, Apollo, and the emperors were worshipped, as evidenced by the inscriptions on the coinage of the city. #History#Architecture
[Image: Archaeological Site of Laodikeia; Image-Author : Emrah AYVALI]
[Image_Source-Link: https://www.pexels.com/photo/archaeological-site-of-laodikeia-8283191/ ]
[License-Link: https://www.pexels.com/license/ ] [Please Also Relate to Original Individual Text and Image URLs for More Usage Property and Sharing, Remixing or Attributing the Contents]
[Contents on Wikipedia is covered by -- Disclaimer – [Wikipedia-Disclaimer-Link : https://en.wikipedia.org/wiki/Wikipedia:General_disclaimer ] [Contents in this Website is also covered by Disclaimer linked at the bottom of the Page] [This website article means no intellectual appropriation by any way and only wishes to contribute in sharing of knowledge]
Though certain fortified sites, like the Saxon Shore forts like Porchester Castle in England, were built, Romans tended to fortify towns rather than strongholds. Even while city walls were already important in Etruscan construction, many more were constructed using various methods throughout the early quest of the Republic for dominance over Italy. Among these were large irregular polygonal blocks that fit securely and were fashioned to fit precisely, resembling the later Inca art. A basic rampart wall was referred to by the Romans as an agger; at this time, tremendous height was not required. An enormous effort in the early 4th century BC was the construction of the Servian Wall encircling Rome. The wall is thought to have had 16 main gates, though many of these are only referenced in literature and there are no other known remains. It was 11 kilometers long, up to 10 meters high in some parts, and 3.6 meters broad at its base. Hannibal was dissuaded by some of it since it had an agger behind and a fossa or ditch in front. Subsequently, it was rebuilt by the Aurelian Wall, which enclosed a larger city and had more intricate patterns with sporadic tiny forts. Major cities and towns in areas they deemed susceptible were walled by the Romans, and portions of many of these walls are still present in later defensive structures, such as those at Córdoba, Chester, and York. There were much fewer strategic walls spanning over open country. #History#Architecture
This article also uses an image from the Wikipedia article -- Ancient_Roman_architecture --
[Wikipedia-Article-Link : https://en.wikipedia.org/wiki/Ancient_Roman_architecture ]
[Image : Roman walls of Lugo, Spain; Wikipedia-Image-Author : Xosema]
[Wikipedia-Image-Link:
https://en.wikipedia.org/wiki/File:Muralla_de_Lugo_-_03.jpg ]
[Image Availed Under Creative Commons Attribution-Share Alike 4.0 International License;]
[License-Link : https://creativecommons.org/licenses/by-sa/4.0/deed.en ] [You may copy, distribute and transmit the work (image) or share (alike) the work (image), provided that you comply with the terms of the Creative Commons Attribution-Share Alike 4.0 International License or other compatible license in distribution]
[License-Link : https://creativecommons.org/licenses/by-sa/4.0/deed.en ]
[Please Also Relate to Original Individual Text and Image URLs for More Usage Property and Sharing, Remixing or Attributing the Contents]
[Contents on Wikipedia is covered by -- Disclaimer --
[Wikipedia-Disclaimer-Link: https://en.wikipedia.org/wiki/Wikipedia:General_disclaimer ] [Contents in this Website is also covered by Disclaimer linked at the bottom of the Page]
[This website article means no intellectual appropriation by any way and only wishes to contribute in sharing of knowledge]