Florence was scarcely free before she aspired to establish a town hall as a residence for a chief magistrate and a belfry to summon the populace. Whenever a community is formed in the North, or a republic is founded in the South, the yearning for a town hall and a belfry invariably becomes the foremost expression of its will, and fulfilling that yearning serves as the initial testament to its existence. Consequently, in 1298, merely sixteen years after the Florentines had secured their constitution, Arnolfo di Lapo was commissioned by the rulers to construct a palace for them, the Palazzo Vecchio. Accessing the Palazzo Vecchio involves entering through a door located approximately one-third of the way along the facade, leading into a small square courtyard. This courtyard is encircled by a portico, which is upheld by nine columns showcasing Lombard architectural style, adorned with decorative elements. At the heart of this courtyard lies a fountain, topped with a rococo Cupid who is depicted holding a fish and resting upon a porphyry basin. On the first floor lay the magnificent Council Hall, crafted under the directives of the Republic and inspired by the co8unsel of Savonarola. There, a thousand citizens could gather and deliberate in comfort. The architect, Cronaca, expedited the construction to such an extent that Savonarola would often remark that angels were his masons. The palace served as the dwelling for a standard-bearer and eight priors, with two assigned to each quarter of the city; their term of service extended for sixty days, during which they resided together, sharing meals at the same table and were prohibited from leaving their quarters. In recognition of the time and freedom each prior sacrificed for the republic, they were each compensated with ten pounds daily, equivalent to almost seven francs in French currency. The vast frescoes adorning the walls, along with the images on the ceiling, were the work of Vasari. These frescoes depicted the conflicts between the Florentines and the cities of Siena and Pisa. For the latter, Michelangelo created exquisite cartoons that have since vanished, leaving no trace of their fate. Additionally, in the other chambers of the palace, which served as living areas, there exists a significant collection of paintings from nearly the same era. #History#Architecture
[Text-Information-Source: Romantic Castles and Palaces as seen and described by famous writers, Edited by Esther Singleton (1865-1930); (Essay: Palazzo Vecchio by Alexandre Dumas)][The book is in the public domain in the United States of America, and possibly other nations.] [Image: Aerial View of Palazzo Vecchio in Florence, Italy; Image-Author: Jorge Echegaray]
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